While researching the provided articles, my interest was drawn to works of art that have been stolen or looted. Although it did not come to much surprise that such terrible events such as theft occurred, I did not fully understand how big of an issue it actually is in our world as we know it today. This is an issue that many are not aware of, and unfortunately, most do not care. With every event that happens, there is always at least one consequence or more that will proceed. That means that because of all of the stealing and looting occurring, it will affect the world, and possibly us too. This crime is one that individuals can make a profit, which is exactly what ISIS has done. That means there is a market to this. The articles and video …show more content…
This is exactly what the article by Maria Puente is about. She goes into detail about how people are uneducated and gives real life examples of stolen art. The average person who visits a museum is most likely completely unaware that some, if not all the works of art have once been illegally taken. Once they find that information out, are taken completely by surprise. This is partly the museum’s fault that so many are oblivious to it. A woman who took a tour says that quite often people will go into museums and are completely uneducated about the specific information about the works of art. It makes sense that if the people are not given more information about the works of art, why should they be expected to know or care about this issue? If anything is certain, it is that the facts need to be given to inform the population, and maybe there would be a change in how many people care. It seems as if Maria Puente would appreciate that as well, as she often talked about how she wished more people …show more content…
There are events occurring because of the theft that should not be happening. It may be hard to imagine why anyone would do this terrible crime. If you are like me, I was wondering what was their reasoning behind it? Could it be for themselves, to sell, to keep others from experiencing it? Because of these occurrences where the theft happened, ISIS has been profiting off of the antiquities. This means that there has to be a market for it. Although it is uncertain as to how much money they make, it is estimated to be between $4 million and $7 billion. That is a huge range, but either way, they make loads of money in which they should not be making. This is an even bigger issue than just historical or economical, it goes beyond that. The people who are committing these crimes are dangerous and could cause harm to others. They are using it to their benefit to pay for their attacks. The process of how ISIS makes these profits is pretty simple and divided into three stages. “A dig permit is secured from ISIS authorities, unearthed artifacts are evaluated and artifacts are moved out of the Islamic State into the international market.” One may question as to how do these people not get caught? These people know they are in the wrong, keep quiet, and cheat the system. In a perfect world, they would get caught and they would get no profits, but unfortunately, that’s
From what I learned from the past assigned readings and class discussions, one of the difficult decisions that museums have to make is do they return their objects/artifacts back to their original countries or cultural group. This issue is an ethical dilemma because, would it be the museum to legally keep the objects because of their belief that they can protect and use these items (Warren 1999: 1-20). Or, would it be ethical for the museum to return the items that were previously removed from their country or place of origin. Based on my lecture notes and discussion for this week’s class, one of the ways which many countries and cultural groups are able to acquire back their objects/artifacts legally is through the process of restitution and
Why are police paid to find art? Because of the importance of the art, and the rarity, private investigators and detectives sought out to find and punish those who steal. In some ways like the case of Isabella Stewart Gardener, where no one was found, even 25 years later. They did give up, but wasted lots of time and money trying to find a piece worth $1-5 million. I would believe the police involved spent more
Historic treasures and artifacts are often donated to or purchased by other nations to place in their museums. Often museums are given the objects with full cooperation from the originating country, but sometimes they are stolen or given for protection such as in a time of war. When nations want the artifacts returned it can cause a disagreement with the other nations of who the rightful owner is.
The United States and its allied partners have made good progress in their efforts to control terrorist activities in many parts of the globe, but these efforts can only yield results if the substantial funding sources of Da'esh and similar groups aren't curbed immediately. They must focus efforts on adopting proactive measures that curb the market of looted and stolen antiquities and artifacts by terrorist organizations. Blood antiquities serve as a major means of funding terrorists ensures their continued existence and the possibility for future expansion. The Middle East is an exceptional archaeological and art-historical palimpsest of vanished and still existing civilizations as illustrated with an array of sites and monuments spanning
Throughout the Franklin readings, there have been multiple examples of the mistreatment of convicts. Whether it be an unjust mistrial, or an absurdly minimal ration of food. Prisoners have been struggling through the many adverse conditions. One thing that Franklin briefly touched on is the way that prisoners coped with the extreme conditions. Patricia McConnel does a great way of expressing the way Iva and Angora felt while sitting in the jail cell. McConnel emphasizes that singing in prison is a way for inmates to forget about their dreadful situation, and to find pleasure in the simple things in life, such as music.
The stolen works are valued at $500 million. The person who stolen it was the biggest thief in America. Big news then and now remains so today as it nears its 25th anniversary. The FBI and the government are doing everything in their power to find the missing artworks and notebooks, but the person responsible is just too smart, which makes
Christ in the Storm on the Sea of Galilee, a seascape with Jesus and the Apostles, and 12 other works, including a Vermeer and a Manet, all paintings stolen from the Isabella Stewart Gardner museum, valued at $500 million as the largest art theft in American history. Stolen art is a serious issue, as they are not only beautiful, but hold special meanings behind each and every one. To have a painting be stolen is like having your child be kidnapped, and you can never make another painting exactly like the original.
When the museums are brought the paintings Jewish people will try to fight for the painting because it was part of the heritage. Some museums cooperate and others do not and the battle between who the painting belongs to becomes an enormous court battle.
Many authorities have been facing challenges when they look for stolen artworks. They can not find many artworks like the Isabella Stewart Gardner Heist and some of the national treasures from the U.S. They have had clues to where they are but still no real evidence to whether they are the real treasures. In the Isabella Stewart a man said that he saw it one night in a warehouse, but no one believed him. And when the National treasures went missing they didn`t find them.
The illegal trade in antiquities or ‘cultural property, as defined in the 1954 Hague Convention as objects of artistic, historical or archaeological interest (appendix1), has become one of the largest and most lucrative criminal activities. Carried out on a transnational scale, it is believed to be the third most common form of trafficking after drugs and arms (ISPAC, 2008). Despite the enormity of this problem however, it is tackled with only a fraction of resources afforded to other criminal acts (Bazley, 2010). This is a worrying trend perhaps, given profits are often channelled into additional areas of organised crime, including narcotics and more recently facilitation of terrorist movements (Interpol, 2014). The aim of this assignment therefore is to explore this crime further, focussing primarily on stolen archaeological artefacts and identifying some key reasons for its proliferation. It will also look at international laws and legal instruments currently in place, recognising any failings or cross-jurisdictional challenges that may
I found the serenity surrounding Madame Lantin’s attitude toward her “false jewels” to be a prime example of how one does not need to gloat or boast the value of money over the value of happiness. Her sudden death affected Mr. Lantin and his outlook on life; he was blinded with greed and a sense of power as he came to relish his new found fortune. Accompanying his new fortune was the matrimony between Mr. Latin and his new bride, who, in the context of the story, appears to be the polar opposite of his first wife. The ending of the story was to be expected, in my opinion. If allowed the chance to change the ending, I would have changed the jewels to actual fakes and fixate on how he dealt with life after the death of his wife without the influence
The reason why its hard to find stolen artwork is cause its so many fakes. You never know if the painting you saw is the real one or not. If your uncertain how would you know if its real? Many people wouldn’t believe you if you did manage to find the real one.
There are many difficulties when trying to uncover stolen paintings. Let’s learn why it’s so difficult. Well for one we don’t where the paintings are or where they can be located until we do research. Research as in start from the beginning, where the painting originated from. Traces its movements, so if they painting was stolen from here but people have seen sightings of it here and there we go look and see if we can find any other clues to where the painting may be. How about we learn how these paintings go missing or just supposable disappear.
Linda Ngo, author of the opinion piece “Graffiti is a Beautiful 'Crime'” (2017), argues that graffiti should be legalized on grounds that it is an artistic expression of free speech. Ngo uses many comparisons between graffiti, which she claims is harmless, to many legal activities that cause people harm. Her purpose in writing this paper is to establish a legal form of graffiti to protect graffiti artists from legal action. Ngo's target audience for this paper is peers who may have different views on graffiti and its purpose.
The terrorist group ISIS who has destroyed many artifacts in Syria and Iran shows modern iconoclasm. The Bagdad Museum’s website now reads “2015: ISIS destroys what is left of ancient history.” Statues in the Mosul Museum have been jackhammered, books have been burned, Nimrud was bulldozed, and the Tomb of Jonah was blown up. Beheading is not getting the desired reaction anymore, so why not destroy cultural artifacts? It is rumored that ISIS and Al-Qaeda have sold some artifacts on the black market to fund their activities.