Soundcraft Vi4 is a digital console by Soundcraft, which came out with the first mixing console in a flight case in 1973 where the music touring was started. The Vi series were being design as digital desk and are able to do both the touring, broadcast and installed sound scene.
There are three main components in the Vi4 system which is a control surface, local rack and a stage box. Vi4 system stage box come with 48 mono inputs on and a total of 24 output busses that can be used for matrices, auxes, group or masters and all the 48 mono inputs are able to be linked and create stereo channel. Basically it functions as a stage box that located on the stage and able to send 48 mono channels from the back of the stage box to the back of the local rack just by using one standard fit CAT 5 cable with Amphenol RJF connectors. The maximum cable run using flexible reel-mounted Cat5 cable is 100m, but possible to get it run 130m with permanent installation Cat7 cable. Another optional connection is using Fiber Optic cable but the Fiber Optical interface card need to install separately.
The Local rack place at the same place with control surface and inside it is 2 Digital Signal Processing engine - Studer Score Live technology, with only 2 DSP cards will be capable of 64 inputs with 40-bit floating-point digital processor and one or multiple D21m I/O frames. The D21m high density I/O system holds up all the inputs and outputs to produce ultra-low noise balance mic amp and sends it to
This section gives the details and specification of the hardware on which the system is expected to work.
The authoritative amplifier section has 7 separate output stages with equal circuit topology, with every channel rated at 125W, to easily drive modern loudspeakers.
The objective of this lab is to learn how to use the Tutor TIMS software to build and analyze a communication system. This lab required us to use Audio Oscilloscope, Adder and Tuneable LPF in order to get the required frequency signals.
What type of cable is necessary for each connection in Figure 4- 2: straight or crossover? You can assume that S1 and S2 do not have the ability to resolve crossovers ( called Auto- MDIX). Use your textbook and Internet research to compose your answer.
Firstly, long before it was established and renamed Soundview, the area was a Native American settlement by the Siwanoy (Jackson, 1995). This Native American indigenous tribe was settled along what is now known as the Bronx River which is the western border of soundview. During the seventeenth century, the Dutch and English had taken interest in the Bronx which led to them settling in the area; eventually buying the land from the Native Americans in 1639 (Jenkins, 1912). The early eighteenth century Soundview was seen as an area for residence and estates to be enjoyed by those who did not live in the area all year around; at the same time many wealthy families saw it as an opportunity to use it as farmland. This area of the Bronx became known
Fiber optic cables will be installed and configured on the physical star network topology spread throughout the 600 user network infrastructure. The main equipment that will be used during the implementation of the physical star topology will be the patch panel with an array of RJ-45 female connectors with terminals to connect wires to all the 600 users across the network infrastructure.
2. Will the current horizontal cabling suffice for the new network? If it will not, what type of cable should be used for the horizontal cabling? Provide detailed specifications for this cable.
Sonance is a company at a crossroads, long established as the leader in high-end home theatre speakers, it is at an inflection point where it needs to decide whether it wants to be a high-end speaker producer served through customized dealer channels, or a mass market audio systems maker. The past decade has seen the rise of a new competitive threat, the demise of its dealer channel and the emergence of a highly informed and selective customer base which have all served to hurt the company’s prospects.
sound with his development of the sound system called THX (Champlin 7). The highest of quality home receivers and highest quality movie theater sound
Unified Communication instruments into one stage gives many advantages and improved highlights for the advanced office, putting email, voice, information, IM, fax, video and conferencing into one focal area, open from anyplace there is a web association.
The first spell we were taught today in class was the verdimillious charm. When used as a defensive spell it will do nothing but cause a mild stinging sensation, buying you time to cast another spell or escape for danger. This charm will spurt out green sparks which will damage your opponent.
Sonance is a company at a crossroads, long established as the leader in high-end home theatre speakers, it is at an inflection point where it needs to decide whether it wants to be a high-end speaker producer served through customized dealer channels, or a mass market audio systems maker. The past decade has seen the rise of a new competitive threat, the demise of its dealer channel and the emergence of a highly informed and selective customer base which have all served to hurt the company’s prospects.
Desmond creates a green bar "bass", picks up a bass, connects the cable into the interface, and adds a bass line. He adds a yellow bar "guitar1", connects a guitar, and plays backing. He creates an orange bar "guitar2".
Take the idea of home entertainment to an entirely different, and highly more satisfying, realm. The Sony STR K660P 5.1 channel 70-watt receiver is an essential part of a great home theater system. The digital cinema sound system boasts magnetically shielded speakers. This means that there is minimal humming on the high treble and little vibration on the deepest bass notes. It also has a built-in STR-K660P receiver and an SS-VE66P speaker package. The set of speakers includes left, right, and center units. Each speaker has padded feet to prevent vibration when it operates at high volumes on uneven surfaces.
The proposed Digital Line Array configuration will be ‘flown’; suspended 6+meters above ground. These DVA’s will be located on both sides of the stage. The 4 JSub Subwoofers will be equally spaced along the length of the stage, 2 Jsubs will sit atop the DVA, 2 will sit on the ground as to maximise the reach of the low frequency content.