Review of Dr. Strangelove, Or: How I learned to Stop Worrying and Love the Bomb (1964)
Stanley Kubrick is infamous for his witty films that satire governmental and societal actions though history. In this film, Dr. Strangelove, Or: How I learned to Stop Worrying and Love the Bomb (1964), Kubrick is once again directing a film that is a biting, sardonic comedy that pokes fun at the nuclear fears of the 1950s. The screenplay for the movie was written by Stanley Kubrick and Terry Southern, and was based on the novel Red Alert written by Peter George. In this film, which is classified as a black comedy/fantasy, technology runs amok and takes over society and mankind. The irony of the situation, however, became apparent when shortly after
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Another such loaded name is Jack D. Ripper, which is the name of the US Air Force's Strategic Air Command's Commanding Officer. The name is symbolic of an infamous English serial killer. By placing this name with a senior commander in the US Military, Kubrick is attempting to show the bloodlust that he perceived the US Military's higher levels to have during that time towards the USSR. Yet another suggestive name is the name of another General in the US Military. This symbolism is slightly more subtle, because "buck" signifies a male animal, and turgid is a word meaning swollen. This name shows Kubrick's suggestion that the US Military had an inflated sense of self-worth during this era. These names serve to both show the director's opinions of individuals and systems of the time period, but also makes the connection in the viewer's mind from the male obsession with sex to the male obsession with war.
The next vehicle Kubrick uses to convey his thoughts on the matter is distortion of history. This is not, however, a vulgar distortion of history intended to misinform the viewer. Instead it is a purposeful distortion of history through which Kubrick can present a hypothetical situation in order to get a point across. In factual history, nothing of the sort ever happened as it is portrayed in the movie. In fact, Columbia
Stanley Kubrick’s sexual parody, Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, illustrates an unfathomed nuclear catastrophe. Released in the midst of the Cold War, this 1964 film satirizes the heightened tensions between America and Russia. Many sexual insinuations are implemented to ridicule the serious issue of a global nuclear holocaust, in an effort to countervail the terror that plagued America at that time. Organizing principles, such as Kubrick’s blunt political attitudes about the absurdity of war and the satirical genre, are echoed by the film style of his anti-war black comedy, Dr. Strangelove.
Even though Stanley Kubrick’s Dr. Strangelove, or: How I Learned to Stop Worrying and Love the Bomb screened in the midst of the sobering Cold War, critics were keen on praising the film for its mastery of humor applied to such a sensitive matter. The film is exceedingly loaded with metaphors, innuendos, and allusions that nothing can be left undissected or taken for face value; the resulting effect is understood to be part of Kubrick’s multifarious theme. Kubrick has stated that what began as a “the basis for a serious film about accidental war ” eventually birthed an absurd and farcical classic comedy. The director fuses together irony, satire, and black humor to create a waggish piece but most of all the situation of the times and its
The Stranger The Stranger exhibits a society that has confined itself with a specific set of social standards that dictate the manner in which people are supposed to act. This ideology determines the level of morality, and how much emphasis should placed on following this certain "ethical" structure. Albert Camus's main character, Meursault, is depicted as a nonconformist that is unwilling to play society's game. Through Meursault's failure to comply with society's values and conform to the norm, he is rejected and also condemned to death by society.
The filmmakers’ main ideas are that the government misled and lied to the people of the U.S. so that they would believe that the atomic bomb would have no effect on their health and security, that we should question if the government should have lied to the American people, and to make us question whether or not the citizens of the U.S. would continue to be as naive as the people of the 1950’s.
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Charles Maland’s argument for the 1964 film Dr. Strangelove is that it was one of the most “fascinating and important American films of the 1960s.” He backs up his argument with evidence of the films rejection of the Ideology of Liberal Consensus, its attack on “crackpot realism” and critique of life in the 1960s Cold War era, and finally its paradoxical revolution that sets an example for other films to come after.
Hitchcock's Psycho Psycho first hit our screens in 1960 directed by Alfred Hitchcock. It faced major controversy, as it was different. Horror films before this were more unrealistic and gruesome. Psycho was a groundbreaking film of the horror genre. It was more realistic the events could happen in reality.
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964) is a dark comedy film by Stanley Kubrick. The film deals with nuclear war which was a hot topic during the 50 's and 60 's. Americans were very paranoid about communists and nuclear war at this time. This film shows how ridiculous the paranoia about nuclear war through a sexual relationship allegory. The allegory deals with the masculine and the feminine. The masculine is an important part of the nuclear war efforts while the feminine takes a backseat. The feminine is displayed in men as a negative. The sexual allegory becomes funny through
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The movies describes a major theme of “The Departed” as one of the oldest in drama—the concept of identity—and how it "affects one's actions, emotions, self-assurance, and even dreams.” Many years later, an older Sullivan, now in his mid twenties, (Matt Damon) is finishing his training for the Massachusetts State Police with classmates, including fellow cadet Barrigan (James Badge Dale). In another class are Cadet Brown (Anthony Anderson) and Billy Costigan (Leonardo DiCaprio). All four men graduate to become state troopers. Sullivan is a sergeant, and has just passed the state trooper detective test. He goes in to meet with the calm and collected Captain Queenan (Martin Sheen), and the aggressive and
Stanley Kubrick’s, Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, is a political satire of the Cold War that displays the fear of nuclear devastation after World War II, which created an atmosphere of suspicion, with everyone prepared and waiting for the bomb to drop. Kubrick’s film portrays a worst-case scenario in which humans become the victims to the machines of destruction they have created and depend on for safety. At a time when the whole country was terrified of the Soviet Union, Kubrick’s film portrayed the issue through humor, instead of fear. Through the link of symbolism between a male’s ego and the underlying sexual nature of war, a relationship between Stanley Kubrick’s satirical film and the realities of
Alfred Hitchcock is arguably the greatest director of all time. Many of his films are considered standards of American cinema and inspired many of today’s directors. Even though Hitchcock is known as timeless director, he had an understanding of philosophy that was beyond his time. Hitchcock had a brilliant perception as to how the mind works and human reaction. Hitchcock’s understanding of philosophy can be seen in his film Vertigo and illustrates how many theories can be debilitating in everyday life.
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