Theme Of Escapism In The Boat

  “The Yellow Wallpaper” is a symbolic tale of one woman’s struggle to break free from her mental prison.  Charlotte Perkins Gilman shows the reader how quickly insanity takes hold when a person is taken out of context and completely isolated from the rest of the world.  The narrator is a depressed woman who cannot handle being alone and retreats into her own delusions as opposed to accepting her reality.  This mental prison is a symbol for the actual repression of women’s rights in society and we see the consequences when a woman tries to free herself from this social slavery.

Charlotte Perkins Gilman’s story, The Yellow Wallpaper, portrays the life and mind of a woman suffering from post-partum depression in the late eighteenth century. Gilman uses setting to strengthen the impact of her story by allowing the distant country mansion symbolize the loneliness of her narrator, Jane. Gilman also uses flat characters to enhance the depth of Jane’s thoughts; however, Gilman’s use of narrative technique impacts her story the most. In The Yellow Wallpaper, Charlotte Perkins Gilman uses interior monologue to add impact to Jane’s progression into insanity, to add insight into the relationships in the story, and to increase the depth of Jane’s connection with the yellow wallpaper it self.

Charlotte Perkins Gilman’s, “The Yellow Wallpaper,” tells the story of a woman suffering from post-partum depression, undergoing the sexist psychological treatments of mental health, that took place during the late nineteenth century. The narrator in Gilman’s story writes about being forced to do nothing, and how that she feels that is the worst possible treatment for her. In this particular scene, the narrator writes that she thinks normal work would do her some good, and that writing allows her to vent, and get across her ideas that no one seems to listen to. Gilman’s use of the rhetorical appeal pathos, first-person point of view, and forceful tone convey her message that confinement is not a good cure for mental health, and that writing,

"The Boat" by Alistair MacLeod is the story told from the perspective of university teacher looking back on his life. The narrator relates the first memories of his life until his father's death. The story focuses on the conflicting relation between the mother and the father, and their different perspectives on how their children should lead their lives. MacLeod uses features of setting to present the tension between tradition and freedom.

The Story “The Yellow Wallpaper” by Charlotte Perkins Gilman is a great expression of women’s oppression in the 19th century. The story introduces readers to a woman frustrating in her life and suffering from a nervous depression and her marriage as the yellow wallpaper is causing her a real insanity. Having a background about the timing and the setting that the story is written in helps the reader to internalize the whole meaning of the story and understand its important details. The story is told by a narrator using an anxious tone, and she is being angry and sarcastic at the same time. The woman mentions that her husband has taken her to a summer vacation. So, the story takes

In Willa Cather’s “Paul’s Case” and Charlotte Perkins Gilman’s “The Yellow Wallpaper,” readers are introduced to two different characters who have similar outlooks on the living situations that they have each been forced into. Paul and the narrator of “The Yellow Wallpaper” feel trapped by their surroundings, but the way they attempt to solve their problems is different. The authors vividly describe the feelings of the protagonists toward their respective environments, and the use of tone, style and symbolism allows the reader to connect with the protagonists.

Yet Edna and Gilman’s protagonist are women who receive their imperfections through their surroundings; the carnality and madness are the results of their oppression. Until the happenings of The Awakening, Edna has been married to Mr. Pontellier for a long time. She goes through her awakening after a vacation in the Grand Isle, but before, she has been a subordinate wife without any doubts in accordance to her role. Just as Mrs. Pontellier begins the story as an average, sensible woman, the main character of “The Yellow Wall-paper” begins as a mentally secure person. Gilman’s heroine depicts the “garden-- large and shady, full of box-bordered paths” (4), the “pretty old-fashioned chintz hangings” (5), and even “those sprawling flamboyant patterns” (5) of the wallpaper in an ultimately sensible manner, what serves as an indicator of her capability of thinking and speaking from a rational standpoint. What is more, she is sent away to the mansion not in a view of the fact that she has mental issues but because her husband believes that she has depression. She admits that she is of the opinion that if she “had less opposition and more society and stimulus,” she would get well sooner (4).

Due to their behavior, both men lead their wives to rebel. John’s controlling behavior causes the narrator to abandon him by going completely mad. First, she questions John’s pronouncements. The narrator believes that congenial work, with excitement and change would do her good (p.297). Next, she focuses on the wallpaper. She describes its negative features noting that patches are gone as if school boys wore it out (p.298). Upset by her husband’s actions, the narrator decides to begin writing in secret. . It reaches the point where the narrator has to hide her writings from him, because he gets upset if she even writes a word (p.298). -After time passes, we see her obsession grow. John seems to be oblivious to the narrator’s conditions, telling her “you know the place is doing you good” (p.299). She notices that the pattern is torturing (p.303). Finally, she begins to see a woman hiding behind the pattern (p.304). Looking for the woman in the pattern gives her something to look forward to (p.305). Ultimately she comes to believe that she is the woman in the wallpaper and wants to free herself. She begins peeling off the paper through the night, and by morning removes all the paper she could while standing (p.307). The narrator even begins to contemplate jumping out of the window, but does not

Charlotte Perkins Gilman’s “The Yellow Wallpaper” and Sinclair Ross’s “The Painted Door” are both stories about women protagonists who feel emotionally isolated from their husbands, who both go by the name John. Ann in “The Painted the Door” and the wife whose name may or may not be Jane in “The Yellow Wallpaper” are women who deal with emotional isolation. Emotional isolation is a state of isolation where one may be in a relationship but still feel emotional separation. In these two stories, both women feel emotionally isolated from their husbands due to lack of communication. In both stories, lack of communication results from one individual failing to disclose their true feelings and instead he or she are beating around the bush, hoping the other party will know what they want. If both parties directly disclose their desires and feelings to one another, there would be a better understanding of each other which as a result would help save marriages. This paper will look at how both women lack communication, how they both their approach their emotional isolation differently, and how their failure to communicate to their husbands and their approach, results in the failure to save their marriage. “The Painted Door” and “The Yellow Wallpaper” are stories that show how both women protagonists are emotionally isolated due to their failure to communicate their feelings and desires to their husbands. Instead of direct communication to their husbands, the women find other

The narrators in the following two short stories, Charlotte Perkins Gilman’s The Yellow Wallpaper and John Updike’s A&P, share several traits in common, which divulge their narrative perspectives to be overly subjective and as such, not showing the real image of events that are taking place. While Gilman’s protagonist is a woman slowly descending into madness, Updike’s young man possesses a provincial outlook on life, and the statements and thoughts of neither can be taken at face value. Quite the contrary, the readers should be very wary of the narrators’ presentation of events, as they are marred by a highly personal and subjective perspective.

The structure of the text, particularly evident in the author’s interactions with her husband, reveals the binary opposition between the façade of a middle-class woman living under the societal parameters of the Cult of Domesticity and the underlying suffering and dehumanization intrinsic to marriage and womanhood during the nineteenth century. While readers recognize the story for its troubling description of the way in which the yellow wallpaper morphs into a representation of the narrator’s insanity, the most interesting and telling component of the story lies apart from the wallpaper. “The Yellow Wallpaper” outwardly tells the story of a woman struggling with post-partum depression, but Charlotte Perkins Gilman snakes expressions of the true inequality faced within the daily lives of nineteenth century women throughout the story. Although the climax certainly surrounds the narrator’s overpowering obsession with the yellow wallpaper that covers the room to which her husband banished her for the summer, the moments that do not specifically concern the wallpaper or the narrator’s mania divulge a deeper and more powerful understanding of the torturous meaning of womanhood.

Charlotte Perkins Stetson’s short story, “The Yellow Wallpaper” is about a woman who progressed to insanity due to how she was treated. Her passion was withheld from her. The story of “The Yellow Wallpaper” is based on the author’s purpose. The author’s purpose is the reason an author writes about a specific topic. Stetson wanted to convey to her readers what happens to an individual when one’s purpose or passion are being withheld. Even the environment within the setting proved to be a factor in achieving the desired results, and the evolution of the main character throughout the story.

In the “Yellow Wallpaper” by Charlotte Perkins Gilman, there are many of literary techniques that illustrates the theme to express the story. Irony, imagery and symbolism are some literary devices that is presented among the story.  “The Yellow Wallpaper” is a short story about a woman who has a mental illness but cannot heal due to her husband’s lack of acceptance and how she struggles to express her own thoughts and feelings. The story appears to take place during a time where women were oppressed. Women were treated as if they were under one’s thumb in society during this period which is approximately the 19th century.

Within the book, “Making Literature Matter”, by John Schilb and John Clifford, are the stories, “Doll House”, by Henrik Ibsen and “Going Ashore” by Jhumpa Lahiri. Between the lines, this duo helps describe the nature of love. In “Doll House”, the mother of two children, Nora, makes the decision to divorce from her family over the unfulfilling marriage to husband, Torvald. While these two are facing the end of love, the banker of the town, Krogstad, and old friend of Nora’s, Mrs. Linde, are able to do the opposite and decide rekindle their lost flame so they won’t have to face the world alone. Similarly, in “Going Ashore”, it is a story is of a young professor named Hema, who gives up the patience to find love naturally and agrees to an arranged marriage. During her trip to Rome, to stall the impending marriage to her fiance , Navin, Hema is faced with a realization of what love should really feel like with, fearless photographer, Kashuik. However, even in the face of the truth, she does not have the courage to take a chance and leave her stable life with the certainty of Navin.

I read the book The Hotel on the Corner of Bitter and Sweet. For this book I will be analyzing how the author's choices brings the text together and how the structure and craft affect my understanding of what constitutes a family. I will be using textual evidence from the story to show how the author’s choices and my further understanding relates to the book and the real world.