The Dual Role of Gods in The Iliad Essay

In The Iliad, Homer plays with the ideas that Zeus, the god and leader of all, ultimately may not be in charge. Countless times during the text, Zeus bends to the wills of prophecies, mortals, and even other gods. As the story develops, Zeus becomes less in charge and more of a puppet for mortals and gods who have contrivances for and against him. Through prophecy, Achilles, and Hera, this essay will glimpse at the idea of Zeus simply being a puppet on strings in the hands of war.

The stories told in the Iliad and Odyssey are based on stories handed down over several generations, for they preserve (as we have seen) memories of an already quiet far distant past. The two pomes show clear connection in their language and style, in the manner in which their incidents presented, and in the combination of agreement with level, which distinguish their creation.

The relationship between gods and mortals in mythology has long been a complicated topic. The gods can be generous and supportive, and also devastating and destructive to any group of humans. Mortals must respect the powers above them that cannot be controlled. The gods rule over destiny, nature, and justice, and need to be recognized and worshipped for the powerful beings as they are. Regardless of one's actions, intentions, and thoughts, the gods in Greek myth have ultimate power and the final decision of justice over nature, mortals, and even each other.

Godly colossal Greek epic, “The Iliad” constituted by the poet named, Homer, articulate the chronicle of the Brobdingnagian Trojan War. It is swarming with the interventions of the gods enchanting their coveted mortals (humans) and altering the heterogeneous scenes of the Trojan War. In this poem, gods have an assortment of relationships with humans which include love, fornication, and mother or father relationships. Gods interact with mortals in human shapes and stimulate them. Also, gods cognize that every human is eventually destined to die and they anticipate humans to pray to them for every obstacle humans encounter. However, for humans gods are omnipotent, authoritative, dominant, and immortals, who they supplicate to if they have

When people wonder about Ancient Greece the first thing that comes to their minds is Greek mythology; gods and goddesses that have helped shape many historical events. “In ancient Greece, stories about gods and goddesses and heroes and monsters were an important part of everyday life.” (“Greek Mythology.”) The civilization showed that numerous characters and stories helped shape Greeks. The beliefs the Greeks had with mythologies was they understood the meaning behind all the characters that are known today. However, to the Greeks, they were not just characters, these were their gods and goddesses who gave them meaning and understanding of the world around them. Worshiping the gods and goddesses helped them with their religious rituals and the temperament of the weather. A famous wine-jar that was made during this time period was “Achilles killing the Amazon Queen Penthesilea, 540-530 BCE, black-figured amphora”. (Khan Academy) The civilization that they lived in grew around their worship and achievements.

If there’s one thing one can count on when it comes to Greek gods, it’s that they’re critically flawed. Anyone reading Homer’s The Iliad can see the Greek gods act just like humans, constantly bickering, deceiving and throwing fits. The only people who can’t see through this facade of glorious immortality are the Greeks themselves. Throughout Homer’s entire epic, the gods continuously help the mortals based upon their own motives, and yet, the humans still worship them, ask them for help and forgiveness and blessings. Any reader would throw up their hands, disgusted that the humans glorify these beings that possess all the character flaws that mortals do. Homer is very successful in portraying humanity throughout his text, both through the perspective of the gods, and the perspective of the humans. While readers are allowed insight to both worlds, the characters themselves only see one dimension, resulting in the unequal nature of the humans constantly working to please the gods, sometimes to no avail. The Iliad exposes the fatal character flaws of the gods to readers, while also maintaining the mortal Greek perspective that gods are perfect beings, looking out for the greater good of mankind.

This decision of prideful betrayal brings many casualties to the Achaean army. Once Agamemnon apologetically offers Achilles many valuable gifts along with the return of his war prize, Achilles refuses. In this rejection, Achilles is putting his own animosity toward Agamemnon above the needs of his fellow Achaeans. His friend Phoenix tells him to think of his diminishing honor, but Achilles answers, “…what do I need with honor such as that ?/ … It degrades you to curry favor with [Agamemnon],/ and I will hate you for it, I who love you./ It does you proud to stand by me, my friend,/ to attack the man who attacks me…”(p 147). Not only does Achilles reject honor, but he egotistically asks his father figure, Phoenix, to give up his in order to take his side.

The role of the gods in the aeneid is clear from the onset: it is the journey aeneas must make to fulfill the will of the gods at the same time as enduring the fury of other gods in order to become founder of the roman race (find a quote). Aeneas is able to do this through his self-sacrifice and ability to resist temptations and own desires, whereas those that do not and resist the will of the gods die tragic deaths eg dido and turnus.

It is interesting to note then, that the argument between Agamemnon and Achilles finds a parallel right at the end of the same book in the fight between Zeus and his wife Hera. This produces a somewhat suprising effect, the first chapter of an epic that is originally about a foreign military campaign is bookended by scenes of internal conflict: dissent within the ranks of the Greek army and a domestic dispute among the immortals. Even

Here is one of the greatest if not the greatest of the gods, Zeus, complying with Thetis' plea to help the Trojans, and his biggest concern is upsetting his wife. This scene contrasts how the humans lives are in the hands of feeble gods who are sometimes unable to make uninfluenced decisions without the influence of others or worrying about what another will think or say to them simply because she will be ‘scolding all day long'. Another favor which helped turn the tide of war in favor of the Achaeans again involves Achilles and Thetis, however this time she seeks the aid of Hephaestus. Thetis goes to Hephaestus because Achilles armor is in the hands of Hector who killed Achilles dear friend Patroclus.

Contrastingly, the gods are purely mentioned in the film with the exception of the appearance of Thetis to Achilles. Gods are only prayed and sacrificed to, but they do not make an appearance in Troy. The gods have a major role in the Iliad however; they are depicted as having a grand amount of control over what happens. For instance, the gods had control over the battle between Paris and Menelaos. Paris escapes with the help of the goddess Aphrodite, who wraps him in a thick mist and carries him back home: “But Aphrodite caught up Paris / easily, since she was divine, and wrapped him in a thick mist / and set him down again in his own perfumed bedchamber.” (3. 380-2). However in the film, Hektor ends up killing Menelaos. As readers of the Iliad, it is known that Menelaos is supposed to survive. As the gods do not appear in the film, viewers do not have the opportunity to know what the gods are thinking or planning. Only readers of the Iliad are able to witness a conversation held between the gods. The film therefore provides no foretelling of what will happen in the future, while the epic does. There is also no sign of communication between the gods and humans in the film. While in the Iliad, gods tend to appears in dreams or even disguised as another person. Nevertheless, gods and anything close to mystical are not displayed

be looked at as "the wife of Hektor, who was ever the bravest fighter of

The gods in the Iliad are manifested not just to have a direct hand in the lives of mortals, but moreover to be picky about whom they would like to help. Greek religion held powers and fears of all kinds so therefore the reasons behind their motivation and resolutions is not like the modern Christian notion where they think that whoever deserves to have the honor will be it. From what I have read to see, its gods were within the world, one that they did not create. Power such as gods, spirits and nymphs did not die but yet were born. The Greek gods were immortal and had a long life with all

The destiny in Gilgamesh and The Iliad stories are believed to be a power that controls what happens in the future. The story of Gilgamesh and the Iliad destinies are moderately the same in significance of the conflicts and the ways of life both of the stories focused on a significant deaths. The Iliad and Gilgamesh is a remarkable reminder of the way life is in the present, but also how it is a little different. Both stories are similar in goals and destinies and how it affect the main characters. Most people believes that destiny or fate is pre-set and it is changed only by decisions we make that may be selfish and vindicated. Hopefully by the end of the essay the readers will get a better understand of stories similarities and differences.

Throughout The Iliad, an epic poem written by Homer, there were numerous warriors and other characters that could be looked upon as heroes; some of these heroes included Achilles, Ajax, Diomedes, Hector, and Glaucus. All of these individuals were heroes because of their remarkable mental and physical strength: they were courageous and were better fighters in war than other ordinary men. The trade of battle was a way of life to the Greeks back in Homer’s time. Children were raised to become great servicemen to their country, and warriors lived to fight for and defend their nation with pride and valor. The heroic code was a strict morality that dealt with matters relating to honor and integrity in battle.