The Duality Of Man In Thomas Wolfe's 'The Child By Tiger'

When do we overlook malicious behavior? Is our emotional appeal to like a person enough for us to look past deliberate cruelty? Bound up in the play A Streetcar Named Desire is the fundamental question of how the characters are dialectically cruel and the ways they justify their desires. By means of a theme of cruelty when whiteness is evoked, author Tennessee Williams displays when we justify the actions of others to reinforce gender identities, and the emotions which act as a vehicle for judgments.

In Toni Morrison's Beloved, the Black literature author touches upon tough subjects such as slavery, the affects of slavery, and the cruelty that is brought by it. For a person to be cruel, they commit inhumane crimes against a victim or victims that ultimately dehumanizes them. This concept displays itself several times throughout the novel, depicted through the characters that represent not only the "sixty million and more," but also the broken system of a slavery-ruled society, effectively showing the affects of such heinous crimes. In Beloved, the community commits cruel acts to characters such as Paul D, Denver, and Sethe, prompting them to act cruely themselves.

Whether past or present, there is no denying the fact that we humans have created an existence in which it is not uncommon to subject other breathing human beings to conditions of separateness and extreme oppression. The societies we create aid in participation of these conditions in a way that some deem acceptable, even if threatening to the moral norm. “Going to Meet The Man,” a melancholy story written by James Baldwin, sheds light on the tragic problem of racism that has afflicted our world and how this racism came to be. By examining the past and present life of a racist sheriff in a southern town, this tragic story epitomizes the terrible truth of reality and exemplifies the tragedy and problem of moral knowledge, alienation from others, and the tragedy of morally conflicting demands.

Hatred for white society was a strong theme among the African American community during the 1950s. These emotions were conveyed through different platforms of the time, ranging from art and music, to articles and books. But James Baldwin, a popular African American writer during this time period, does not obsess over this subject that was so passionately conveyed by so many people like him. Instead of preaching about his hatred for white America, Baldwin utilizes his story of his childhood as well as his early adulthood to illustrate the destructive nature of the African Americans society’s hatred for white society in the very well known essay, “Notes of a Native Son.”

Wexler’s attention to these details ensures that the lynching victims are more than flat “symbols,” constructed by a foreign and long past semiotic system, to the reader. She writes, for instance, of George Murray, or Dorsey, who had “returned [to Monroe] from the army” (167), after “four and one-half years” of service, in September 1945, that he was a man who had “love for music,” “skill as a farmer,” and a memorable smile (99). In this respect, Wexler accomplishes the same empathy for an innocent victim as the NAACP, in 1946, might have done, and in similar style—as she contends, in parallel fashion to the deceased victims’

Baldwin, however, describes his father as being a very black-like “African tribal chieftain” (64) who was proud of his heritage despite the chains it locked upon him. He is shown to be one with good intentions, but one who never achieved the positive outcome intended. His ultimate downfall was his paranoia such that “the disease of his mind allowed the disease of his body to destroy him” (66). Baldwin relates the story of a white teacher with good intentions and his father’s objection to her involvement in their lives because of his lack of trust for any white woman. His father’s paranoia even extended to Baldwin’s white high school friends. These friends, although they could be kind, “would do anything to keep a Negro down” (68), and they believed that the “best thing to do was to have as little to do with them as possible” (68). Thus, Baldwin leaves the reader with the image of his father as an unreasonable man who struggled to blockade white America from his life and the lives of his children to the greatest extent of his power. Baldwin then turns his story to focus on his own experience in the world his father loathed and on his realization that he was very much like his father.

James Baldwin’s short story gruesomely paints the picture of how racism and sexuality are linked. The story takes place during the civil rights movement in the United States (Gorman 119). During this time, African Americans were still being oppressed, and white people were angry that they were making progress in society. This often lead to brutal attacks and sometimes death. In the story, the narrator, Jesse, is having difficulty having sex with his wife and compares her to the black women that he has sex with. As the story progresses, the problem emerges with the killing of a black man who is dismembered by a white man right before young Jesse’s eyes. Instead of seeing this as a horrible experience, Jesse takes on the attitude of those around him. Through characterization, point of view, and symbolism, James Baldwin’s story, “Going to Meet the Man,” demonstrates the connection between sexuality, particularly masculinity, and racism.

Baldwin gives the impression that no white man has ever had to walk a mile in a black man?s shoes. While the Negro was getting shipped to America without a pot to piss in, the white man remained hiding behind beliefs in ?white supremacy? (Baldwin 133). The concept of white supremacy has separated two different races for years. For Americans, whose heritage came from Europe, acceptance of the Negro was not considered due to the ?jeopardy? it could cause among their status as men (Baldwin 133). Baldwin knows his rage must have limitations so he begins to question how this type of ignorance could have evolved. Baldwin tries to associate this stupid form of hate with the Swiss village but cannot because he feels that the villagers remain innocent by their ignorance to anything that does not affect them, in their village, directly.

It doesn’t take long to figure out that race and ethnicity issues continue to affect America - a quick glance at the news will show the latest riot, hate crime, or police brutality incident. This centuries old struggle has given rise to a number of literary works on the topic, many of which take a different approach to the issue. W.E.B. Du Bois, for instance, published the work The Souls of Black Folk in 1903, arguing for blacks’ right to equality in a horrifically segregated society. In these essays, Du Bois coined the term “double-consciousness,” wherein those with black skin must view the world both from their own perspective, and from the perspective of the predominately white society. The short story Recitatif by Toni Morrison explores this concept through the removal of the characters’ races, and the film Do the Right Thing, directed by Spike Lee, tells a story to demonstrate it. While the former shows double-consciousness through the usage of ambiguity, the latter almost directly references the concept. Taken together, these two sources argue a multi-faceted version double-consciousness, wherein society alienates the characters in ways that go beyond just the color of one’s skin.

In “A good man is hard to find”, revelations” and “Everything that rises must converge” by Flannery O’Connor clearly portray a theme of racism based on selfishness, pride and grace. All three main characters undergo a prophecy like moment that eventually leads to the loss of their dignity and selfish attitude and in turn they each achieve grace. This paper will provide a detailed analysis on how all three main characters go from being selfish to eventually self-analyzing themselves and in turn they mature and gain grace and change the way they view others. My investigation of these stories will show how each protagonist had to experience some form of tragedy in order to become self-aware of the way people perceive them. O’Connor presents in these stories how each main character and also in reality people in life need to be brought to a tragic like moment in life that causes them to not continue in the ways they are accustomed to.

In “Going to Meet the Man” by James Baldwin the reader opens up with a scene that is considered one of the most horrific torture and murder scenes in history; or of the 1940’s. The story is so graphic that it takes you away from the main idea of racism, hatred and murder. Nevertheless, the theme of the story is a transformation of a young child into a stereotypical Black Southern-American hating bigot. Through dramatic detail Baldwin explains the mindset of a white southern police officer and how he came to hate Black-Americans. This was representative of the racial, violent black South because this exemplified what happens to most white-Americans and how they are brained washed unknowingly to hate anyone that does not resemble the same

Toni Morrison’s classic novel, Beloved, can be briefly summarized as a story with woman who is living in both the horrible aftermath of slavery, as well as her action of murdering her baby child in an attempt to save her from slavery. This story is based on the true story of Margaret Garner, who killed her own child and attempted to kill her other children instead of willfully letting them all return to lives of slavery. While slavery is today clearly classified as wrong by the vast majority of civilized society, as is infanticide, the event that takes place in this book is not as black and white. These instances of a grayer side of morality represent a sort of moral ambiguity that runs rampant throughout the entire novel. The example that is of paramount importance is when Sethe, the protagonist of the story, murders her child in order to save the child from a life of slavery. While at first glance, this act may seem wrong to modern readers, there is actually some evidence that, when thought about, justifies Sethe’s actions.

James Baldwin’s “Notes of a Native Son” interweaves his own racial experiences with the ongoing chaos and claustrophobia in Harlem. Following the death of his father, a man “eaten up by paranoia,” the author embarks on an introspective journey, realizing how his identity is shaped by both the traits he inherits from his father and the experiences he has with racist attitudes and violence. Baldwin’s prose is as complex as the concepts he deals with, as he comes to the conclusion that hatred is a choice, not a fact of life.

Hatred for white society was a common sentiment among the black community during the 1950s. These feelings were expressed through different mediums, ranging from music and art, to the written word. But James Baldwin, a popular black writer during this time period, does not harp on this subject. Instead of preaching about his hatred for white America, Baldwin utilizes his narrative and analysis techniques to illustrate the destructive nature of the black society’s hatred for white society in “Notes of a Native Son”.

Imagine racism taking over the world, with overwhelming thoughts about how you might be the next victim. Quarrels about whether the best skin is black or white, but always resulting that white is right. Hope would evaporate from an evanescent cloud and Faith became instinct as it was replaced by agony. Everywhere you turned around for help, all you saw were the bodies of those neglected and lynched. Abel Meeropol published the poem Strange Fruit in 1937, after seeing a drastic picture of lynching that traumatized him ever since then. As a result, the poem became a memory to all those who died and is momentous to our history.