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The 1936 Short Story “Snows Of Kilimanjaro” Is One Of The

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The 1936 short story “Snows of Kilimanjaro” is one of the most famous fictional works of Ernest Hemingway and the title short story for his 1961 collection The Snows of Kilimanjaro and Other Stories. He depicts many themes throughout his story including love and war. Love is reflected as an anathema to a fruitful romantic relationship with relationships based on lies flourishing as the ones based on love collapse. Further, war is shown as a vain slaughter of men, led by incompetence and causing great suffering for nothing (Hemingway). A contemporary reader can however not fail to notice that although inadvertently, racism is well entrenched in the work. Further, the author carefully paints the picture of the main character Harry, an …show more content…

In her 1895 novel The Sorrows of Satan, Marie Corelli presents a character who is eerily similar to Harry. The character is an author called Geoffrey, a very talented writer who does not have money to publish. Unfortunately, when he inherits a fortune and has all the money to publish, his talent disappears and he finds himself unable to even make mediocre literary work (McElrath & Robert 77). Similarly, Harry the main character herein is born in a very poor part of Paris and grows up in poverty and misery. He is a very talented writer who gains fame, but not a fortune from writing. His fame, however, enables to meet and fall in love with a wealthy woman, and a wealthier one after that. His marriages and relationships are all based on real love and almost on cue keep ending, but he keeps on getting wealthier with every subsequent relationship (Hemingway). However, the moment Harry became wealthy by his marriages and relationships, his writing creativity was completely eroded. Although he had so much to write about, he could not bring himself to write at all. This either creates the impression that being a good author requires so much effort that one must be desperate to achieve it. It can however, also be argued that there are no talented authors, just individuals who need enough money to try hard enough (McElrath & Robert,

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