Toni Morrison 's Beloved : Moral Ambiguity

In Toni Morrison's Beloved, the Black literature author touches upon tough subjects such as slavery, the affects of slavery, and the cruelty that is brought by it. For a person to be cruel, they commit inhumane crimes against a victim or victims that ultimately dehumanizes them. This concept displays itself several times throughout the novel, depicted through the characters that represent not only the "sixty million and more," but also the broken system of a slavery-ruled society, effectively showing the affects of such heinous crimes. In Beloved, the community commits cruel acts to characters such as Paul D, Denver, and Sethe, prompting them to act cruely themselves.

In her novel Beloved, Toni Morrison spins an intricate web between names and numbers for the reader to unravel. The deep connection that lies between names and numbers is a direct correspondence to the identity and worth of black people during slavery. Beloved begins with the identity of the house which is characterized by a number. The house is given a temperament as if it is a living, breathing entity and yet it still referred to as a number. The significance of this is symbolic to the plight of the black slaves. Regarded as little above the common animal, slaves were defined by their selling price, essentially they were reduced to a number. Viewed as nonbeings they nevertheless feel and suffer their place in the south. The character Beloved is similar in this regard as well. All that defines her is an age and a name that remains unfluctuating through time. In an insufferable and cruel world, names and numbers play a critical role in understanding the identity of black existence in the South. To uncover the implications and nuances that names and numbers play will be instrumental to delving into the lives of black slaves. Beloved contains a vast amount of names and numbers and the connections between them deepen the novel and provide mammoth insight into understanding and interpreting Morrison’s work and purpose for juxtaposing such elaborate bonds between names and numbers.

Destruction of identity, another theme of the novel, relates to the violent scenes. In the second part of Beloved, Sethe takes a stand and expresses her feeling on the violent acts being performed on her. “Nobody will ever get my milk no more except my own children. I never had to give it to nobody else—and the one time I did it was took from me—they held me down and took it. Milk that belonged to my baby” (Morrison 200). Sethe finally comes to terms with her past and vows to never let such a horrendous act happen to her again. Beloved’s reincarnation occurs because Sethe needs to face her dark past head on and free herself from living in shame. It took time, but, Sethe eventually overcomes the odds and begins to live freely and peacefully in her house.

Beloved is consumed by her cruel acts, and simply drains more and more of Sethe’s health. In the beginning of the novel, Beloved appears to be a pretty, young, and lost girl that wanders into Sethe’s house. However, as time passes, she began to display signs that she is Sethe’s past daughter, the daughter that was killed. As Beloved is induced more and more into the family, she begins to feel

Toni Morrison's novel, Beloved, allows for one to experience slavery through three generations of women. The complex development of the horrors of black chattel slavery in the United States intertwined with a story a freedom helps the reader to understand the ongoing struggle of the Afro-American population after emancipation. Denver, although never a slave, is at first held in bondage by her mother's secrecy about her past and only sets herself free when her mother is forced to cope with her memories.

So often, the old adage, "History always repeats itself," rings true due to a failure to truly confront the past, especially when the memory of a period of time sparks profoundly negative emotions ranging from anguish to anger. However, danger lies in failing to recognize history or in the inability to reconcile the mistakes of the past. In her novel, Beloved, Toni Morrison explores the relationship between the past, present and future. Because the horrors of slavery cause so much pain for slaves who endured physical abuse as well as psychological and emotional hardships, former slaves may try to block out the pain, failing to reconcile with their past. However, when Sethe, one of the novel's central characters fails to confront

Beloved is seen as the resemblance of Sethe’s dead baby. Beloved is portrayed as a teenage girl, however she is different from other black teenager, “…and younger than her clothes suggested – good lace at the throat, and a rich woman’s hat. Her skin was flawless except for three vertical scratches on her forehead so fine and thin they seemed at first like hair, baby hair before it bloomed and roped into the masses of black yarn under her hat.” (Morrison 62). Beloved unexpectedly came to 124, the house where Sethe, Denver, and Paul D lived. However, Sethe became attracted to her, “Sethe was deeply touched by her sweet name; the remembrance of glittering headstone made her feel especially kindly toward her. Denver, however, was shaking. She looked at this sleepy beauty and wanted more.” (Morrison 63) represent Sethe’s fascination towards Beloved, because she made Sethe recall her dead baby, which also has the word Beloved engraved in the gravestone. The name Beloved itself makes Sethe sentimental from

Through character development, the story also portrays the theme of escaping the past. Sethe’s actions are influenced heavily by her dead child, Beloved. When the “human” form of Beloved arrives while sleeping

How far does one have to be pushed to believe in the saying “the sweet embrace of death,”? Toni Morrison tackles that issue in her book Beloved. Sethe, a drastically abused and mistreated slave, had just escaped slavery with her children. As her owners find her and attempt to bring her and her children back to the plantation and slavery life Sethe decided to do the only thing she thought could keep her children safe. She handed them over to the lord by attempting to kill them, and bring them to the sweet embrace of death. How did Sethe’s psych become so damaged that killing her children became the only rational thing to do? It was due in part to the crippling abuse she faced at Sweet Home and the vision of the apocalypse as the

Toni Morrison’s Pulitzer Prize winning book Beloved, is a historical novel that serves as a memorial for those who died during the perils of slavery. The novel serves as a voice that speaks for the silenced reality of slavery for both men and women. Morrison in this novel gives a voice to those who were denied one, in particular African American women. It is a novel that rediscovers the African American experience. The novel undermines the conventional idea of a story’s time scheme. Instead, Morrison combines the past and the present together. The book is set up as a circling of memories of the past, which continuously reoccur in the book. The past is embedded in the present, and the present has no

Morrison and Twain each present freed slave mothers as self-sacrificing. Each woman 's traumatic experiences as slaves create a deep fear of her children 's enslavement. In Morrison 's Beloved, Sethe is so distressed by her past; she murders her child to save her from slavery. Morrison uses Sethe 's drastic sacrifice to comment on slavery 's psychological effects. Meanwhile, Twain 's Pudd 'n Head Wilson portrays Roxy as a sacrificial mother to create sympathy for black people. From a cultural perspective, Roxy counters all of the propaganda about black people in the nineteenth century. Roxy plans to kill her son and herself, but figures out a different way to save her son from slavery. Both characters are selfless mothers, but the authors use this sacrificial behavior to prove different points about slavery. Morrison uses her characters selflessness to show the distress slavery can cause, while Twain capitalizes on the sympathy it creates to humanize black people in the public 's view.

Toni Morrison’s Beloved shows the dehumanization of slavery and its effects on African-Americans and their basic forms of existence—specifically motherhood. Morrison depicts the strong maternal bond between Sethe and her children. Most importantly, her use of Sethe’s controversial act of infanticide shows the lengths that Sethe will take to protect her children from slavery. Morrison’s depiction of Sethe’s motherhood shows how slavery has deconstructed the Eurocentric expectations and traditions of motherhood and gender for black women. Rather than victimize Sethe’s as an enslaved woman, Morrision decides to celebrate her triumphs and suffering in Beloved. Therefore, Sethe’s identity as an enslaved black mother deconstructs the expectations of Eurocentric gender roles with her exertion of independence and control for the benefit of her children.

 Toni Morrison’s powerful novel Beloved is based on the aftermath of slavery and the horrific burden of slavery’s hidden sins.  Morrison chooses to depict the characters that were brutalized in the life of slavery as strong-willed and capable of overcoming such trauma.  This is made possible through the healing of many significant characters, especially Sethe.  Sethe is relieved of her painful agony of escaping Sweet Home as well as dealing with pregnancy with the help of young Amy Denver and Baby Suggs.  Paul D’s contributions to the symbolic healing take place in the attempt to help her erase the past.  Denver plays the most significant role in Sethe’s healing in that she brings the community’s support

    The maternal bond between mother and kin is valued and important in all cultures.  Mothers and children are linked together and joined: physically, by womb and breast; and emotionally, by a sense of self and possession.  Once that bond is established, a mother will do anything for her child.  In the novel Beloved, the author, Toni Morrison, describes a woman, Sethe, who's bond is so strong she goes to great lengths to keep her children safe and protected from the evil that she knows.  She gave them the gift of life, then, adding to that, the joy of freedom.  Determined to shield them from the hell of slavery, she took drastic measures to keep them from that life.  But, in doing so, the

Toni Morrison does not seem to have a personal view upon Sethe's actions, but rather prefers to portray how the other characters view Sethe. Sethe’s community members frown upon what she did because they had the full picture rather than having to live in