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Steppenwolf : The Disintegration of Harry Haller as it Relates to Music

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Steppenwolf : The Disintegration of Harry Haller as it Relates to Music

Among the many themes present in Hermann Hesse's 1927 novel Steppenwolf, two stand out as

basic threads around which the story is constructed: the isolated nature of the artist and the duality of

existence (Benét 471). Harry Haller, the protagonist of the novel, is portrayed as an outsider to society and

to modern life; he must struggle with his own outmoded ideals and bestiality to embrace humanity and

reality. His Zerrissenheit, or disintegration (literally translated, "the state of being torn apart" [Benét

1142]), culminates in the Magic Theater at the finish of the novel. Here, he finds himself a changed man,

with a clearer …show more content…

He appears to experience the most meaningful of emotions and a sense of spiritual fulfillment. For a man

who is consistently depressed and withdrawn, this sudden enlightenment is especially significant. Indeed,

as Haller relates the experience himself,

I sped through heaven and saw God at work. I suffered holy pains. I dropped all my defenses and was

afraid of nothing in the world. I accepted all things and to all things I gave up my heart. It did not last

very long, a quarter of an hour perhaps; but it returned to me in a dream at night, and since through all

the barren days, I caught a glimpse of it now and then. (30)

Haller's experience gives him access to spirituality and peace. He relies on this feeling of freedom to aid

him in times of darkest depression, when he feels the man and the beast within him scrapping together to

such a degree that his only other possible release is his razor. Increasingly, Haller finds his only solace in

classical music and poetry-anything of the contemporary sort he automatically discards. His very survival

depends upon Mozart, Goethe and Novalis: such is Haller's mindset at the beginning of his Zerrissenheit.

Even as he retreats so fully into Mozart, Goethe, Novalis and the old masters, Haller displays

some tendency towards change. Without this slight crack in his stern

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