As Isak Dinesen famously states in Seven Gothic Tales, “The cure for anything is salt water - tears, sweat, or the sea.” Paradoxically, since the days of ancient creation epics, the sea has been a symbol of chaos and danger; clearly, water takes on these characteristics in the terrifying ocean in The Awakening and in the river that swallows Virginia Woolf in The Hours. Yet for each major character in the two novels, water yields lucidity in its wake; it is the “cure” that brings closure to each story and enlightenment to each woman. Water, in many forms, affects every major character in [oh god what’s a synonym for “the two novels”]. Fears of submersion, overpowering tears, visions of deep-sea creatures, and baptismal deaths all seep into the pages of the two novels. In some cases, water is clearly something to be avoided; take, for example, Laura Brown’s reluctance to begin her tasks as a housewife in the morning. She must “[summon] resolve, as if she were about to dive into cold water” (41) just to put down her book, because there is more passion and promise in Virginia Woolf’s words than in her own existence. For Clarissa Vaughn, too, water invokes feelings of discomfort; as she steps from her home onto the streets of Greenwich Village, she “pauses at the threshold as she would at the edge of a pool, watching the turquoise water lapping at the tiles, the liquid nets of sun wavering in the blue depths” (9). She admires the freshness of the morning, “[delaying] for a
The structure of a novel enables it to embody, integrate and communicate its content by revealing its role in the creation and perception of it. A complex structure such as that of Robert Drewe’s work The Drowner, published in 1996, refers to the interrelation or arrangement of parts in a complex entity1. Drewe’s novel is a multi-faceted epic love story presenting a fable of European ambitions in an alien landscape, and a magnificently sustained metaphor of water as the life and death force2. The main concerns of the novel include concerns about love, life, death and human frailty. These concerns are explored through the complex structure of the novel. That is, through its symbolic title, prologues, and division into sections. The
Tim Winton’s short story, ‘The Water Was Dark and it Went Forever Down’, depicts a nameless, adolescent girl who is battling the voices inside her head along with the powerful punishments at the hands of her inebriated mother. The key concerns of life and death are portrayed through the girl’s viewpoint as she compares her life with her sad, depressed mother. Anonymous as she is, the girl constantly makes an attempt to escape the outbursts, that come as a result to her mother’s drinking, by submerging herself into the water. An extended metaphor is used when expressing the girl as a machine and her will to continue surviving in her sombre life.
In her memoir, Virginia Woolf discusses a valuable lesson learned during her childhood fishing trips in Cornwall, England. To convey the significance of past moments, Woolf incorporates detailed figurative language and a variety of syntax into her writing. Woolf communicates an appreciative tone of the past to the audience, emphasizing its lasting impact on her life.
Burroughs talks about how the sea is contradictory on its own, in its immensity. It mocks its victims “with the most horrible thirst”, and it smites everything like a hammer, while sometimes caressing like the hand of a lady. The breaking of its waves is violent, yet as it reaches the sands it reminds us of the rustle of a child's
Everyone knew that when one stayed in the water too long, one drowned. However, that was not the case. In Alden Nowlan’s, “The Fall of the City,” Teddy was a young boy who had a very vivid imagination. Although at times it went to the dark side, it was ultimately the mistreatment from his aunt and uncle which cause Teddy to destroy his city. For example, his uncle’s threats of physical abuse leaded Teddy drowned in his imagination, the only place where he can feel safer. Although Teddy hardly spoke back to his uncle, he was still threatened that he will not “be able to sit down the rest of the week.” The threat isolated Teddy from his uncle and Teddy felt as if he has no one to turn to. Without someone who truly understands his feelings,
In the short story “ The Swimmer,” John Cheever expresses the idea that Neddy Merrill can lose everything if he denies reality. Cheever achieves this by employing various symbols during Merrill's cross county journey. The main symbols are the weather and seasons. Cheever uses the changing of seasons to distort the character’s sense of time and show the progression of Merrill’s life. In the beginning of the story the setting is described as a midsummer day and by the end of the story, Merrill is able to see the constellations of late autumn, meaning winter is near. The illusion of time allows the reader to understand the extent of Merrill’s state of denial, as his beliefs begin to contradict the reality around him. While Cheever uses the weather to describe how Merrill feels. When it is warm Merrill feels happy and youthful. However, when it becomes colder Merrill begins to feel weak and sad. To emphasize Merrill’s state of denial, Cheever employs the motif of alcohol in “The Swimmer;” the reader notices that when Merrill is presented with a reality that he deems unpleasant, he uses alcohol to enhance his state of denial. Through the critical lens of New Historicism, the reader can infer the author’s purpose for writing “The Swimmer” is to criticize the lifestyles of affluent people in the 1950s and early 1960s. Cheever focuses on the party lifestyle of affluent communities and how the use of alcohol allows them to deny the reality around their current misfortunes.
In the short story “Sea Oak,” George Saunders presents a family that is struggling with life in the poor neighborhood of Sea Oak. The narrator works as a male stripper in Joysticks, run by Mr. Frendt. The story also revolves around Auntie Bernie, who dies, resurrects, and dies again after advising the narrator, his sister Min, and their cousin Jade to adopt unorthodox and immoral means of making it in life. Two main themes that emerge in Saunders’ work are grief and loss that people suffer in life, and how the society teaches to deal with them, including the loss of a fruitful life, lack of wealth and success, as well as death.
Ron Rash’s novel—Saints at the River—begins with a short prologue, in which, a twelve year old girl drowns. Rash uses lyrical syntax and emotionally-charged imagery to establish a macabre tone.
Death by water also plays a large part of Louise Erdrich’s short story “Fleur,” in a much more immediate and dramatic way. The story opens with a drowning in the same way that The Piano opens with a journey by water; the drowning, however, is not only
One of our first writing assignments in class was the One Word assignment. My word was optimistic, but since then, I have been faced with the toughest challenge in my life so far. Once in a while, when I am feeling extremely down, I remember that assignment and it gives me the strength to continue going with my head up high. Thus, I thank you for the assigning it even when we had a hard time connecting it to the AP test and felt it unnecessary because of it. Also in the meantime, reading Salt to the Sea has helped me calm down and be distracted when I felt overwhelmed. I first complained about having to read a book for the class because I have not enjoyed a majority of the books I have read in my English classes in high school. However, Salt to the Sea turned out to be one of my best reads and I am happy you assigned it. I feel much
Water is something that is seen as solely necessary for human beings to stay hydrated, but the novels being mentioned in this paper describe water as being something more. Praisesong for the Widow by Paule Marshall, Krik? Krak! by Edwidge Danticat and Masters of the Dew by Jacques Roumain all depict water as being something that helps with liberation, recovery and new life.
Wherever I travel, inevitably water plays a part in the itinerary. The Trevi fountain in Rome, the canals of Venice, the crystal clear lakes of
“Big Two Hearted River”, a semi-autobiographical short story by Ernest Hemingway, is a story about the main character, Nick, returning to Big Two Hearted River in order to recover from his inner wounds. Nick Adams goes on a journey alone in nature for a therapeutic purpose as he suffers from PTSD. However, Hemingway purposely avoided any direct discussion regarding to Nick’s mental wounds. The absence of the discussion is contributed by Hemingway’s writing style, the Iceberg principle. Hemingway focuses explicitly on what occurs on the surface without mentioning actual theme. This indicates that the theme of self-healing cannot be uncovered by simply looking at the text itself. In order to comprehend the actual theme of the story, the character development of Nick must be examined. This is possible since Nick Adams is a recurring character of Hemingway’s stories. The two preceding stories of “Big Two Hearted River”, “Now I lay me” and “A Way you’ll Never Be”, directly discusses Nick’s suffering from shell-shock and how he comforts himself by returning to Big Two Hearted river in his mind. The two short stories will be analyzed and connected to “Big Two Hearted River” in the essay first. This will provide a strong understanding of Nick’s psyche and the reason behind his return to nature. Then, “Big Two Hearted River” the short story itself will be carefully analyzed.
“The Seafarer” and "The Wanderer” are both poems that describe the hardships of the average Anglo-Saxon warrior. These stories show that life during the times of the Anglo-Saxons is not pleasant. In fact, it appears to be tough, fearful, and depressing. In “The Seafarer”, a man describes his horrid life on the sea, and in "The Wanderer”, a man tells his tale of being put into exile and losing all his fellow warriors and lord. Both men feel physical and emotional pain while going through their adventure. The seafarer claims that the sea itself is torturing him by saying “...the sea took [him], swept [him] back and forth in sorrow and fear and pain.” (2-3) The seafarer also explains that coldness is much more than just a feeling but a
Focusing primarily on the first paragraph of the extract from Water’s ‘Affinity’ (1999), I have identified a thread of feminist criticism throughout the text. Peter Barry (p.116) describes feminist literary criticism as the realisation of “the significance of the images promulgated by literature”, and the need to “combat them and question their authority and their coherence”. In this essay I aim to talk about my interpretations of the feminine images evoked in the extract; including feminist spirit in contrast to submission, lesbianism and notions of patriarchal ideology.