No one taps into the core of teen angst better than the country-star turned pop-music virtuoso known as Taylor Swift, Tay Tay, Swifty, or T-Swizzle. Personally, I fancy calling her T-Swizzle, though that movement has yet to permeate society. For now, I will refer to her by her normal name while withholding my urges to shriek with fandom, knowing that I must maintain my composure around people. Now the previous statements have likened my temperament much to a teenage girl. I do not contest this, as I, in every sense of the word, often behave like one. In fact, I believe everyone, whether or not they are teenage girls, has that little twinge of craziness when they listen to Taylor. No? Maybe I am the only one. In that case, I seem to be speaking
In conclusion, the music industry is sexualising older teenage girls to a minor extent. According to the surveys, the older girls don’t feel that they have to display every inch of their body to be considered attractive, and most didn’t see having male attention as an important social standing to have. To the older teens in actuality, music videos are seen as false and a fake depiction of adolescent girls in reality. Lily Allen has made more or an impact on our
She is a 10 time Grammy award winner, and among the five artists to ever win a Grammy for album of the year she is the only female to ever win more than once. Her hit song “You Belong with Me” resonated with millions of young girls many of which connected with the lines “If you could see/ That I’m the one /Who understands you/ Been here all along/ So why can’t you see/ You belong with me”. She turns ordinary teenage girl experiences into fresh country and pop songs. She grew up fascinated by music which led to her success as a Country/Pop artist. She constantly strives to make sure that her fame does not get in the way of her truly being herself. Taylor does not read into any of the articles about her in magazines to avoid getting caught up in all the gossip that publicity spreads about her. Taylor has made a huge impact on music industry, from selling out Madison Square Garden, to record breaking songs and albums. Award winning singer and song writer Taylor Swift, is still forming her legacy as she continues to make history in the music industry, while garnering a large fan base worldwide.
In “Tweens: Ten Going on Sixteen,” Kay S. Hymowitz points out that in modern society kids mature too early, creating a negative trend called “tween phenomenon”; it occurs when kids become teenagers at a young age and skip preadolescence. According to Hymowitz, the evidence presents a troubling picture of tweens who are too concerned with their looks, are involved in criminal activities, are having sex, are doing drugs, and are consuming alcohol. She provides evidence to exemplify tweendom’s negative influence on both the tweens and the world around them. The author concludes that media, absentee parents, and peers are among the several complex causes of the negative trends of tweens. Although Hymowitz may sound excessively cynical, she states a reasonable case that should be considered by parents, educators, and psychologists. Without a doubt, the three most negative behavioral trends of many tweens are their need for attention, their peer group pressure, and most importantly, their unawareness of the consequences for their irresponsible actions.
Taylor Swift, a pop icon and polarizing figure, is often known for her empowering music, feminist attitude, and meaningful lyrics. Many of her fans praise the feminist messages some of her songs deliver, however others say she comes from a position of privilege and only advocates for white women. Still, a common perception of Swift is that she has evolved from an innocent country singer into a more controversial and sometimes provocative pop singer. What is ignored though, is that despite this perception, themes depicted in “old” Taylor’s music still displayed highly problematic concepts about gender, just in less obvious ways. Particularly in her music video for “You Belong With Me,” the audience if presented with a fulfilling love story involving a nerdy girl getting the popular. On its surface, this concept may seem normal, but the narrative of this video unintentionally conveys significant gender issues in today’s society. Thus, through her 2008 music video for “You Belong With Me,” Taylor Swift ironically presents herself as the ideal nerdy girl next door who gets the guy when she suddenly turns beautiful while demonizing a cheerleader, revealing problematic notions of how women are supposed to look and behave in society, as well as reinforcing negative female stereotypes.
Taylor Swift really knows how to have hidden messages and secrets throughout her lyrics and music videos. Taylor Swift also likes to trash talk other celebrities including Kim Kardashian and Katy Perry. Which gives a viewer a good chance to critic her lyrics and videos.
Thesis statement: Taylor Swift is one of the most successful female artists in the world who portrays her personal experiences through her music.
“Marketers have a term for this new social animal, kids between eight and 12: they call them “tweens.” The name captures the ambiguous reality: though chronologically midway between early childhood and adolescent, this group is leaning more and more toward teen styles, teen attitudes, and sadly, teen behavior at its most troubling (Hymowitz, 4).”
I need to get something off my chest. It’s something that I am sick and tired of reading about. Taylor Swift gets so much hate that she does not deserve. If you stop reading this because you’re thinking “I don’t care. I don’t want to hear it. I just don’t like her” YOU ARE PART OF THE PROBLEM. What the fuck did she ever do to you that made you so bitter?
The age fifteen is often mentioned in Taylor Swift’s “Fifteen” and Five for Fighting’s “100 Years” because of its effect and importance towards one’s future. The songwriters use the age not only comparing it to the years of a human’s life, but instead referring to the age when one aspires to live in a romantic fairy tale. In this stage of one’s life, they transition between the innocence of childhood toward to the maturity of adulthood. One is not yet fully developed, or independent, but are still gaining new knowledge. Fifteen, an illusion created by preconceived ideas, is focused on through song to display when one discovers or questions their identity.
One of the most popular teenage entertainers ever is warping the minds of our youth. Appearing on television commercials, MTV videos, many magazine covers, and the radio, Britney Spears is taking control of raising today’s children. Her perfect looks and sexual appeal have mesmerized young viewers. Children and teens strive to be just like her. Although some people allow their children to idolize Britney Spears, I now see that she is an inappropriate role model for her targeted audience of five to thirteen-year-olds.
As Miley Cyrus’s audience matured, she purposefully changed her image by creating a new star text that was the polar opposite of her previous. A star text is everything that we associate with a start, including their promotion and body of work. Her hit sitcom Hannah Montana built her previous brand identity that connected with her audience of adolescent children. Miley’s original image was known for being a sweet and innocent teenage girl. Now her current start text identifies with heartbreak, drugs, activism and nonconformity. The extreme change of start text shocked and dismayed individuals. Many social media users and celebrity journalist wrote the transformation off implying it as a lost girl in her twenties making slipups she will eventually regret. Despite the negative comments, Miley has embraced her star text using it for free publicity and media attention. Despite Miley Cyrus’s claims that her controversial change was not for reward or fame. Her old star text became mundane to mainstream media and her maturing audience, compelling her to reinvent her star text in order to continue being famous and successful in the music industry.
In musical superstar Taylor Swift’s music video for her song “Blank Space,” she is portraying herself as the high maintenance and dramatic girlfriend that the media believes she is. The speaker of this text is the media’s perception of Taylor Swift and her message is about the disconnect between who Swift really is and who the media sees her as. I believe Swift has two purposes for this music video. One is for her character in the music video to warn her audience about the type of love that boys want, and the other for real life Taylor herself to poke holes into the media’s concept of her love life. The video is filled with satire and paradoxes to convince us that our idea of Taylor Swift is not an accurate opinion of her.
Through Miley Cyrus’s years on her hit sitcom her brand identity and start text were made. Her original star text was known a young sweet innocent teenage girl that believed in love. As Miley and her audience matured she began to revolutionize her image by creating herself a new star text that was the polar opposite of her previous. Her new star text was completely self and media driven. Now her current start text identifies with heartbreak, drugs, activism and nonconformity. The extreme change of start text shocked and dismayed individuals. Many social media users and celebrity journalist wrote the transformation of, implying it as a lost girl in her twenties making mistakes she will eventually regret. Despite the negative comments she has embraced her star text using it for free publicity and media attention. Miley Cyrus purposefully modified her star text in order to make it in the music industry, she targeted a new market and generation using her controversial change, boosting her self-success, making her one of the greatest known evolved celebrities to a mass media level.
Stories of teenage years and coming-of-age have always enrapt children, teens, and adults alike. But why do they? These groups share virtually none of the same interests, and reside in very different emotional levels of life. In every other form of media, these groups can scarcely coexist—the prospect of watching Power Rangers for the six hundredth time would make any parent blanch, and the thought of their four year old asking to borrow his parents’ copy of The Canterbury Tales is laughable. And surely no other age group would condemn themselves so deeply to internet culture than teens. Coming of age stories, however, are the exception. Nadine Gordimer beautifully explains this phenomenon in her short story “A Company of Laughing Faces”.
In the one-hour documentary, Miley: The Movement, pop sensation Miley Cyrus grants viewers extraordinary access into her exuberant and spirited life as she ascends to the top of the iTunes chart with her album Bangerz. As a teenage Disney princess, Miley accumulated millions of devoted fans; now, just a few years later, Miley’s suggestive music videos and public displays have permanently replaced the blond wig of her childhood image with an original and controversial persona while at the same time embracing her passion: music. Whether in the studio alongside Britney Spears, preparing for an unforgettable Video Music Award performance, or on set of her latest music video “Wrecking Ball,” Miley radiates confidence throughout her progressive