Each culture has a different set of rules and norms. Sometimes, we as individuals, use our culture’s norms as a guideline of how to behave and how we think people should behave. These enable to have a specific perception and a way of thinking. We stay in our comfortable way of living and never acknowledge that there is more than our regular lifestyle. In today’s modern world, we depend too much on technology. Most of us spend most of the day using our cellphones, playing video games or on our laptop, never taking a glimpse of the world around us. Especially, those who use the whole day to watch television or play video games since they are participating in a fantasy and never realizing they are missing out of reality. Such as Aristotle, a philosopher who is the student of Plato, explains in his allegory of the cave. In Plato’s Republic, Socrates uses the allegory of the cave to explain that knowledge and education are the solution to free people of ignorance. In a conversation, Socrates asked Glaucon to image prisoners kept in a cave. These prisoners have been in the cave since birth, they are oblivious to the world outside the cave. Each prisoner is chained so their legs and necks are immobile. They are forced to look at the wall in front of them; they cannot look to either side. Behind the prisoners, there is a fire and behind the fire, there is a partial wall, on which people can walk. These people are puppets, they carried artifacts in the shape of human and animal
“Choosing a Map for Life,” by M. Scott Peck, “The Allegory of the Cave,” by Plato, “The Truman Show” and “Salvation” by Langston Hughes describe the views and perspective of the reality in our world. We have to get out, discover the world around and revise it. By setting up a map or goal and revising it in the world, will make us to control our perceptions and draw close to the reality.
In the Allegory of the Cave there are chained prisoners in cave who can only stare at the cave wall in front of them. At the back there is a long entrance with a staircase the width of the cave and a fire burning in the distance. They see only shadows projected in front of them from a raised platform and hear an echo that they attribute to what they observe. They talk about and name the shadows of objects they see before them. To them the truth are the shadows. Then one day one of the prisoners is released. He is told that what he saw before was an illusion. Once he is outside it takes a while for his eyes to adjust to the sun. First he observed the shadows of thing then their reflection and finally the actual object. Remembering his previous state he goes back to the cave and tries to explain that everything is an illusion but they laugh at him and think he’s crazy. They believe it best not to ascend and they choose to remain as they are. The cave represented opinion. The shadows that are cast on to the wall represented physical objects. The prisoners represented the common people (Welles).
I had an experience that each represents the symbol towards the Allegory of the Cave. My childhood was mostly in Jamaica where I lived with my father for two to three years. I can relate to the symbols from the "Allegory of the Cave".
An allegory is a kind of story in which writer intends a second meaning to be read beneath the surface story. One of the most important allegories ever to be gifted to humankind is Allegory of the Cave. Plato’s Allegory of the Cave is one of the most potent and pregnant of allegories that describe human condition in both its fallen and risen states. The Allegory of the Cave is Plato's explanation of the education of the soul toward enlightenment. It is also known as the Analogy of the Cave, Plato's Cave, or the Parable of the Cave. It is written as a fictional dialogue between Plato's teacher Socrates and Plato's brother Glaucon at the beginning of Book VII of The Republic.
In Plato's Republic, the great philosopher describes what is needed to achieve a perfect society. He addresses several subjects still debated in today's society, such as justice, gender roles, and the proper form of education. He discusses these issues through his main character, Socrates. Socrates, another well-known philosopher for his time, happens upon a group of men, and what begins as a modest question, leads into a series of debates, metaphors, and allegories. Perhaps the most discussed allegory in today's popular culture is the Allegory of the Cave. Over the past decade, several movies have mimicked the fantasy, the most profitable being the Matrix Trilogy. But what makes this story so fascinating? Through it, Plato attempts to map
Has someone ever looked at you and immediately disregard you for you are just because of your ethnicity? Have you ever done it someone? Racism is a huge culture issue that we have not only in America, but in other parts of the world, but it does not matter the color of one’s. What really matters is the character they have withheld inside but are not given a chance to express because someone didn’t even bother to give them a chance. This is idea comes from the book written by Plato, “The Allegory of the Cave” where in the book Socrates speaks of man being in a dark cave all their lives not realizing the truth until once they reach the end of the cave to see that the light is the truth. The truth is the reality of life.
People seem to think that everything that happens to them everyday is real. The question is, though, “What is real?”. Is everything you see everyday really real or is it fake? We might see fantasies that other people or machines have created for us. Maybe we are the ones that are not enlightened yet. Numerous essays and films have been produced on this subject. One essay is “The Allegory of the Cave” written by Plato in 360 B.C. Also, the movie The Matrix was filmed in 1999. Even though many differences can be drawn between “The Allegory of the Cave” and The Matrix, there are many similarities as well.
The prisoners have been in these conditions since their earliest stages of life. The cave, the wall, and the chains are all the prisoners have ever known. Behind the prisoners, there was a raised path. Above the walkway was a platform, where there was a fire burning, and in front of the fire, was a parapet, which as Plato described it , was like that of the screens Puppeteers use to hide themselves and have the puppets be visible . Each and every day, the prisoners see nothing, but the shadows of the objects and people passing between them and the fire. For their entire lives, the prisoners are exposed to nothing but those images and the sounds made by those walking around. These shadows are all they have ever known, in essence; these shadows are their only “reality”. As time passed, the prisoners would grow accustomed to these sights, later on the prisoners would match the objects with names and the familiar sounds to the images of the shadows (514; Appendix A). In discussing the allegory with Glaucon, Socrates toys around the concept of what could happen to a prisoner should they be released after having lived their lives in the cave, with the only knowledge the possess of the world, are the images and sounds by the wall.
In “The Allegory of the Cave”, the focus is based on prisoners who are chained up in a cave and can only see the shadows of the real world. In this story one prisoner is released into the “real world” and tries to enlighten the other prisoners. In The Matrix, the main character Neo is living in a world controlled by a computer program and he does not know. He is brought into the real world by people that have been enlightened and he plans to help the other people. Even though The Matrix and “The Allegory of the Cave are set in different points in time and show some different points of view , they also have comparable plots, characters, and symbols.
Many, even perhaps all of the great religious texts we have read in this class have talked and discussed about the individual human ego. Although there is no absolutely solid evidence to prove that the Bhagavad-Gita and the Tao Te Ching have a relation that influenced each other, the core ideas of these two great works from two great ancient culture have surprising similarities. This discovery can be explained by the similarity of Chinese and Indian cultural background. However, in Plato’s works (the Five Dialogues and the Republic), we are able to find pieces about importance of our ego as well. Plato is one of the most important philosophers in western history. That brings us a question, why ego is such significant for both western and eastern philosophers and religious works?
“Allegory of the Cave”, written by Plato, is story that contrasts the differences between what is real and what is perceived. He opens with Glaucon talking to Socrates. He has Glaucon imagine what it would be like to be chained down in a cave, not able to see anything other than what is in front of him. He tells a story of men that were trapped in a cave and were prisoners to the truth. These prisoners have only seen shadows. But because of their ignorance, these slaves to the cave believe that the shadows are real. The story goes on to say that one of the men has been dragged out of the cave. He is not happy to see the real world, yet upset because he is being taken
There exists a place in one’s mind that determines what is real, and what is not. One could argue this distant concept as being linked to the subconscious; others, such as Neil Gaiman, provide a template for existence on the other side. The children’s story Coraline reveals the truth of darkness and confusion in a supposed replicated dimension. The Allegory of the Cave is an essay written by philosopher Plato that explains the analogy of prisoners kept facing a wall in a cave to those who experience a perfectly formed enlightenment of the mind. Those who break free are unveiled into this bright and amazing world and are initially overwhelmed, for everything that they once thought to be is instantly proved to be wrong, or more to say, altered. The theory of forms, applied to this story, assumes the existence of some distant reality, with the perfect “forms”. This idea provides for all things in the real world that we physically and mentally live in. The forms are theoretically donated into the real world, but lose their perfection along the way, and instead inherit a base for numerous opinions: these are the objects that human’s perceive every day. The forms in Coraline are displayed, with all child appeal, as within a physical small door, leading to the “other side” of the flat. In the world, objects are beautiful and wondrous, but confusion of course sets in, as the new view is so astray from the normal source of opinions. The captured sense is new, and truly; horrific.
In his allegory of the cave, Plato describes a scenario in which chained-up prisoners in a cave understand the reality of their world by observing the shadows on a cave wall. Unable to turn around, what seems to be reality are but cast shadows of puppets meant to deceive the prisoners. In the allegory, a prisoner is released from his chains and allowed to leave the cave. On his way out, he sees the fire, he sees the puppets, and then he sees the sun. Blinded by the sunlight, he could only stare down to view the shadows cast onto the floor. He gradually looks up to see the reflections of objects and people in the water and then the objects and people themselves. Angered and aware of reality, the freed prisoner begins to understand illusion
The Allegory of the Cave or also known as, Myth of the Cave, is a good example of explaining the feature of the way people think. It is a concept that demonstrates how humans are fearful of change and what they don’t know. Plato says that men are living in an underground cave and it is a situation. The Allegory of the Cave is Plato's explanation of the education of the soul toward enlightenment. Plato talks about being free, everyday life, knowledge, and essentially what he wrote to be true. I think that he was very unique with his writings because there are so many ways to look at the world and his way was just one. He was educated highly and is recognized as a philosopher to this day.
“See human beings as though they were in an underground cave-like dwelling” (193). Although Plato’s famous allegory of the cave doesn’t appear until Book VII of The Republic, its significance cannot be understated. The meaning behind the Greek philosopher’s imagery manifests itself throughout the rest of the work, specifically Book I. After outlining the description of the cave and demonstrating how the rest of The Republic dramatizes it, I argue that Plato (or Plato’s Socrates) is revealing a relationship that posits philosophy, which can only come about through mutual respect, as critical for the city’s well-being, but ultimately not enough just by itself.