To be feminine is to be pretty, sexualized, and passive. “Marked Women” by Deborah Tannen, “Sexism in English: Embodiment and Language” by Alleen Nilsen, and “A Woman’s Beauty: Put Down or Power Source?” by Susan Sontag are three essays that show these negative connotations of femininity. Together, they exemplify that females are “marked” as pretty, sexualized, and passive.
The concept of femininity is associated with beauty. As sontag explains, “A beautiful woman, we say in English. But a handsome man”. Sontag discusses how beauty used to be a word that described the whole being and addressed both sexes but has morphed into a charged word that focuses only on the outer self and is usually used toward women. This change in language
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This excerpt shows how more emphasis is put on women’s appearance and its keep up, and also shows the negative connotation of this prettiness; it is associated with shallowness. Not only is there an assumption that women spend much of their time on their appearance, but also there is the connected fact that others pay more attention to their appearance than their other character traits. This is still a reality of today as can be seen on the red carpet. Female celebrities have a whole industry devoted to making them look fashionable and pretty for events. The focus of these events becomes what they’re wearing rather than their work as actresses and singers.
In association with being “pretty,” women are also subjected to the overly sexualized image of what is feminine. Women are constantly thought of in a sexual light no matter what they do, and Tannen points this phenomenon out when she writes,
If a woman’s clothing is tight or revealing (in other words, sexy), it sends a message--an intended one of wanting to be attractive but also a possibly unintended one of availability. If her clothes are not sexy, that too sends a message, lent meaning by the knowledge that they could have been.
This quote shows how
While reading “Gender,” an essay by Jack Halberstam, the topic of sexism was brought to the forefront of my mind. It has been brought up more often in conversation in the modern era, issues such as how a few cruel insults pertain to female reproductive anatomy and, in a sense, degrade females and ultimately identify them, as well as femininity, as inherently “bad”. Such a thought stemmed from how Halberstam touches on the “problematic stabilization of the meaning of ‘women’ and ‘female’”: meaning there is no room for argument when it comes to your gender—you’re either a girl or not. You either fit into a strict mold, or you do not.
In the article “Marked Women,” Deborah Tannen addresses how everything a woman does-from choosing her outfit, her makeup, her hair, to even her surname marks her a certain way. As a young woman, I liked this piece because it addressed issues women faced that I typically don’t think about. I chose to write about “Marked Women” instead of “Sexism in English” because I related more to the article with my past and current experiences on the different ways women are marked in society. Women are judged every day based upon their decisions on their outfits and looks. Tannen states in the article, “you couldn’t say the men didn’t wear makeup in the sense that you could say a woman didn’t wear makeup,” which made me realize how even something as
It is no secret that today’s society defines beauty as thin, long-legged women with statuesque bodies. Examples are found everywhere just by glancing at the closest magazine ads or by scrolling down the latest fashion article online. Normal, everyday women are being forgotten and tossed aside to make room for the “Top-Model”-like women currently crowding up Hollywood. Media depicts women as an unattainable image. They pressure ladies to buy the products they’re advertising; luring them with false advertisements promising that with it, they too could be perfect. While the media portrays women in a certain way for advertising and marketing benefits, it has caused numerous negatives effects to women’s self-esteems nationwide, it contradicts
There is a cliché quote that people say, “Beauty is in the eye of beholder.” But in the essay “The Ugly Truth About Beauty” (1998) Dave Barry argues about how women who spend countless hours on their so called “beauty” whereas men seem not to care. Barry uses juxtaposition and exaggeration to poke fun at men and women behavior and shed light on the harm that the beauty industry is doing. When Barry argues his point of his essay he addresses both genders, but more specifically teenage to middle age men and women, but he writes about it in a humorous and light-hearted manner.
Explanation: Sontag discusses the endless battle women face with beauty. By showing that the term beauty “has accumulated certain demeaning overtones” (Sontag 238), she shows the negative connotation beauty has now received and explains
Society is often seen to have different biases or perspectives on topics such as the role and perception of women. The short story, “Girl” by Jamaica Kincaid, consists primarily of a catalog of commands and instructions, the purpose of which is to make sure that the mother’s daughter is constantly in check and not getting into any trouble. Jamaica Kincaid utilizes a wide range of techniques such as symbolism and diction in order to showcase the theme of how the depiction of women rely mainly on how they present themselves in the public and how they are so easily described as impure or filthy.
In a celebrity driven culture, it has become the norm to idolize people as perfect angels who seem to do no wrong. In Robin Givhan’s Glamour, That Certain Something, the idea and definition is explored by this fashion elite. It describes why glamour can actually be detrimental to the society as a whole. However, glamour is subjective and arbitrary trait that is being slightly misconstrued as perfection.
Sontag uses effective language in order to establish variation in her essay. She begins with the observation on the relation between culture and language, and uses logical appeals to evoke her philosophy of beauty. Beauty is power and she demonstrates this yet again by manipulating another speaker's (Cocteau's) perspective that “the privileges of beauty are immense”(215). The author states that beauty is a power that women and men have naturally and as a result, have the power to attract what they want. Sontag also uses the effects of ethos,
The central message of this work is that society is obsessed with appearances. The point the author is trying to make is beauty should not be the most important trait of a person. In today’s society everything is based on looks, people are more concerned about a person’s outward appearance. People strive to
The argument of The Beauty Myth is that as women have received more eminence, the standard of their personal appearance has also grown. Wolf’s position on the issue is that this type of social control is potentially just as restrictive as the traditional roles of women. The Beauty Myth discusses how society’s viewpoint of beauty is detrimental to women because it causes many emotional and psychological problems to women who strive to become “perfect”. This book is important due to the fact it raises awareness to the issues that many young women are currently facing.
It’s difficult to envision a world where idealized female imagery is not plastered everywhere, but our present circumstance is a relatively new occurrence. Before the mass media existed, our ideas of beauty were restricted to our own communities. Until the introduction of photography in 1839, people were not exposed to real-life images of faces and bodies. Most people did not even own mirrors. Today, however, we are more obsessed with our appearance than ever before. But the concern about appearance is quite normal and understandable given society’s standards. According to Jane Kilborne, “Every period of history has had its own standards of what is and is not beautiful, and every contemporary society has its own distinctive concept of the
“You throw like a girl.” “You run like a girl.” “You look like a girl.” It’s common sense that these phrases are not at all compliments but rather gender-based insults. Since when did the physical capacities of a young girl stacked up against a boy turn into an insult and a limitation? Is being a female individual something derogatory, something to be shameful about? Young girls are taught to be weak, fragile and soft-spoken while it’s openly accepted and even encouraged for boys to have hard opinions, to be strong and tough and exert power. They’re constantly put into a place of doubt by the media, parents and their social community.
Wolf discusses the effect that these standards are having on women in the workplace. A woman’s beauty, or lack of it, can be used against her. In 1986, Mechelle Vinson lost a sexual harassment case. “Vinson was young and ‘beautiful’ and carefully dressed. The district court ruled that her appearance counted against her.” (Wolf 38) “In Hopkins v. Price-Waterhouse, Ms. Hopkins was denied a partnership because she needed to learn to ‘walk more femininely, talk more femininely, dress more femininely,’ and ‘wear makeup’.” She brought in more business than any other employee. (Wolf 39)
The social sciences became so pervasive in the twentieth century they not only produced new additions to medical discourse, but completely shifted the means of enforcing power. The emergence of individualism and the importance that was placed on one's essential and core identity made it so power that was once externally imposed by physical punishment only, began to enforce itself by way of the individual. The internalization of surveillance, domination, and discipline created a society of self policing individuals. This self policing behavior is most evident among women, and unlike the bodily protest against domestic expectations and other inequalities; it is the internalization of these oppressions, however ultimately manifesting as illness
In Sontag’s “A Woman’s Beauty” the structure the author uses for the story has a dramatic impact on the readers. In the story, Sontag structures the essay base on many historical events and other religious ideas to support her idea, how a woman sometime is only judge by her appearance. Specifically, Sontag uses three ideas in the story to support her argument. First is in history what the Greeks believe in a woman’s beauty. Second, Sontag discuss about how the Christian religion plays a major role in shaping how a woman is judge only base on her beauty. In the end, Sontag talks about in today’s society how woman are still judge by her beauty. However, in the end Sontag mentions how the society should stop judging a woman only base on her beauty.