Symbolism In Greenleaf

Everyday, people are forced to make choices. Some of those choices are fairly easy to make, and others are not. In the short story “The Life You Save May Be Your Own” by Flannery O’Connor, a man by the name of Tom T. Shiftlet stumbles across a farm where an old woman and her daughter, Lucynell Crater, reside. When the author first introduces the readers to Mr. Shiftlet, he is described as “a tramp and no one to be afraid of” (674). What starts as a man accidentally coming across the woman’s farm, becomes a story that follows Tom through his unrealized quest for love and acceptance. With the help of Ms. Crater and Lucynell, Tom learns that his choices have consequences. In “The Life You Save May Be Your Own”, O’Connor creates a world in

Mrs. May views Mrs. Greenleaf, the wife of her hand around the farm, as one of the lowest members of society. Mrs. May not only sees her as less of a woman than she is, but is resentful of the manner in which she lives her life. From Mrs. May’s first introduction to the woman of the Greenleaf family, when Mrs. Greenleaf and her five daughters pulled up to her farm in a “pieced-together truck” (26), she has resented the mangy manner in that the Greenleaf woman, lead by Mrs. Greenleaf, live their life. Because they do not necessarily care about being the stately woman Mrs. May thinks they should be, Mrs. May views them as less than her and not as true woman. Further, Mrs. May has an incident when she runs into Mrs. Greenleaf observing her religious practices in the woods. This involved Mrs. Greenleaf, after she cut out horrible stories from newspapers digging a hole in the woods, burying them and falling to the group and moaning for an hour or so. Mrs. May describes the experience as Mrs. Greenleaf, “moving her huge arms back and

Settings and characters in the book are described using allusion and personification; this creates imagery which helps the reader understand what is happening in the book. The main character, Lily Owens, describes her version of Mother Nature, “She[Mother Nature] looked like Eleanor Roosevelt.”.

Power and control plays a big role in the lives many. When power is used as a form of control, it leads to depression and misery in the relationship. This is proven through the themes and symbolism used in the stories Lesson before Dying, The fun they had, The strangers that came to town, and Dolls house through the median of three major unsuccessful relationship: racial tension between the African Americans and the caucasians in the novel Lesson before Dying, Doll’s House demonstrates a controlling relationship can be detrimental for both individuals and The Stranger That Came To Town along with The Fun They Had show that when an individual is suppressed by majority they become despondent.

The character grandmother in O’Connor’s story has grounds the reality of the events and drives the family into tragedy. She is a central character in O’Connor’s story and is depicted to be a dynamic character stuck in the old ways. Through her actions and the idea of being stuck in the old ways of thinking, she leads her family into tragedy. Being the main character in the story, Grandmother significantly adds to the development of the plot. The author manages to win the attention of the reader from this character owing to the manner in which she shapes the storyline. Grandmother’s reminiscing of the old ways claims a distinctive curiosity from the reader and helps in

In the articles written by Hogan and Shteyngart, we learn of two families with different origins, displaying similar hardships and adversities. In Hogan’s article, she poetically refers to her father’s eyes observing the hardship of life and her mother’s pain carrying the burdens of the family. Her father shares his views as he observes “the plague of locusts that leveled our crops, they flew in formation like buzzards” these words easily depict the hardship of farming and all the side effects that prompted difficulty providing crops for the family. Her mother shares the pain of her burden as she states” She left the large white breasts that weigh down my body.” Both Hogan’s mother and father reveal not only their role in the family but the difficulty in

Mrs. May belongs to a very important group of characters in the works of Flannery O'Connor: the widows. These kinds of characters usually are superficial and proud of their social position. Her widows have an excellent opinion of themselves and they usually feel superior to the people around them. Mrs. May, the protagonist of the "Greenleaf" shows all these features.

These years of oppression by the husbands left their wives longing for freedom and independence. In “The Yellow Wallpaper” it seems that the narrator wants her husband out of her life, saying, “John is away all day, and even some nights when his cases are serious. I am glad my case is not serious!” (Gilman 12). She is in her highest spirits when her husband is away from home because it allows her some solidity. Her intense desire for freedom leads her to purposely try and drive her husband away. “There comes John, and I must put this away, -- he hates to have me write a word” (Gilman 12). She acts out in spite of John, hoping it will earn her a few more precious hours alone. The burning desire for freedom is also evident in the apt titled “The Story of an Hour”. When the supposedly heart-frail Mrs. Mallard learns of her husband’s death, she is initially grief stricken. However, as she gazes through her window into the busy streets, a slow realization comes over her. With her husband’s death, she is granted that freedom she has always wanted; but it is all taken away from her quickly. “When the doctor came they said she had died of

In addition to the extreme limitations of their daily routine, both characters in MacLeod’s and Gilman’s short stories are subject to their significantly overbearing and oppressive spouses. The domineering management of their lives compels these characters to engage in either reading or writing, as an act of defiance towards their authority wielding partners. This minor form of rebellion allows the characters to feel as though they have at least some aspect of control over their lives. The father in MacLeod’s story is aware of his wife’s aversion to and disapproval of reading; however, this antagonism does not deter him from spending all his minimally free-time devouring books in his room. The narrator notes that his mother “despised the room and all it stood for,” yet his father remained inside it every night while “the goose-necked lamp illuminated the pages in his hands,” in an act of passive-aggressive opposition towards his wife’s

            The author uses a number of different literary devices to describe the hardship she feels such as metaphor, simile, and imagery. The author revels that her life and the chickens are not very different. “I felt her body break deep inside my own chest” (6). The way the chicken has to be killed after being loved for so long is the same way Hall feels about being with her husband for so long and then having him cheat on her and leave her. “Guilt and fear tugged me like an undertow” (7). The chickens are being killed by the one that loved them and in the same way; Hall is killed by the one she loved: her husband. The author uses a numerous number of vivid imagery to describe the struggle she is going through with her husband leaving and her having to kill the chickens. “Her shiny black beak opened and closed, opened and closed” (5). The rumors and suspicions that the author’s husband was cheating on her would come and go, until it reached a breaking point

The short story “Greenleaf” by Flannery O’Connor tells of Mrs. May, an old, bitter, and selfish woman. She thinks badly of everyone around her, including her own two sons. It also compares her family to that of the Greenleaf family, who Mrs. May sees as inferior to her. O’Connor unveils the story of Mrs. May and her demise through the use of point of view, character, and symbolism. She uses the third person omniscient view to give the reader a sense of Mrs. May’s character, and the symbols of the bull, and the conflict between the bull and Mrs. May to show Mrs. May’s destruction as well as give the story a deeper meaning of God’s grace.

O’Connor employs the grandmother’s selfish and manipulative character to reveal the true definition of justice. In the very beginning of the short story, the grandmother’s real nature evinces through her actions. The

       As the tale begins we immediately can sympathize with the repressive plight of the protagonist.  Her romantic imagination is obvious as she describes the "hereditary estate" (Gilman, Wallpaper 170) or the "haunted house" (170) as she would like it to be.  She tells us of her husband, John, who "scoffs" (170) at her romantic sentiments and is "practical to the extreme" (170).  However, in a time

The narrator’s feelings of inferiority and powerlessness parallels the female figure she sees trapped behind the pattern in the wall-paper adorning her room. She gradually withdraws from both John and reality by locking herself in the room and ultimately merging with the figure. Through the changing image of the pattern from a “fait figure” (Gilman 46) to a “woman stooping” (Gilman 46) behind the paper and “shaking the bars” (Gilman 46) as if she wanted “to get out” (Gilman 46), we can see her becoming one with the figure: “I pulled and she shook, I shook and she pulled, and before morning we had peeled off yards of that paper.”(51) Her collapse into madness as reflected in her behavior with the “bedstead [that] is fairly gnawed” (Gilman 51) and her “creeping all around” (Gilman 50) is a direct result of her passive submissiveness to John’s control of her life.

During this era, women were to be in the domestic sphere rather than the public sphere. Their jobs were to be the “stay-at-home” mother who cooks, cleans, nurtures children, and stay silent. However, in this novel, Roxana represents women who are slowly moving from the private to being in the public sphere as an independent woman. According to Thomas Hobbes philosophy, he believes that government laws and chain of causes operates human’s feelings and mind. In regards to chain of causes, he discusses how these different causes can lead to a person’s “will,” or the final action that happens to them. If one sees something that is external (liberty=Roxana sees valuable possessions and money), it affects what is internal (power=Roxana begins to