DHARMAPURI TEMPLE
LOCATION
Dharmapuri is a small town located in the Karimnagar district of Telangana, 60 km away from the district headquarters. It is mostly famous for Sri Lakshmi Narasimha Swamy Temple which is situated on the southern banks of Godavari which flows through the town. The most interesting fact of Dharmapuri is that the Godavari river flows from north to south direction unlike west to east in all other places where it flows and hence the river is termed here as Dakshina Vahini. This town is also one of the nine Narasimha Kshetrams. Due to presence of many temples in the area, it is also known as ‘Teertharajamu’. The town was ruled by King Dharma Varma and thus the name of the town was named after him as Dharmapuri.
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Mukha Mantapam consists of 44 stone pillars. The pavilion may be called as Garuda Mandapam dated from the 13th century of the Kakatiyas. The inside roof of the central four pillars facing the Lord is star shaped. The four dark and polished pillars are so exquisite as they bears the figures of the incarnation of Vishnu on the Jangha, nicely carved Ganpati with his vehicle Mushika and various dancing women in different postures. The beautiful sculptures and art on the pillars reflects the highly developed work of the Kakatiyas. The pillars supporting the roof of the sanctum have no resemblance to each other. Inside the Prakaara, there is another Mantapam known as Homa Mantapam which is situated to the south-east of Mukha Mantapam. On the walls of Homa Mantapam, the poems of Narasimha Shatakam were inscribed by Sriman Gudimella Varadachary on 25th July, 1974.
Kotta Narasimha Swamy Temple, also known as Sri Ugra Narasimha Swamy Temple is situated to the right side of the Pata Narasimha Swamy Temple. This new temple was built by Panatula Narayana Deekshitulu in 1803 AD and the image of Yogananda Lakshmi Narasimha was inscribed in it. Facing the Lord Narasimha at the Dhwaja Stambh, Jambavanta is standing. Garuda, Indra, Agni and Vinayaka are also standing around the temple in different directions. The front portion of the temple is known as Antarala and back one as sanctum of
1. What practical steps could be taken to build a relationship with a follower of this worldview who might be a co-worker, neighbor, etc?
The word Hindu has evolved from being the word the Persians used for the Indus River in 500 BC to the accepted name for the primary religion of India this name was originally given by foreign rulers and ultimately used by Europeans in the 1500's as the official name of the religion. History plays an important part of Hinduism because new developments reinterpret an update past practices rather than end them. The Hindu religion is broke down into three periods the Vedic period, the Upanishadic period, the classical period, and the devotional period.
Hinduism is known as the world's oldest religion. According to ISKCON Educational Services (2004), it is hard to construct a timeline because Hinduism has no identifiable human founder or specific origin in history. It is so old that its past goes into pre-history. It is extremely diverse with the Hindu people being more interested in the meaning of events than in providing first hand records. There is also no clear-cut divide between history and myth.
The question of origin- In order for us to completely understand Hinduism, we must first understand that this a philosophical system of beliefs. To give a definite origin of Hinduism would be very hard to address because there are no known origins. There are no beginning points or a name of a founder. Hinduism can be traced all the way back to around 1500 B.C in what we now call India and has a lot of different beliefs, philosophies and views that contradict each other. All Hindus believe in one God, a supreme being known as Brahma. Brahma is an entity believed to live in every single facet of reality and existence throughout the whole universe. Brahma is both impersonal and unknowable and is often believed to exist in three separate forms: Brahma, the Creator, Vishnu, the Preserver, and Shiva, the Destroyer.
“Amida Buddha” (Figure 1) is a bronze figure created during the Kamakura Period, dated 1185-1333. The work is a figurative representation of Amida, who was highly worshipped during the Kamakura Period. The figure “Amida Buddha” is currently on exhibition at the Kimbell Art Museum (2018) in Fort Worth, Texas as part of the Sam and Myrna Myers Collection, Lands of Asia Exhibition.
The purpose of this paper is to provide a reflection on the field trip to the Hindu Temple of Greater Chicago. After a brief Introduction to the Context, the Watercress tool will be used to highlight my observations.
There was nothing to do. I saw her and that was that. I met her and then she was gone. She walked out of my life like a gust of wind that passes by, unnoticed. I loved her, at least I thought I loved her. I couldn’t stop thinking about her curly dark hair, the way she talked, and the way she moved when she walked swinging her arms so freely. Who will tell her how my heart feels? She told me things that I didn’t want to hear. She said that she didn’t belong to no one. A drug dealer had been her boyfriend since she was eighteen. He had given her everything, everything I couldn’t give her. “Then, he was shot, murdered, dead. The cons had taken over the plaza where he distributed drugs.” she said. “The remains of his body were found inside a black construction plastic-bag. When powerful drug cartels take over, everyone else dies. Not just a normal death, a cruel death. They make sure no one else dares to mess with their territory. That’s how it is. That’s fricking Mexico.” She blew a cloud of smoke and looked at me with those black-miserable eyes.
The group of objects chosen for this paper comes from the collection of the Saint Louis Art Museum. The title of both pieces is called Seated Bodhisattva Avalokitesvara (Guanyin). Both these pieces which are statues were sculpted in china. The earliest statue was made during the Tang dynasty. While, the later statue was made during the Northern Song dynasty. These statues were chosen because the same deity is depicted and were made in a similar geographic and cultural location. This allows for the comparison of the different styles between the 2 periods. The statue made during the Northern Song dynasty depicts the Bodhisattva Avalokitesvara sitting in a pose called the relaxed pose or easy pose. This statue also depicts the Bodhisattva adorned in lavish silk garments while a jeweled crown sits atop his head. The statue is carved from wood and painted with gesso, pigments, and gilding. The statue made during the Tang Dynasty depicts the Bodhisattva sitting in the easy pose as well. It also depicts the Bodhisattva in flowing robes while wearing a string of jewels.
: The structures that make up the Temple of Heaven are meant to signify the relationship between heaven and earth, more importantly the connection between the emperors and God. The through in It was believed that offerings made by the emperor to the Gods, would bring a flourishing harvests, as he was believed to be the closest being to god. The structure itself was built so majestically to represent it descending into heaven. The main ceremonies that were held within the hall were all on the basis of worshipping heaven and so it was believed by doing so, it would be seen as favorable to the gods, enough to be blessed with an abundance supply of harvests such as grain. The ceremonial interior of the hall was built in such a way as to emphasize
Enthroned Jina, Probably Neminatha and Seated Shakyamuni are two individual statues that are displayed in the Metropolitan Museum. Both pieces were created in India several centuries ago. Enthroned Jina is a copper alloy sculpture that was created in the late 7th century in Gujarat and stands 13.74” tall and 11.24” wide. Seated Shakyamuni is a bronze statue that was created in the 9th century under the ancient kingdom of Kashmir, and this piece is 6 ⅝” x 3” in size. Both statues display important figures from the religions of Jainism and Buddhism; Enthroned Jina is assumed to be displaying the jina Neminatha and Seated Shakyamuni is displaying the Buddha. Both of these pieces are very similar in appearance as they came from similar regions and time periods, however, there are distinct differences between the statues which indicate how the religious traditions of Jainism and Buddhism diverge in beliefs.
Srivastava is 37 years old. She grew up in India and has been a Hindu all her life. She grew up surrounded by Hindus. Before Neelam I had met only a few other Hindus, yet I never really got the chance to ask and learn more about Hinduism. After the short unit in class, I wanted to learn more about it. Hinduism is a very interesting religion and, after having learned more about it, has similarities to Christianity that we might not put much thought into.
On November 18, 1978 more than nine hundred people died in one of the largest mass murder/suicides in history. The man that implemented and carried out that atrocity was James Warren Jones, otherwise known as Jim Jones, a self proclaimed Second Coming (God). His exposure to an intensely emotional Pentecostal church service influenced and shaped his future beliefs and actions. In 1960, despite his lack of theological training, Jim Jones became an ordained minister. He made racial equality one of goals. Jim Jones also used fear arousal to recruit his followers by Genocide and thermonuclear war.
Agrippa, Augustus’ right-hand man, constructed this building as a temple to all the gods; however, a fire destroyed this temple in 80 CE and so Domitian built the reconstruction. The Pantheon we are familiar with has a significantly different design than the original one, and this is why this specific temple is so dislike to the rest of the Roman temples. Before it was burnt, the Pantheon stood in a podium at the end of a large rectangular court. The surroundings of this temple have changed in order to provide a unique experience to its visitors. For example, the temple has en enormous dome with a 27-foot oculus that opens to the sky. This oculus lets a shaft of light come through creating an emphasis wherever the reflection is. Visitors were driven nowhere but to the light at the center of the dome. This building was built for greeting foreign embassies, adjudicating disputes and hold court (Janson). Moreover, the Pantheon is extraordinary because of the potential and strength of concrete. Some other materials used in the process of building the temple include travertine, tufa, brick, and pumice. These materials varied in order to reduce its weight. The colored marble on the wall symbolized imperial authority. The sphere is though to symbolize eternity and perfection and the bronze panels symbolized a starry night sky.
Hindu and Buddhist cultures are both rich in religion and expressing their faith through art. The Buddhist culture was formed by Buddha who went out to discover the causes of pain and suffering. Once Buddha realized what the cause was, he provided a set of four guiding principles know as the “Four Noble Truths” that are exercised in Buddhism (Kleiner, p. 13). The Four Noble truths are “Life is suffering, the cause of suffering is desire, one can overcome and extinguish desire, the way to conquer desire and end suffering is to follow Buddha’s Eightfold Path…” (p. 13). These truths are expressed in the following of Buddhism and commonly carried out through art. Buddhism is practiced throughout Southeast Asia and southern India where
I decided to visit a Hindu temple because the Hindu religion was the religion that I knew the least about and was interested in. This assignment gave me an opportunity to learn more about this religion and what their worship services and rituals were like. The temple that I went to was called BAPS Shri Swaminaryan Mandir and it was located in Lilburn. As soon as I walked in, I was amazed by the beautiful architectural design of this Temple. It seemed like it took a lot of hard work and dedication to make the place what it is now. While I was at the temple, I watched the Hindus perform an ancient Vedic ritual called the Abhishek, a ritual bathing to honor the murti of their God.