The Catcher In The Rye And William Shakespeare's The Tempest

Throughout the education system, there seems to be an unofficial consensus that pieces of literature that are deemed “controversial” should not be taught in school. The Merchant of Venice falls into this category due to the Anti-Semitism which exists within the play making it “controversial” therefore, banned. On the contrary, this play should not be considered controversial and it should not be banned due to the learning experiences and knowledge that can be gained by reading this play. The contrastive style of literature will provide students and teachers alike who read this play the chance to expand their horizons when it comes to their English skills. With this in mind, The Merchant of Venice written by William

Dalai Lama once said, “We human beings are social beings. Are lives are influenced by jealousy and malicious behavior for the better or for worse”. The darkness of human nature is directly evident in William Shakespeare’s Othello as opposed to J.D Salinger’s The Catcher in the Rye. Within the play Othello, the darkness of human nature is visible through the theme of jealously and how characters react. The emphasis of inequality in the play Othello presents a darker view of human nature as opposed to J.D Salinger’s The Catcher in the Rye through the treatment of the protagonists. The dynamic personality of Othello presents a darker view of human nature as opposed to Holden Caulfield as Othello’s personality changes for the worst.

The novel The Catcher In The Rye, by J.D. Salinger, contains many complex symbols, many of the symbols in the book are interconnected. A symbol is an object represents an idea that is important to the novel. I believe the most important symbol in this novel is Holden 's idea of being the "catcher in the rye".

The Catcher in the Rye a novel written by J.D. Salinger, the book starts off by Holden Caulfield, main protagonist, talking about his experience alone the weekend before he went home. Holden struggles to fit in society, communicating with others but most of all he is struggling to find himself. Holden lurks for advice from different people in order to get some insight of their perspective. Even though Holden seems to be embracing the growing up mentality yet he wants to keep his innocence.

use of music, this is done in both films, (The Wizard of Oz and A

Many questions have been asked if Hamlet, McMurphy and Chief Bromden are crazy or sane. Hamlet is the main character from a play by William Shakespeare called Hamlet. McMurphy and Chief are characters from a novel by Ken Kesey called One Flew Over the Cuckoo’s Nest. There have been many scenes in the play where Hamlet might seams crazy but without a doubt he is sane. Even though McMurphy do some crazy things he is definitely not crazy because he is aware of his actions and he does all these insane things just to make the Nurse Ratched mad. Chief Bromden’s character can easily be identified as sane because he knows how to stay out of trouble and from getting electric shock treatments.

No two human beings that have ever inhabited the earth were, are, or will ever be alike. Every individual possesses his or her own looks, qualities, morals, personality, and much more. Comparing two characters from arguably, two of the greatest stories ever written, is quite a feat to accomplish. One could already relate the two main protagonists of Hamlet and The Great Gatsby just by looking at the titles of the novels! Hamlet and Jay Gatsby are two characters, who can easily be overanalyzed without truly researching into their own stories and unveiling just who these two gentlemen are, for they are enigmas, and can be scrutinized into being more similar than one may think.

Truth is a “true or an actual state of matter”. In all these three novels that I chose, hiding the truth is harmful, but it’s easier to just hide the truth for some characters. Although it’s easy to hide the truth, there’s a lot of weight, one have to carry as the truth is hidden. Telling the truth can also be dangerous for other character is these novels. Yet, no matter how long it takes or how dangerous it is to tell the truth, we can see that it always finds it’s way out in Othello, The Scarlet Letter, and Fahrenheit 451.

The Tempest by William Shakespeare and Mama Day by Gloria Naylor are two fantastic stories that both belong to the genre magical realism, which is where magical elements are incorporated into realistic fiction. Prospero the main character is robbed of Dukedom and marooned on an island with his infant daughter where he meets natives and fire demons who do his bidding. Mama Day the main character in Gloria Naylor’s novel is a no nonsense woman who uses her magic to help the other residents of their island. Even though Naylor denies that Mama Day is modern retelling of the Tempest it is hard not see that there are similarities between the stories. However, there are some differences. Prospero takes justice into his own hands, just as the characters around Mama Day take their situations into their own hands. They do not trust Mama Day’s ways until they are forced to ask for her help. Whereas Prospero and Miranda might seem like parallel characters because they both use magic, Miranda knows its limits and uses it to help others, while Prospero only discovers the limits of magic after he gives it up.

Explore the struggle/desire/theme of power and how it is presented in ‘Lord of the Flies’ and ‘The Tempest’.

‘Pride and Prejudice' first appeared between 1796 and 1797 under the title, ‘First Impressions'. At first, the novel was written anonymously; however, after Jane Austen's death, the novel became publicly known to people. The novel itself is a comedy of manners set in a quiet and charming rural England, between 1796 and 1813; to be exact, Pride and Prejudice is set amidst Napoleonic Wars, dating from 1797 up to 1815. In Austen's words, the novel was ‘light and bright and sparkling'. The quote from William Shakespeare best describes the love stories of Jane Bennet and Charles Bingley; Elizabeth Bennet and

William Shakespeare became one of the most notorious poets ,playwrights,and dramatists of the 16th century. Having around 37 plays and 154 sonnets place to his name, inevitably leading Shakespeare to become one of the most recognizable names within literature. Shakespeare throughout his many writings kept a distinct style which consisted of repeating plans of how each characters would function and interact with one another to lead to up to an opposing conclusion. Individual plays like Much Ado About Nothing and Romeo and Juliet demonstrate the connections between the similar actions, characters , and events that take place within different playwrights. However; even though writings like Much Ado About Nothing and Romeo and Juliet share many plot , events and characters , they’ve gained opposing genres ; one which has been classified as a comedy, while the other a tragedy. Demonstrating the idea that events themselves don’t wholly determine the genre of each playwright but rather the outcomes of these symmetrical events.

The poem, The Tempest was written by William Shakespeare which consists of romance. The poem is written in 1610-1611 in England and published in 1623. Its literacy period is the Renaissance (1500-1660). Julie Taymore’s film version of the play allowed the audiences see a visual of the play and how each actors portrayed the characters of the play. One notable difference between William Shakespeare’s The Tempest and Julie Taymor’s film version of the play is the results of Prospero’s magic. This difference has the effect(s) of the highlights of Prospero’s magic of anger and forgiveness. This paper will demonstrate the representation of Prospero’s magic and what his magic can do has the effect of the anger and forgiveness of Prospero by analyzing the difference of Prospero’s magic in the play and Prospera’s magic in the film, but equally powerful.

Gender identity and its roles in 17th and 19th century England were regarded as rigid fact — definite and unyielding. The adherence to these social protocols was of utmost importance. Masculinity was viewed as being dominant, assertive, and bold, whereas femininity involved beauty, obedience, and chastity. The theatre became a method of challenging this rigid social concept. Both William Shakespeare’s As You Like It and Oscar Wilde’s The Importance of Being Earnest explore these public values through their characters. Wilde and Shakespeare’s use of gender reversals satirize the traditions of social order, marriage, and gender responsibilities at the time, thereby revealing that gender is not absolute.

In both texts, moments of rediscovery catalysed by personal encounters allow for the reassessment of initial discoveries, whereupon they are understood more profoundly.