Sophocles ' Antigone And Anouilh 's Antigone : A Study Of Loyalty And Her Usefulness As A Character Essay

Throughout the interactive orals, my understanding of cultural and contextual consideration of Antigone by Sophocles has developed. You must receive further information about the playwright, the role of women, and the symbols used in Antigone to have a full understanding of the play. Without the knowledge provided from the interactive orals, the play would not have been understood as well as it is now.

The story of Antigone is one of immense importance. It illustrates the complicated relationship between citizen, human morals, divine law, and a governing body. The character after which the play is named has a difficult struggle against obeying the governing body, King Creon, and what she believes is right in regard to human morals. Our story begins with Antigone plotting to bury her brother, Polyneices, who was killed while fighting against their other brother, Eteocles, for the throne of Thebes. Both brothers were supposed to take turns sharing the throne of Thebes by alternating ruling years.

The dramatic play Antigone that Sophocles had formulated, carries out a complex and increasingly suspenseful plot. Creon, the king of Thebes, establishes a law that deprives Polynices, one of the two brothers that had died fighting for his rightful seat on the throne, a proper burial due to the attack of his own city. In response, Polynices’ sister Antigone defies this law behind Creon’s back and is as a consequence, sentenced to death. Yet, Creon’s judgements ultimately lead to his downfall as he loses all things significant to him in life. Thus, the characters of Antigone and Creon within Sophocles’ play find themselves in a conflict between their own conceivement of the law, which mirror the conflict between the divine and state. What Sophocles’ intends to convey within the tragic conclusion of both characters is the individuality of law and the correlating misconception that a wrong or right can be established within its definition.

One has the capability to determine from right and wrong and having the determination to stand up for what one believes in, no matter what the price is. In Sophocles’ Antigone, a written dramatic play, Sophocles portrays the theme that at times of one’s life, it is necessary to follow moral law and ignore political law. In the play, a determined and courageous woman named Antigone is loyal to her beloved brother by granting him a proper burial and having to suffer the consequences for revolting. Throughout Antigone, several incidents occurred where the political law was of no importance to the individual. Conflicts between Antigone and Ismene and then with Creon and Antigone are examples of the theme. The theme also ties with the

Reason and truth are never based on authority. Not even a supreme ruler can decide the right and wrong things to do. Antigone, in “Antigone” is set on honroing her dead brother even if it means going against her uncle Creon, resulting in a classic father or fatherly figure daughter conflict. In Sophocles’ play “Antigone”, the combination of Antigone’s stubborn loyalty and her uncle Creon’s hubris result in the main conflict, while also demonstrating that stubornness and pride lead to destruction.

In Antigone, Sophocles introduces the struggle between loyalty to civil law versus familial loyalty and divine law, which is a central conflict in the play. Antigone has a firm belief in upholding family values and honoring the gods and deceased by burying her brother. In contrast, Creon wants to do what is best for the city which is, in his opinion, forbidding the burial of Polynices. Both Antigone and Creon believe that their point of view is more important, and neither is willing to change perspective, causing the chain of destructive events in the plot. Loyalty causes the deadly dispute between Antigone and Creon because of their conflicting perspectives about precedence.

Unlike most Greek tragedies, Antigone is not essentially about the opposing powers of good and evil. Instead, the play demonstrates the conflict between one’s duty towards their family and their country and social expectations. “Antigone presents a conflict between family loyalty and loyalty to the state, between demands of the state and the will of the individual” (MacKay, 166). The king

This story is marked by tragedy after tragedy; Antigone and Ismene are presented with a father, that dare to killed his father to married his own mother. Two brother that followed the similar example, and consequently killed each other to for throne to have power. We don’t know what age they were when her parents died, but by inference we can argue that they were young. Although, Antigone and Ismene experience some life-hard moments together, their view on certain situation are shaped differently throughout the play. Antigone, see the situation with her brother Polynieces as outrageous offense to her and her family values, especially after being an active member of leadership in the city of Thebes. Antigone, experiences had made her a stronger than other women, she doesn’t fear man, and is

As the tragedy concludes, the chorus issues its final words: "Pray for no more at all. For what is destined for us, men mortal, there is no escape," demonstrating how justice remains impartial to the prejudice of men; those who make imprudent judgments will ultimately suffer from the consequences of their actions. In Sophocles' Antigone, these prejudices notably surface in the form of paternalism as demonstrated through Creon's government, highlighting the importance of gender roles throughout the play. Therefore, analyzing the motif of gender roles and its effect on the definition of justice through the perspectives of Ismene, Antigone, and Creon enables the audience to understand how Sophocles' macroscopic analogy to humanity's

The Importance of family and cultural values is proved in the Greek playwright written by Sophocles. Sophocles helped us understand each character as we meet them in the first scene. Antigone, we learn that she is the antagonist as she rebels against her uncle, Creon, and her love of her own blood, and that she is not one to stand down for any man. Antigone, Ismene and Creon are characters that are of discussion in the play of gender roles.

While Antigone represents a full devotion to humanism, her sister, Ismene, represents not only the rejection of it, but also passivity towards the notion of morality which, in a sense, is equivalent to Creon’s treachery towards what we hold morally sacred. Ismene has long been used as a symbol of both anti-politics and anti-humanism, which creates a dynamic plot by contrasting the cowardly fear to stand up for one’s concept of what is right with a brazen display of self-fulfilled justice. (2) What’s worse may be Ismene’s knowledge of her cowardliness and complete complacency, as seen when talking to Antigone about her plan to bury their slain brother when sharing her fear of punishment, " Think how we’ll die far worse than all the rest, if we defy the law and move against the

In the Greek play Antigone writer Sophocles illustrates the clash between the story’s main character Antigone and her powerful uncle, Creon. King Creon of Thebes is an ignorant and oppressive ruler. In the text, there is a prevailing theme of rules and order in which Antigone’s standards of divine justice conflict with Creon’s will as the king. Antigone was not wrong in disobeying Creon, because he was evil and tyrannical. The authors of “Antigone: Kinship, Justice, and the Polis,” and “Assumptions and the Creation of Meaning: Reading Sophocles’ Antigone.” agree with the notion that Antigone performs the role of woman and warrior at once. She does not only what a kinswoman would, but also what a warrior would do.

The play “Antigone” is a tragedy by Sophocles. One main theme of the play is Religion vs. the state. This theme is seen throughout the play. Antigone is the supporter of religion and following the laws of the gods and the king of Thebes, Creon, is the state. In the play Creon has made it against the law to bury Antigone’s brother, something that goes against the laws of the gods, this is the cause of most conflict in the story. This struggle helps to develop the tragic form by giving the reader parts of the form through different characters.

Sophocles and Jean Anouilh use simplistic storytelling in order to discuss the events and societal norms of the times when they were writing Antigone. When the tales are stripped down to their key stories, they both are about a defiant girl who goes against her uncle in order to do what she believes is morally right. In regard to the definition of tragedy, Sophocles follows the Greek standard of tragedy. By making Creon the tragic hero who is plagued by his own ego and unchanging ways when it comes to power. Anouilh puts a twist on the Greek tragedy by putting the focus on Antigone and not having the typical tragic hero who is unattached from the audience. Instead, Antigone is a heroine with everyday imperfections and emotions which seek to inspire people to condemn the French’s relationship with Nazi Germany during the Second World War.

In Sophocles’ Antigone, gender roles are a major conflicting theme throughout the entire play. The setting of the play was written during the Greek mythological days, around 442 B.C. During these days, men were dominant and held all of the power, so women were automatically treated as less. Antigone and Creon portray the conflicting sides between male and female, and Ismene and Haemon portray opposing sides to Antigone and Creon’s actions. Antigone, Ismene, Creon, and Haemon each show differences in behavior due to their sex versus the actions each character chooses to take. Antigone tells Ismene about her plans to bury their brother, Polynices, which is going against Creon’s orders. Antigone and Ismene, have contrasting perspectives on