Summary Of Dorothea Tanning's Painting Eine Kleine Nachtmusik

The tone used in Vincent’s painting were a mixed of warm and cool colours to convey his emotions. In order to achieve the dramatic mood of this painting, Vincent used white and yellow oil paints, which marries well with the blue and green to create the night sky.

     Color values are strong in this painting. It goes back to what I said about color, but I believe the soft hue of the blue walls against the strong hue of the bed frame and floor provides enough contrast to pull you into the painting. I also like the strong hue of the table. It connects the visual of looking at the chairs and the bed. When you look at the table, your eye cannot help but look at the other furniture.

As we all know, color is the voice for the artist 's sentiment. It makes up the appearance of a picture. Color is the decisive factor in depths of the two-dimensional plane of the artwork, making the viewer feel physically and mentally attracted, or the context of things - the phenomenon the author wants to present. Colors have been around for a long time, but there is not a common definition for colors. And perhaps humans are one of the luckiest creatures that can identify colors. Often, the recipient 's eye knows a myriad of colors and colors that always change based on the relationship between light and perspective. In art, color creates a sense of

Secondly, the light and colors help to enhance the piece. Due to the oil painting,

Color fills our world with beauty. We delight in the colors of a magnificent sunset and in the bright red and golden-yellow leaves of autumn. We are charmed by gorgeous flowering plants and the brilliantly colored arch of a rainbow. We also use color in various ways to add pleasure and interest to our lives. For example, many people choose the colors of their clothes carefully and decorate their homes with colors that create beautiful, restful, or exciting effects. By their selection and arrangement of colors, artists try to make their paintings more realistic or expressive.

Hirsch uses bright and subdued colors to represent the rank and status of the paintings occupants. The color of the chairs in contrast to the blue-black background gives the illusion of space. He utilizes highlights and shadows throughout which gives the viewer the impression of light cast onto the scene from outside. The light bounces off the reflective surface of the king’s head as well as the silverware and gold goblets. The shades of green and yellow give the fruit on the table a real feel to it. The smoke raising becomes transparent as it swirls upward and finally vanishes. The use of color shows the importance of every element from the

I selected this painting because the colour contrast of the pink dress against the dark background caught my eye. I also found the expression of the young woman to be interesting.

The flowers face many angles and are all different, most have contrasting shades of green leaves surrounding the petals and varying stem widths and lengths. This creates interest throughout the painting. To complement the bright yellow flower petals, Van Gogh has detailed a baby blue background with small, vertical and horizontal brush strokes. This contrasts well with the yellow flowers and helps to separate them from the yellow foreground. Also, to break all the yellow sections, he has cleverly used a lighted yellow tint on the bottom half of the vase, rather than shades, which he has used to outline the petals of the flowers. In doing this and by also adding light to the front petals and vase, Van Gogh has added a third dimension to his painting. Like Olley, Van Gogh has painted this artwork in warm colours to create a joyful and uplifting artwork to look at.

The notion coincides with the aspect of my CEO’s decision to open a new corporate real estate firm, deciding it was the best time /season to do so. The colors in the painting is also matches the décor near the wall by the receptionists area, the orange and blue colors complement each other.

Because of her variety of hues in the work, she uses muted colors to avoid a highly saturated painting. Her use of blue throughout brings the whole work together. The splash of red orange in the background helps create balance and unity in the work. Because red is complimentary to green, it makes the flowers stand out against the green bushes. This helps to balance the work without calling much attention to the background. The background in the work also seems to be slightly blurred which calls focus on the subject, thus creating less distractions for the viewer.

One of the most important observations anyone could make while viewing a painting is the artist’s delicate choice and use of colors. In paintings, colors serve two different but equally important purposes. One purpose is to draw attention to the painting, while the other purpose is to display emotions. An artist that understood the importance of color in paintings extremely well was the late talented Vincent Van Gogh. In his painting Café Terrace at Night, Van Gogh incorporates a vast array of colors to arouse emotions from within the audience. In order to assess which colors aroused which emotions two important questions must be answered. What emotions do the specific colors used within the painting give off to the audience? How have the emotions behind the colors been learned through normal human experience over time?

When one looks at the painting White light, an array of colors spring off the canvas and permeate one’s senses. The primary and intense color of red is softened by the primary colors of yellow and blue. While the tertiary color of green subtly takes its place among the hues to give some balance. The perceivable tones of black and white add value and seem to give some

The first thing that stands out in this painting is the color scheme. From far away, the warm colors of orange, tan, and mahogany seem inviting. The home seems friendly under a slice of turquoise sky. Shadows heighten the look of the fading sunlight upon the

The last canvas I found is the opposite in a way of the two I talked about. The Consummation of the Empire, I found this picture strange at first, that is why I chose it. Consummation meaning the completion of something, it is representing the finishing of Civilization. The point is nature has been taken over, nature is not the main focus anymore, the big white buildings seem to take over most of the land with lots of people as well. So how does this painting play a role in Romantic times ? Instead of taking what is beautiful out of something bad it does the opposite. This painting takes something that is beautiful, meaning the big white buildings, the clear blue sky and what seems to be a lot of people and makes you realize that nature is more important. In all three of these canvases, it seems that the color and texture play a role in how the artist is trying to explain emotions and how what they have gone through or what they may want to go through can affect their

This variation and symbolism of colors are used extensively throughout the movie, and allows for a more effective and accurate method in delivering the messages and themes intended. In a way, Anderson is not just telling a story, but he is also painting a picture for the viewers to enjoy on the screen. For instance, extensive use of soft pastels and muted undertones create a dreamlike look to the hotel and objects (the cake box, funicular, Mendl’s uniform & vehicle, etc), clearly distinguished from the other parts in the film. The poetic and impeccable pastel-toned look of the hotel, mostly pink and purple, resembles of a doll’s house: peaceful, and fairytale-like. Not only that, it is comparable in appearance with the graceful pink packages of Mendl’s Patisserie. On that note, the scene that stands out in terms of a strong color contrast is when Gustav is in prison and shares the cake with the other inmates. When he cuts the cake with the “throat slitter”, the soft rosy box of Mendl’s stand out from the gloomy color schemes of the prison. Not only that, the box is placed in the very middle, thereby emphasizing the objet using the “rule of thirds”; composition aspect of mise-en-scene. Also, the director strikes the audience with vivid colors, when in need of reinforcement of the theme or highlighting an essential scene. When Agatha and Dmitri board on the elevator when holding painting, there exists a powerful contrast: between Agatha wearing beige-toned outfit with hairs impeccably braided reminiscent of an angel, Dmitri with all black long coat and messy mustache signifying the dark and the evil (also, wearing the armband similar to that of Hitler), and the elevator guy wearing a vibrant purple uniform. The costumes, which are also a significant part of décor, therefore convey the audience in