Tacoma Art Museum

The Virginia Museum of Fine Arts in Richmond at a glance is a modern metropolitan building that displays a vibrant exhibition of Byzantine art found in the Medieval and Byzantine wing. They are grouped together because they share a progression of time occurring in the heart of Europe roughly from the 1300s until the fall of Constantinople in 1453. The exhibit begins with displays of medieval art of Western Europe. It further progresses to Byzantine art arranged in broad categories ranging from pre-Christian art, liturgical material, secular material and a display of coptic textiles. Although small scale, a few art pieces prominently featuring the human figure stood out in particular.

Thought to be one of Australia’s best ceramic artists, Dr. Thancoupie Gloria Fletcher has had over twenty solo exhibitions, both in Australia and abroad. Dr. Thancoupie Fletcher spent her formative years near Napranum,

On November 7, 1883, an exhibition organized by “May Wright Sewell, her husband Theodore, and a small group of art-minded citizens” (History, 2017) began what would one day become the establishment now known as the Indianapolis Museum of Art. Since that first exhibition, the IMA has gone through several identity changes. They were first named, the Art Association of Indianapolis. Their next identity was as the John Herron Art Institute, which opened a whole new chapter, as they became “a campus featuring both a museum and an art school.” (History, 2017) Today, the IMA is one of the largest encyclopedic art museums in the nation. The IMA has had various leadership and staff over the years that have lent to how the museum operates today.

Dale Chihuly is an American glass blower (Dale Patrick Chihuly, 2015). The piece of art I’ll mainly be looking at is Citron and Cobalt Tower. This piece was located directly in the center of the museum as soon as you walked in to the show room. It caught my eye and I knew immediately what I wanted to do my paper on.

As Edgar Degas once said, “ Art is not what you see, but what others make you see”. The St. Louis Art Museum is a place for artist to display their art and give spectators the option to see art from a new perspective. This was the case for me. As we walked up to the beautifully structured building that stood so tall and wide, my expectations were extremely high. At first glance I notice the bronze statue of King Louis IX of France riding high on his horse. From this statue alone, my expectations of the art museum grew stronger. I have never been to an art museum before, so I wasn’t sure of what to expect. My first expectation was to see huge detailed sculptures right as I walked through the door. That expectation didn’t come true.

One of his earliest works, Pink and Opal Seafoam Set, 1981, 15 x 24 x 22”, is a tribute to Chihuly’s glass blowing expertise and the influence of famed Murano glass

With works in every known medium, from every part of the world, throughout all points in history, exploring the vast collection of the Museum of Modern Art was an overwhelming experience. The objects in the Department of European Sculpture and Decorative Arts are an important historical collection, reflecting the development of a number of art forms in Western Europe. The department's holdings covered sculpture in many sizes, woodwork and furniture, ceramics and glass, jewelry, and tapestries. The gallery attracted my appreciation of the realistic qualities of the human body often portrayed in sculpture.

Before I went to the museum, my prospective about a museum was poor expectations. What can a museum will offer? , this was one of the questions that I always had in mind. For these reasons, I never thought that I could enjoy a museum tour. However, everything change after visited the Phoenix Art Museum. I went to the trip with poor expectations, but since I arrived in the lobby with all of my classmates and the professor. I started feel that this trip will be sash an educational experience.

It is made of stonepaste covered with copper-green glaze. The only decorations are patterns carved around the body of the plate instead of being painted. This piece closely resembles Chinese celadon wares from Longquan. The glaze was made from copper instead of iron that was normally used for celadon wares. Differed from traditional colorful Persian art, this plate only has one color. Its monochrome green color, the lack of decoration and short foot demonstrate its imitation of celadon wares. Safavid craftsmen did not stop at purely borrowing Chinese designs, but incorporated local traditions in different ways. The blue-and-white porcelain-like potteries with Persian shapes are one significant example. The Tulip Vase (Figure 3) has a baluster form body with three short nozzles. This stonepaste piece was painted in blue under transparent glaze, thus only has two basic colors: blue and white. On the wide flat rims of each nozzle, there are painted flower petals surrounding the center opening. On the neck of the vase, there are repeating decorative motifs including perhaps birds and clouds at the top, along with vertical flowers and leaves motifs closer to the body. The paintings on the top part of the body appear to have three identical birds and clouds in compartmentalized sections around the vase. Below the birds, there are bamboos, rocks, flowers and a peacock. At the lowest part, there are repeating decorations in geometric forms and vine motifs. The iconographies of swirly clouds, bamboos and rocks are very similar to common Chinese ones. The swirly clouds means fortune and heaven, while the bamboos represents longevity, resilience, flexibility, and strength. Judging from the blue and white color. Meanwhile, the birds, peacocks and patterns on the lower part of body could be seen in both Chinese and Islamic artworks. The most distinct part is the shape of this vase. It is often

On September 4, 2016, I visited the Matisse in His Time exhibit at the Oklahoma City Museum of Art. This exhibit is home to a plethora of pieces by many different European artists from the 19th and 20th centuries. While it is focused on Matisse and his extensive works, containing more than 50 of his pieces, there are many portraits and sculptures by other influential artists from that time period including Renoir, Picasso, and Georges Braque. Three of the most appealing works that I encountered in this exhibit are Maurice de Vlaminck’s Portrait of Père Bouju, Pablo Picasso’s Reclining Woman on a Blue Divan, and Henri Matisse’s sculpture series Henriette I, Henriette II, and Henriette III.

We planned to visit Mill City museum after a friend recommended that we check it from the Minnesota Historical site. The museum is the most important and historical place where anyone who wants to know more about the Minnesota people. The museum contained historical articles and information. A lot of stuff was available including plant species and human origin. We later made our way to the science museum where displays of evolution. The main building of the Museum has its entire floor with colorful animated dioramas that display their traditional costumes of Minnesota people. On reaching the museum, we were met with a tour guide who took us through the place and described everything that we wanted to know about the Minnesota.

The corridor where the painting is displayed is part of the museums permanent collection. The gallery is composed of many sculptures with paintings placed between them; almost all of the work is French and done sometime in the 1800’s. This long

When we look at the history of the Middle Ages and the Renaissance, we always like to use the confinement of thinking and the liberation of ideas to sum up the two, especially in the art, the medieval paintings are often used in dark colors, deformed three-dimensional concept Showing the real world, and often less a bit human nature. And after the Renaissance, the painting masters are the opposite of it. I am not here to comment on their good or bad, but from the artistic point of view, to explore whether a good form of art needs to reflect the community and a wide range of civilizations

The Wadsworth Athenaeum of Art has been in existence since 1842. Located in Hartford, Connecticut, it is the nation’s oldest public art museum. The founder, Daniel Wadsworth, was a world-renowned art patron who acquired many famous works that would put his museum at the forefront of all its competitors. The museum has a impeccable reputation as a leader for innovation and experimentation due to its previous Director, A. Everett “Chick” Austin, Jr. Austin always pushed the envelop by continuing to feature new styles of art and different mediums of art. Currently, the museum is home to almost 50,000 pieces that vary from paintings to historical artifacts. The collection features pieces from over 5,000 years and is a big piece of not only Connecticut’s, but also a part of American history.

In the 20th century artist continued traditions of still life painting in salons. Artist made personal statements with their arrangements of fruits, flowers, books, and other inanimate objects and when they painted these works in new modernist styles, they kept the public interested in the value of still life painting. Abraham Rattner’s painting Still Life Composition is one of the Brauer Museum of Art’s more popular permanent collection pieces, a major work by the artist that exhibits well the rich qualities and expressive abilities of oil paint. Painted on a panel surface, this work stands astride abstract