African Art of the 20th century portrays historic paintings, sculptures, visual arts from African natives or the people who live on the African continent itself. Visual culture has been the major part of the African Art. Many of the African sculptures of many people have been portrayed in wooden masks. African art takes many structures and created using a wide range of materials such as wood, ceramic, stone, mud, etc. The African art are from many different parts of Africa that include Muslim art from the north, Christian art of Ethiopia from the west, sub-Saharan Africa, etc. Eastern Africans has their own style art known as "Tinga Tinga" paintings and set an example of craftsmanship by making textile art. The Zimbabwe culture focused more on creating sculptures and had been in focus internationally. The southern part of Africa has its unique style of art which focuses more on human characteristics.
This art is known as Mambila figure that portrays the male ancestor with a heart-faced shaped. It is made of wood and later painted with black color. The Mambila are a tribe of farmers who lied on the northern part of Nigeria.
The African art of the 20th century has influenced many European and Western painters such as Pablo Picasso, Paul Gauguin, Henry Matisse, Modigliani. At first, these artists knew nothing of African art forms, but suddenly recognized the aspect of the art. In the 20th century, when the French Empire was growing, the African arts were brought to Paris museums which made Europeans recognize the work of African artists. The art represented the many forms of art and made other painters felt the ability to use imaginations in their own works. Their artists saw the art as it expresses power in form of emotion. The study on the African art gave a strong response making the artists to show an interest in many forms of art because it demonstrated emotional and psychological power. The African continent people showed a different and unique culture into their art because of the materials they used to create the masks and sculptures. It was a very different type of culture than the West as their art was rich in texture because of the resources they had. African continent did not have this luxury and
1853 there was eighty-six documented galleries, which had women and children working in them, really changed the times. Around this time, there were document African American operators which seems counterproductive, as acrimonious slaves would be photographing and documenting the slave trade as well as high profile crime trials of relevancy. Post mortem portraits became prevalent as well as the documentation of the different interesting landscapes, for instance Niagara Falls was shown in the chapter with a group of folks standing in the foreground enjoying the view. The American Daguerrotypists made the sites commonly unseen by most, available. Such a Hawaii, Mexico, Philippines and South America. They were also able to introduce Photography as it was then known to the people of
Royal Arts of Africa show traditional work from the most historic tribal civilizations. Throughout centuries, African Art has enriched royal stature, authenticated noble influence, and honored past and present rulers. The Kom of northwest Cameroon, included in these historic tribal civilizations, molded statues symbolizing their very own royal families and prestige attendants of their kings’. The “Royal Figure” is a prime example of this kind of artwork that has lived through the Kom Kingdom’s history. This piece is constructed out of multiple mediums including wood, Indigo beads, raffia cloth, and iron, but beneath these materials lies a much deeper meaning. Symbolism, daily functions, history, and culture were all brought forward when
African Americans always had a great influence in the United States throughout time from the beginning of slavery. African Americans, since the start of slavery, always expressed themselves artistically, where it was through music or art. From making patchwork quilts, slaves used their artistic expression to help conduct the Underground Railroad and escape slavery. To be defined as “illiterate savages” African Americas proved many wrong with their exceptional skills presented in many different styles of artwork. From slavery throughout the 19th century, there were a great number of African Americans whom contributed to the United States through artistic expression, with creating artwork that would either be judged or discredited. For example, Robert S. Duncanson, Edward M. Bannister, Mary Edmonia Lewis, and Henry Ossawa Tanner were all 19th century African American artists who each faced their own individual challenges to achieve acclaim as artists.
On October 9, 2015 I went to the Smithsonian, National Museum of African Art along with attending the Million Man March down in Washington D.C. The experiences were wonderful and I was very excited to be at both events. While at the museum I took two tours one at 10 am that was led by a woman named Nkechi Obi. She talked about docent African Arts. The next one was shortly after at11 am that was led by a teen ambassador named Nicholas Stewart, who was very intelligent. He talked about numerous pieces throughout the museum that had some significance to younger minds so I found that very helpful. After the tour I spent some time down at the mall in DC in which faced the Capitol. This was the Million Man March that was a very popular event that brought out many people. I would describe both events as lectures that were powerful and time put to good use.
From the 1500s to the 1700s, African blacks, mainly from the area of West Africa (today's Senegal, Guinea, Sierra Leone, Gambia, Liberia, Ivory Coast, Ghana, Dahomey, Togo, Nigeria, Cameroon, and Gabon) were shipped as slaves to North America, Brazil, and the West Indies. For them, local and tribal differences, and even varying cultural backgrounds, soon melded into one common concern for the suffering they all endured. Music, songs, and dances as well as remembered traditional food, helped not only to uplift them but also quite unintentionally added immeasurably to the culture around them. In the approximately 300 years that blacks have made their homes in North America, the West Indies, and Brazil, their highly honed art
Art of the Egyptians and Africans express ………………………..In art, style is a characteristic, or a number of characteristics that we can identify as constant, recurring, or coherent.(Art Terminology 1) Artists express their emotions through their art-making, their finished product will reflect that emotion. They might also create a piece of art that makes the viewer create an emotional response. Emotion is any strong agitation of the feelings actuated by experiencing love, hate, fear, etc.(Dictionary 1)
This Summer I went to the Minneapolis Institute of Art. While I was exploring the institute I looked at a couple of collections they have there. The one that really jumped out at me however was the Art of Africa and America.. While looking at Africa and America art I could tell a great difference between their art compared to our art today. While Africa and America is a little bit abstract it also shows meaning and keeps us interested in learning about the past culture that could be lost.
African art has played an important role in the culture of the world. The sculpture is the most common traditional culture expression for the African art. The different sculptures are shown by their local styles and they serve for the specific functions, such as religion. From some of these old art pieces, we figure out this kind of traditional culture expression already existed in the African for such a long time. In this paper, the art piece I am going to analyze is the Female Figure with Child and it made by Akan-Asante people. The Akan people of Ghana have been recognized for their various and attractive culture and it located in what are today Ivory Coast and the republic of Ghana in Western African. The Akan people are combined by different groups, such as the Anyi, Akawpim, Akyem, Aowin and Asante, and these people have their own dialect, but they share a lingua franca, which called Twi. The sculpture I choose could effectively reflect its own distinctive culture, because of the social connection reflect on the royalty, the comparison with other local art pieces, like Akuaba fertility dolls and its specific art form.
This sculpture is of a women breast feeding her child. The face of the two people is elongated, as well as the breasts of the mother. This is common to all African Art because they wanted representation of what is being expressed. In this particular sculpture, a supernatural power is being called upon. The power has been asked to protect the mother and child, and to
Throughout the vast history of art, historians can find connections throughout the centuries. Artists from the beginning of humankind have been inspired by the world around them. From the Apollo 11 stones to present day, history and culture have provided inspiration and have been the focus of various pieces. Examining artwork from the 15th-18th century, viewers can be shown a whole world that would be unknown to us without these artist’s contributions. History, religion, and cultural events have sculpted the art world, and we can observe this through many pieces during the 15th-18th centuries.
time. The subject is a real female courtesan lying nude on a bed in a
In this course we have learned about all of the different cultures and their musical traditions. My favorite so far has had to be the west African music culture. They have a variety of different music, instruments, and dances to contribute to the reasons I liked this music culture so much. So, I have taken it upon myself to further my research on this particular musical group. I will compare and contrast a variety of different videos from the west African music culture and I will analyze how they connect to this culture.
Like African paintings, poetry, and woodcarvings, sculptures tell a tale and immortalize cultures and beliefs. Different artists have different styles (African Arts Information). Materials and styles differ from village to village. Most sculptors use green wood, copper, tin, zinc alloys, bronze, ivory, or terra cotta, a kind of earth ware. Most sculpture figures are believed to contain ancestor’s spirits. Others represent sacred ideas or events (Fetzer 106). Some objects are said to be magical and believed to have magical powers (African Arts). Africans carve figures, make masks, and decorate articles for ceremonies (Fetzer 106).
Art has evolved and regenerated itself many times during our human existence. These differences are defined through changes in styles under various theories. During the nineteenth and early twentieth century, a style known as Expressionism became popular. During this movement the artists were trying to use their artwork as a tool of expression toward life. It was mainly dominant in the nonrepresentational arts, such as abstract visual arts and music. It also was probably one of the most difficult movements to understand because the whole point of the piece lay within the artist. Not only was it a movement, it defined the act of art as a whole. From the beginning of time, each work of art, excluding replicas, show a way of expressing
Ancient Egyptians, Aztecs, Incas and Mayans created many meticulous pieces of art. Some of the meticulous pieces of art are masks, pyramids, jewelry, wall paintings, tombs, sarcophagi. The primal Romans and Greeks showed their appreciation of life through art. India used art to show their dance and their religions. The African art is symbolic of their tribal cuffs as seen of their totem poles.