Summary Of Billy's Travels

The plot of Slaughterhouse- Five revolves around World War Two, especially the bombing of Dresden from a soldier’s perspective. Vonnegut vividly describes the destructive nature of war through accounts of ambush, mistreatment of prisoners of war, and massacres. However, he also expresses the mentally and emotionally damaging effects of war with the pure insanity of Billy Pilgrim. One of many instances illustrating Billy’s altered state of mind in the war is when he arrives in a prisoner of war camp. The English prisoners put on a production of Cinderella for their American guests and following a comical line Billy loses control. “He not only laughed – he shrieked. He went on shrieking until he was carried out of the shed into another, where the hospital was” (Slaughterhouse 98). This is a single example of the deplorable state of Billy’s mental sanity. The reader is already aware that Billy also begins to hallucinate and have crazy notions that he was abducted by aliens. Billy even acquires a sort of catchphrase that clearly demonstrates how emotionally distant Billy has become because of the war. Every time death is brought up, Billy has only one thing to say about it: “So it goes” (Slaughterhouse 214). This shows that Billy has become numb to pain, anguish, fear, and even life itself. To Billy, the end of the war did not actually bring freedom, but trapped him inside the horrors of his memories and deranged

In the book SlaughterHouse-Five by Kurt Vonnegut, the main character is named Billy Pilgrim. Billy has Post Traumatic Stress Disorder (PTSD) and experiences his life over and over again and can not stop it. PTSD is a disorder that is caused by a traumatic event that a person has experienced. Billy’s PTSD is present throughout the whole novel. I think Billy’s PTSD is a part of the reason that he is going “through time” and is “unstuck” in time.

Billy is kidnapped by Tralfamadorians one night and is brought to the planet of Tralfamadore. In the novel “Slaughterhouse Five” Billy reveals this event when Vonnegut states, “Billy went to New York City, and got on an all-night radio program devoted to talk. He told about having come unstuck in time. He said, too, that he had been kidnapped by a flying saucer in 1967. The saucer was from the planet Tralfamadore, he said. He was taken to Tralfamadore, where he was displayed naked in a zoo, he said. He was mated there with a former Earthling movie star named Montana Wildhack” (25). Billy finally tells others about his experiences with the Tralfamadorians when he goes to New York. This is the point in the book where Billy is viewed by others and it shows just how crazy he really is. Billy really does believe that he went to another planet and interacted with other forms of life. Billy often stops in time and flashes forwards several years, the author describes this as “becoming unstuck in time. Vonnegut states, “And so on. Billy says that he first came unstuck in time in 1944, long before his trip to Tralfamadore. The Tralfamadorians didn't have anything to

A question that arises in almost any medium of art, be it music, film or literature, is whether or not the depiction of violence is merely gratuitous or whether it is a legitimate artistic expression. There can be no doubt that Michael Ondaatje's long poem The Collected Works of Billy the Kid is a violent work, but certain factors should be kept in mind before passing it off as an attempt to shock and titillate; certainly, the poem does both of these, but they are not the primary purpose of the work. For one thing, social context needs to be considered; Billy lived in the "Wild West", a time associated with range wars, shoot-outs and great train

Slaughterhouse-Five book is antiwar novel, and it written by Kurt Vonnegut. A man named Billy Pilgrim who is unstuck in time, and always goes all relives various occasions throughout his life. Billy pilgrim is a main character in this book. “Billy is born in 1922 in Ilium, New York. He grows into a weak and awkward young man, studying briefly at the Ilium School of Optometry briefly before he is drafted” (Borey 1). Then, after training he sent to the Germany during the war. Billy acknowledges diverse values and sees horrible and morbid occasions in a different contrast to others. Billy experiences acknowledges a lifestyle that is not visible to other people. Many readers would contend that Billy's encounters make him crazy; however,

The design of this novel was structured from Kurt Vonnegut’s own World War II experiences. The one experience that seemed to stand out the most in the novel was the Dresden air raids. Vonnegut saw the air raids as senseless, so every time Vonnegut is describing the raids in the novel we see a distinct pattern, Vonnegut uses his novel to depict to the reader a feel of senselessness every time the bombing is mentioned. As a witness to the destruction, Billy confronts fundamental questions about the meanings of life and death. Traumatized by the events in Dresden, Billy is still left lost with no answers. Although his life as a working family man is considerably satisfying, he is unable to find peace of mind because of the trauma he suffered in Dresden. (Vonnegut,

After reading the novel, Slaughterhouse Five, written by Kurt Vonnegut Jr., I found my self in a sense of blankness. The question I had to ask myself was, "Poo-tee-weet?"(Vonnegut p. 215). Yet, the answer to my question, according to Vonnegut was, "So it goes"(Vonnegut p.214). This in fact would be the root of my problems in trying to grasp the character of Billy Pilgrim and the life, in which he leads throughout the novel. The pilgrimage that Billy ventures upon is one of mass confusion, running with insanity, finally followed by sanctuary, if layed out in a proper time order sequence. Billy is a victim, prophet, survivor, as well as a firm example of

Many people returned from World War II with disturbing images forever stuck in their heads. Others returned and went crazy due to the many hardships and terrors faced. The protagonist in Slaughter-House Five, Billy Pilgrim, has to deal with some of these things along with many other complications in his life. Slaughter House Five (1968), by Kurt Vonnegut, Jr., is an anti-war novel about a man’s life before, after and during the time he spent fighting in World War II. While Billy is trying to escape from behind enemy lines, he is captured and imprisoned in a German slaughterhouse. The author tells of Billy’s terrible experiences there. After the war, Billy marries and goes to school to

The main event in the novel was the fire-bombing on Dresden during World War II, which both Vonnegut and Pilgrim took part of. Billy Pilgrim was constantly traveling back in time to WWII already knowing this tragedy was going to take place. But again, he went on with life because he knew he could not stop the bombing from

This isn't Billy's first travel through time, just the most important. Back in Germany, the American troops arrive at what will be their lodging for the next few days. The Americans eventually move to a prison in Dresden. They are put to work, going on with their prisoner lives in what some seems to be a peaceful German city during the war. Of course, there is no surprise when the sirens shriek and planes fly by, dropping their deadly arsenal on the city below. Billy and a few other men live through the bombing and find the city as desolate as the moon.

Billy is displayed as being a weak and unprepared soldier. He is a mockery to everyone around him but still manages to survive WWII. This irony is exemplified through what Billy wears as a prisoner of war. Vonnegut writes, “And then they saw bearded Billy Pilgrim in his blue toga and silver shoes, with his hands in a muff. He looked at least sixty years old,” (Vonnegut 149). By making Billy an antihero, Vonnegut highlights the antiwar sentiment of the entire work. Billy’s weakness shows the flaws in people’s glorified depictions of war and of an American soldier. The traumatized Billy after the war also contrasts a traditional hero and shows another way that war can be destructive. Vonnegut’s development of Billy as an antihero supports the themes of Slaughterhouse

In Tim O’Brien’s story, Where Have You Gone, Charming Billy?, a theme that people tend to utilize different coping mechanisms to ease their fear is shown via some examples of irony. After being at war for not even a week, Private First Class Paul Berlin watches his cohort die of not the foot that was blown clean off his leg, but the heart attack he suffered from the fear of dying from the loss of this foot. Berlin has to find a way to put this all behind him and cope with his own fear of dying. He hopes that, “In the morning, when they reached the sea, it would be better” (O’Brien 198). This is situational irony because the reader expects Private First Class Paul Berlin to cope with his fear of the war when they reached the sea.

At the time Billy is captured, he becomes “unstuck in time,” and he sees various moments of his life occur. Later, Billy experiences a nervous breakdown so the other prisoners give him a shot of morphine which sends him time-tripping once more. Afterwards, he and the other prisoners are sent to the city of Dresden which remains untouched y the war. Here, they work in an abandoned slaughterhouse which carries the name of “Slaughterhouse Five.” One of the nights of their stay, enemies of the Germans bomb the city to compose a firestorm which consequently incinerates roughly 130,000 people. Billy and his allies manage to survive in an airtight meat locker. When they depart the locker, they are introduced to the wreckage and destruction that is left of the

In Slaughterhouse Five, Kurt Vonnegut explains his experience of the World War II bombing of Dresden, Germany. Vonnegut's creative antiwar novel shows the audience the hardships of the life of a soldier through his writing technique. Slaughterhouse Five is written circularly, and time travel is ironically the only consistency throughout the book. Vonnegut outlines the life of Billy Pilgrim, whose life and experiences are uncannily similar to those of Vonnegut. In Chapter 1, Kurt Vonnegut non-fictionally describes his intentions for writing the book. Vonnegut personally experienced the destruction of Dresden, and explains how he continuously tried to document Dresden but was unsuccessful for twenty-three years after the war. Vonnegut let

This book can be quite confusing if not read with utmost care. Because the main character, Billy, becomes “unstuck in time,” (29) the book does not go in chronological order. That is solely because of this fact one must analyse the plot, making sure one does not get confused. To start out in the explanation of the plot in Slaughterhouse Five one must first look at where the action starts to incline, otherwise known as the rising action. Rising action would be best represented as Vonnegut’s character Billy “was taken prisoner by the Germans” (30). It is here where the rising action is because suspense is created, which locks the reader into the book, which makes them want to keep reading. This is where the reader becomes apprehensive about the characters safety. After the rising action comes the climax of the story. The climax is the moment of the most intensity in the story. The climax includes the reason why this book was written; Dresden. The most intense moment in this book is when Billy Pilgrim traveled to the time that “...Dresden was destroyed.” (226). To the reader this gives them information which they have been waiting for since they Vonnegut first mentioned it. Although a reader could infer what happened to Dresden the reader didn’t know what happened to Billy in Dresden, including whether he was hurt or not. In this case Billy was not hurt because he was “down in the meat locker…[which] was a very safe shelter.” (226). Although since the plot is always flashing back and forth between the present and past the reader knew that Billy did not die. Lastly is the part where all the loose ends are tied up. This is also called the falling action. The falling actions in this book occurs when Billy is about to present his insight on his findings of the subject of death, which the Tralfamadorians taught him. Billy was finally able to conclude that “we will all live forever, no matter how dead we may seem to be…” (269).