Summary Of ' Eliduc ' By Marie De France

Marie de France, supposed author of the series of Lais, recounts her stories through short texts, which are centered on women and their place in the 12th century. There are several supernatural elements throughout her work, which are mainly and explicitly present in ‘Guigemar’ and ‘Yonec’. This can be defined as ‘events or things that cannot be explained by nature or science and that are assumed to come from beyond or to originate from otherworldly forces.’ It is not however the only narrative device she has used in her written pieces. It is with the combination of the supernatural with the self-propelled ship or the transformation of the hawk into a knight, and the natural, the symoblisation of the stick and the rossignol, that Marie de France explores human relations between her characters.

     Auguste Escoffier was born on October 28, 1846, in the village of Villeneuve-Loubet, France. He was the son of Jean-Baptiste Escoffier and his wife Madeleine Civatte. His father was the villages blacksmith, farrier, locksmith, and maker of agricultural tools. Escoffier's childhood dream was to become a sculptor. Unfortunately he was forced to give up that dream at the age of thirteen, just after he celebrated his first Holy Communion Escoffier was told he was going to be a cook.

In Elizabethan times, women were treated as objects and only useful when bearing children. When Juliet showed contempt for being forced to marry Paris, her father would've taken this as disobedience and that she was unwilling to fulfill her purpose in life. Also, if this argument had been heard by the public, the Capulet name would have been laughed at and they would have been greatly embarrassed. Because of this, Lord Capulet was not wrong. With Juliet refusing to marry Paris, the entire family risked embarrassment and disgrace. Also, Juliet would have nothing. Her father would have disowned her and she would not have a man to support her. She could not have worked because that was not allowed. Juliet risked death and disownment. Another custom for Elizabethan marriages was that the couple did not meet each other until the wedding day. Lord Capulet thought that Juliet was being irrational because she had seen Paris and was being given an opportunity to serve her family. In lines 142-145, Lord Capulet says, "How, will she none? Doth she not give us

“Fleur” is a story written by Louise Erdrich. The author of the story provides very restrictive details about Fleur, the way she looks, stands, and play a poker game with three men who work with her. Fleur seems to be struggling with gender conflict and her culture. People in her culture seem to fear her because they think she is married to Misshepeshu and if anybody touched her he will take his/her life. The story has many important details that will help the reader understand what is going on in the story. Erdrich uses symbolism, imagery, and tries to show us and tell us what is happening by relating some points and hiding others the reason for that is because Erdrich wants the reader imagine the event of the story in the way they wand and to help them understand his point better. Also, the narrator uses some ambiguities for example, the narrator did not tell us why Fleur is viewed the way she is, but then later in the story we find that they view her that way because they wanted to rape her. As we continue reading the story we understand that Fleur was raped and sexually assaulted by the three men especially when Pauline starts describing the situation of Fleur after she was sexually assaulted.

The women described in the Lais of Marie de France often commit traditionally sinful deeds, such as adultery, murder, and betrayal. However, with a few exceptions, the protagonists often end up living happily with their beloved for the rest of their lives. The Lais advocate for situational judgement rather than general condemnation of specific acts, which can be seen through Marie de France’s treatment of sinful heroines.

The extent to which the Lais of Marie de France can be categorized as fairy tales is dependent on the definition of “fairy tale.” Using various scholars’ definitions of “fairy tale” and conceptions of the fairy tale genre, criteria for “fairy tales” arises. Then, close-readings of three lais, “Guigemar”, “Lanval” and “Yonec”, are used as a mechanism for meeting or failing the criteria. This methodology is then evaluated and problematized. The criterion for fairy tales includes origin, form, content, style, and meaning. Etymologically, the word ‘fairy tale’ has disputed origins. Supposedly, it comes from the French “contes des fees” or “tales about fairies”, popular in French courts and salons in the seventeenth century. However, Jack Zipes argues that “conte féerique” actually translates to “fairy tales” and refers to narrative form, rather than content.

Elizabeth de la Guerre lived in the Baroque time period. She was born in France, October 10, 1666. She died on June 27, 1729 in France. Elizabeth de la Guerre was the daughter of Claude Jacquet. Claude was an organist and a harpsichordist who taught all his children to play. Elizabeth could play and sing so well that king louis the 26th let her perform in public when women weren't allowed to.

Darcy realizes that his pride is keeping he and Elizabeth apart. Mr. Darcy earns Elizabeth’s love by fixing all the wrongs he has committed to her and her family. He brings Elizabeth’s sister and Mr. Bingley back together, saying, “ I told him, moreover, that I believed myself mistaken in supposing, as I had done, that your sister was indifferent to him; and as I could easily perceive that his attachment to her was unabated, I felt no doubt of their happiness together” (Chapter 58 ). Elizabeth is also grateful when Mr. Darcy persuades Wickham to marry Lydia as shown in this quote: “ The vague and unsettled suspicions which uncertainty had produced of what Mr. Darcy might have been doing to forward her sister’s match, which she had feared to encourage as an exertion of goodness too great to be probable, and at the same time dreaded to be just, from the pain of obligation, were proved beyond their greatest extent to be true!” Elizabeth sees that Mr. Darcy is good at heart (Chapter 52). With this new information, she accepts his second marriage

THE RESEARCH TOPIC The topic of my research is how courtly love applied the Lais of “Equitan” and “Bisclavret” written by Marie De France. THE RESEARCH CONTEXT Research Questions: 1. What are the effects of courtly love on the situation of women in the middle ages?

There were many early expeditions from Europe to North America, most in search of a

Even though these qualities are praised in this culture, medieval narratives commonly uphold unrealistic virtues of what a perfect woman is. After Lanval vows to keep their love a secret, the queen of the court tempts the knight with her love. She says, "Lanval, I have honored, cherished and loved you much. You may have all my love: just tell me what you desire! I grant you my love and you should be glad to have me" (pp. 1771). Shortly after Lanval rejects her advances, the queen further establishes her ill will towards the good knight by saying, "I well believe that you do not like this kind of pleasure. I have been told often enough that you have no desire for women" (pp. 1771). The importance of these accusations exemplifies the queen's power and influence over Lanval. Although he graciously declines the queen's love, he regrettably reveals his love to the queen in an attempt to prove himself to the court. He says, "And I will tell you one thing; you can be sure that one of her servants, even the very poorest girl, is worth more than you, my lady the Queen, in body, face and beauty, wisdom and goodness" (pp. 1771). The manner which the queen entices Lanval reveals that both power and evil can be easily compared to this woman's actions, showing readers the other side of the coin. The division between these two women illustrates how often this society feeds off of a virgin/ whore dichotomy, branding such women

It's easy to find Louise Erdrich among the canon of what have come to be known as western writers. Her name (or names, given the mltiple pseudonyms) pops up right near the top along with Cormac McCarthy and Elmer Kelton. And as impressive as her noteriety is, one eventually wonders if "western writer" isn't an albatross hanging around the neck of her career. Maybe it's Tolkien's fault. After all, he's the one who created an entire genre in which setting is paramount to plot or conflict. But Erdrich doesn't share his negligence. Her sories are set in the west, but her truths are universal. "Fleur", specifically, speaks to two.

Boom! The door flies open and a handsome knight runs into the room and yells, “Come my lady we must go now, for he is on his way”. The lady jumps to her feet and says “My love whom is on their way?” he responds, “your husband is on the way and he has heard of our romance”. The couple joins hands and quickly runs through the castle hoping that they are not seen. Suddenly the king jumps from a dark shadow, stops the couple in a sudden halt, and says, “Where do you think you are going?” With no response from the lady, the king reaches to his side and pulls a rope that releases a large bucket of acid onto the queen and her secret lover, which eats their bodies flesh within minutes only leaving the two skeletons holding each other’s hands. This

When analyzing the French Revolution, the idea of political transformation and citizen involvement play a huge role in actually understanding how the revolution altered from enlightened conversations in salons to its completion, resulting from the French “voice” uniting to halt The Terror that Paris had become. Reflecting back on this event, historians still debate on the specific moment this aristocratic revolution of 1789 turned into the blood-bath radical revolution due to the momentum and contingency that each event has on the overall Revolution. The two authors, Jeremy Popkin, and Timothy Tackett, explain their historical opinion on this period of French history, in which both share a similar

Beginning with Mr. Darcy's failed proposal and his later letter of explanation, Elizabeth's proud and judgemental nature is altered by the pressure placed on her to decide if she wishes to marry Mr. Darcy or not. Introspection and her eventual acceptance of her romantic feelings for Mr. Darcy demonstrate that strenuous emotional situations can lead to a change in character, by allowing her to open up her prejudiced mind and see that the opinions she has are not always correct. Prior to her relations with Mr. Darcy, Elizabeth is a young woman who sees little point in marrying if she does not find a man whom will bring her happiness in life. This provides a foundation from which she can change, placing her in an ideal position to change in response to the