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Spoon River Poetry Analysis

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The 1915 poetry collection, Spoon River Anthology, by Edgar Lee Masters, offers a portrait of daily life in a fictional Illinois town, Spoon River. As is evident from the poems Spoon River was an economic “boom town” which profited greatly from its proximity to rail roads and a major waterway. Regardless of its prosperity, Spoon River seems to have remained a demographically small town, and the neighbors all knew each other very well, and a clear social hierarchy formed. One of the more interesting aspects of the Spoon River Anthology is that the poems contained therein are a series of grave epitaphs that tell a story about each deceased resident. Often, graveyards themselves can serve as reminders of social hierarchies in the world of the living. Typically, only those decedents who had family members and a community who cared for them would be laid to rest in the community grave; the potter’s field and the crematorium awaited those who passed away without family, in debt, or with a criminal record. Thus, the initial assessment of the deceased within the Spoon River graveyard would be that they were
“good people” in their lives.
Indeed, many of the epitaphs depict the decedents as moral, hardworking, and decent people. However, when cross-referencing the epitaphs from each citizen, it becomes clear that the prominent members of Spoon River were incredibly corrupt in their day to day behavior. Ultimately, Masters explores ethics in Spoon River Anthology by studying the fine

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