The Effects of Greek Theatre on Women

Satire is a literary manner built on wit and humor with a critical attitude directed to human institutions and humanity.  A successful satiric play will show certain truths about society and then try to improve upon them.  Satire is meant to be constructive rather than destructive.  Aristophanes uses satire in Lysistrata to convey many different themes such as war and peace, the struggles of power and class, and the life and death issues that are seen in war.  Satire is successfully used and seen in Lysistrata by stereotyping women in general and then the different classes of women as well.  Double entendres are seen throughout the play to help add humor to the play.  Sex is

The Greek tragedies started off with Thespis, the first actor of Ancient Greek theatre, engaging himself communicating between the chorus leader and the audiences. According to Hartnoll (1968), Thespis was also “the first unsanctified person who dared to assume the character of a god” (p. 10) or as a hero in the plays. Most of the storyline of tragedies illustrated the relationships of humans or heroes with gods, parents and children, between the good and evil, crimes and deeds done by the heroes, as well as responsibilities of the characters (Hartnoll, 1968, p. 8). On the contrary, comedy themes often concluded with happy endings, as well as consisted elements of mockery and everyday lives. The satyr plays adopted elements from the chorus, who was portrayed as satyrs in honour of Dionysus. The themes might be linked to the ones in tragedies or it might also be a mockery of the heroes and gods (Brockett & Hildy, 2008, p. 15). The role of the chorus was to deliver specific messages of the plays that were not expressed by the actors. Through singing and dancing, they would either be commenting on the themes or participating in certain actions to enhance the

Aristophanes wrote The Acharnians at a time where the world he saw around him was changing. Athens had been at war for six years with no end in sight, the leader who started the war has been killed by a plague, and just three years prior Athens almost voted to kill off one of its allies for trying to leave the Delian League. He was seeing a whole new side of Athens. A side in which the concept of an independent polis has been lost and Athens is at war with its former allies. These are the things that inspire Aristophanes’ Greek comedy to be born. He uses the theater to address the questions he has about what is

Theatre became important to Greek cultures when it became a part of the festival honoring the god Dionysus (The god of wine and fertility).”( Greek Mythology in Theater by Bruce Tucker October 27, 2016) The theater festival was founded to bring unity among the Attican tribes.( Greek Mythology in Theater by Bruce Tucker October 27, 2016) Athens was the main center of these traditions. Everyone came to sing and dance in hope for a good harvest. At one point, a Greek named Thespis began to sing praises to the god, with others responding, which led to the actor and chorus. During the festival everyone would dance and sing in a circle, in the middle of which was the altar to Dionysus. Over time the festivals started giving thanks to other themes, and eventually had nothing to do with Dionysus or any god, but began to turn into classical Greek plays. (First Ancient History, Oxford University Press 2000 pg.166)

Love also became a principle element of Greek theatre during this time. Greek comedy inspired much of modern romantic, generational, and situational comedy. Satyr plays blended elements of tragedy and comedy, and featured mock drunkenness, sexual props and costumes, as well as pranks and gags. Influence of the satyr plays can be seen in genre of burlesque, which involved elaborate, risqué parodies of well-known operas, plays, and ballets. Modern comedies, which typically involve practical jokes, sexual humour, and drunkenness, are inspired by satyr plays as well.

Sophocles is considered one of the greatest Greek play writers. He was the fist to add a third main character and the first to get rid of trilogic form. As a result, Sophocles had to shorten all of the “action,” therefore giving his plays a more dramatic effect.

Theatre  represented  a  culture  and  values  found  in  Greek  society.  Theatre  was  also  a  way  for

Greek drama originally started out as a ritual to honor the god of wine, Dionysus, by the cult of Dionysus. In the ritual, drunk men dressed up in goat-skin would sing and have dialogue in chorus to welcome the leader, the person acting as Dionysus (Sayre 151). In these revel-filled festivals, men dressed as satyrs, companions of Dionysus who are half-man and half-goat, while the women dressed up as maenads, the immortal followers of Dionysus. As the participants become drunk and filled with ecstasy, they “transform” into a different identity from before. Later on this behavior became the satyr play, a form of Greek drama. Tragedy is said to be originated from the Dionysian rites, where the name comes from tragoidos, which means the “goat song” from the satyrs – companions of Dionysus who are half-man and half-goat. This could be in reference to the fact that Dionysus was also the

People hate women. Women hate people. It is seen how throughout the years, the strong dislike towards the feminine group of society has been portrayed through the arts such as literature. This can definitely be seen in ancient writings seeing that men, who were on top of the “food chain” stripped women of their value in society as fast as they stripped them from their garments for sexual pleasure. As generations passed, empires fell, and nations collapsed, women continued to be looked down upon and they remained hidden under the shadow of men. Unlike recent years, no one, not even women themselves, dared to stand up for a chance to be seen as an equal and not a property. But Euripides did. Or so they say.

Greek drama was performed in the late 6th century BCE in ancient Greece. Tragedians like Euripides wrote very influential and popular plays such as the Bacchae. Greek tragedies lead to Greek comedies such as Aristophanes’ Lysistrata. Many of the Greek dramas have similar concepts, one of being duality. Without duality, the nature of our lives and the environment around us remains unbalanced.

The theatre that you are most familiar with today generally comes via the movie version of an originally staged play. But if we go back further, we find that most of the theatre that is written and performed today can be traced back to Greek origins through various

Aristotle's Poetics: Comedy and Epic and Tragedy comments on the reflection of reality by it's very imitation. As with comedy being an imitation of the inferior and ugly, the role of the epic and tragedy follow the roles of characters of great importance. The idea being that only those of importance are even noticeable in the eyes of the gods, since mankind is relatively insignificant and are nothing more than an amusement to the gods.

“Since his [Aristophanes’] plays were often sharply critical of Athenian policies, his ability to make people laugh was essential to conveying his message. He was a practitioner of what we now call Old Comedy, an irreverent form that ridiculed and insulted prominent people and important institutions” (80).

    According to Aristotle (who speculates on the matter in his Poetics), ancient comedy originated with the komos, a curious and improbable spectacle in which a company of festive males apparently sang, danced, and cavorted rollickingly around the image of a large phallus.  (If this theory is true, by the way, it gives a whole new meaning to the phrase "stand-up routine.")

In the ‘Frogs’ and ‘Wasps’ written by the “eminently best” comedian of the fifth century, Aristophanes, we see he utilized humour to exact the important message that Athens is corrupt, and on the verge of chaos. The Athenian audience would expect to be thrust into a world of humour in the City Dionysia, somewhere parallel to their own (e.g. the Athenian jury in the ‘Wasps’, and the failings of the government in ‘Frogs’). It is vital, then, that Aristophanes conveys his political and social views through slapstick, farce, and caricature to interest the audience. This is an important component in both plays as the audience is able to simultaneously accept his diplomatic views whilst being entertained. After all his main point for producing his plays were to produce something with a “little fable, with a moral”.