In The Penal Colony

When people talk to each other, they make widespread use of metaphor. In talk, metaphor is a shifting, dynamic phenomenon that spreads, connects, and disconnects with other thoughts and other speakers, starts and restarts, flows through talk developing, extending, and changing. Metaphor in talk both shapes the ongoing talk and is shaped by it. The creativity of metaphor in talk appears less in the novelty of connected domains and more in the use of metaphor to shape a discourse event and the adaptation of metaphor in the flow of talk. People use metaphor to think with, to explain themselves to others, to organize their talk, and their choice of metaphor often reveals- not only their conceptualizations- but also, and perhaps

In the novel “Crime and Punishment”, the author, Fyodor Dostoevsky gives the reader a glimpse into the mind of a tormented criminal, by his guilt of a murder. Dostoevsky’s main focal point of the novel doesn’t lie within the crime nor the punishment but within the self-conflicting battle of a man and his guilty conscience. The author portrays tone by mood manipulation and with the use of descriptive diction to better express his perspective in the story, bringing the reader into the mind of the murderer.

This article by Walter H. Sokel claims that the metamorphosis Gregor goes through gives him the chance to be rebellious. Sokel highlights that after Gregor is changed into a cockroach he also changes mentally, which affects his actions.

When I look up the meaning of metaphors in Webster it says "a figure of speech in which a work for one idea or thing is used in place of another to suggest a likeness between them." The Hours by Michael Cunningham is enriched with many complex metaphors. While intertwining three different woman's lives, Cunningham uses a wide range of metaphors to help mean something in one story and tie into the next woman's story. Using deconstructive interpretation to investigate these strategically placed metaphors can be difficult and exciting, yet challenging.

A metaphor, used as a communication skill, is best described in a political way. Think of Reagan’s Voodoo economics, or Bill Clinton building a bridge to the 21st century. Politicians can easily scam an ignorant voter, should one not understand a metaphor. For example: Clinton refers to building a bridge, but does not tell us with which tools he

“A Hanging” by George Orwell is an influential, autobiographical essay, in which the subject of capital punishment is powerfully examined. The essay is based on a prisoner’s execution in a Prisoner of War camp in Burma during the Second World War. In the essay, Orwell is a prison guard for the camp and carefully illustrates his views on capital punishment. The structure of the essay is of three distinct sections. These sections provide the reader with contrast and repetition, and are grounded in reality but with emphasis on the creative,

Humiliation, Pain and Death: The Execution of Criminals in New France,” is an article that puts

Ambiguity of Characters in Franz Kafka’s ‘In The Penal Colony’ and ‘Waiting for The Barbarians’

In The Trial by Franz Kafka, the protagonist K. is going through what is often thought of as one of the most dehumanizing aspects of society. Even in the United States many criticize the justice system for being dehumanizing. People are forced to wear the same thing, act the same way, and are given numbers instead of names. In The Trial Kafka emphasizes the dehumanizing aspects of this process by exacerbating the bureaucratic steps that must be accomplished and adds more uncertainty and secrecy to the steps. Kafka’s writing shows the lack of information that K. is given, and the symbolic dehumanization that occurs during the whipping and with K. lacking a last name.

A prisoner’s life consists of twenty-three hours per day in a tiny, empty concrete cell, with one hour of daily exercise in a small concrete swimming pool; they have no access to other inmates, and only rare contact with guards, who say nothing to them; they can see nothing of the outside world except a tiny sliver of sky. The death penalty as punishment is an unnecessary threat compared to the dullness of what prison life is like.

Bennet (2015) , in his essay “Thinking literally: The Surprising Ways That Metaphors Shape Your World”, points out that “…metaphors are primarily thought of as tools for talking and writing—out of inspiration or out of laziness, we distill emotions and thoughts into the language of the tangible world.” , (p. 637) We “distill” these ideas in this way because our minds are not typically very good at explaining our inner thoughts without outward ide-as. Orwell agrees with Bennett in his essay “Politics and the English Language” when he says that “A newly invented metaphor assists thought by evoking a visual im-age …” (Orwell, 2015) and that “Probably it is better to put off using words as long as possible and get one’s

Metaphors gives the audience an image or story that they can possible relate to and that is what makes a topic or the issues a film is talking about interesting.

"It [torture] assured the articulation of the written on the oral, the secret on the public, the procedure of investigation on the operation of the confession; it made it possible to reproduce the crime on the visible body of the criminal; in the same horror, the crime had to be manifested and annulled. It also made the body of the condemned man the place where the vengeance of the sovereign was applied, the anchoring point for a manifestation of power, an opportunity of affirming the dissymmetry of forces."[4]

The “dehumanization” of one’s victims does wonders to calm any qualms or misgivings an individual may experience about injuring another man. By evoking fear in the torturer and therefore, a sense of being threatened by a given enemy, the regime in power causes the torturer to feel obliged to defend against such a threat. Consequently, he will torture his fellow man to procure some valued piece of information and in doing so remove himself from a precarious position and subdue his enemies all at once. Such enemies are viewed as evil and little more than monsters. A victim is rarely referred to by his or her name or by any other humanizing characteristic, rather a victim is most often referred to as some base, nonhuman creature or beast.

No person that leads a normal life is likely to write a metaphorical yet literal story about a man transforming into a bug. That being said, no person that leads a normal life is likely to alter a genre as much as Franz Kafka did. With the unusual combination of declining physical health and a resurgence of spiritual ideas, Franz Kafka, actively yearning for life, allowed his mind to travel to the places that his body could not take him. In his recurring themes of guilt, pain, obscurity, and lucidity, are direct connections to his childhood and daily life. His family dynamic, infatuation with culture and theater, and his personal illnesses all shaped his imagination into the poignant yet energetic thing that