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The Crucible by Arthur Miller

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The performance of Arthur Millers drama, The Crucible, put on by the WolfPack Players is one that has taken a fair bit of polishing to go from an average high school show, to a great show; the director, Patrica Scarborough, can certainly attest to such a bold claim. While we were held back by petty issues such as lines, we were, as a company, able to pull it together, just in time for opening. I can honestly say, in my heart, that this show could have gone better. In no way am I marking this a shameful show, nay, in my opinion, the show is quite good. I, for one, love the cast that had been assigned to perform this drama. But the basic act of line memorization had bogged us down, and I primarily attribute that to the language of Arthur Miller's piece; The Crucible is indeed a heavy show, the Director had announced to us that many times before. Even for myself, The Crucible is a dense, heavy story. From my transition from the auditions to the performance, I can say that personal growth had happened, not continuously, but in small spurts. At the audition, I had felt like this wasn't really my show. That feeling I had made me nervous and uncomfortable about auditioning, but I had decided to keep at it; I put on a straight face and acted happy to be there, auditioning, even though I was unsure about the show. I had learned, later on, that even if insecurity strikes during an audition, that its always better to act like its not there at all. Keeping a straight face, as opposed to

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