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The Evolution Of The 1960s ' Protest Song

Decent Essays

The evolution of the 1960s “protest song” has typically been associated with Joni Mitchell, but the expanding range of protest songs in the 1970s defines her continued presence as a leader in terms of environmental activism. More than just a vestige of the late 1960s, Mitchell continued to write protest songs long after many other artists from the 1960s had changed their lyrical content. In the “mellow turn” of early 1970s country rock and folk music, Mitchell represented a new environmental shift that moved away from the proto-typical antiwar songs of the 1960s. Mitchell, along with other musicians of this era, defined a shifting musical focus on songwriting and musical presentation during the early 1970as:
The early to mid 1970s would become known for a mellow turn toward country rock, production heavy supergroups, and envieronmental songs like “Big Yellow Taxi” (1970). Even the Beach Boys took their turn at envieronmental critique, releasing “Don’t Go Near the Water” in 1971 (Weglarz xviii).
In this musical critique, the “soft rock” appeal of Mitchell’s song represented a shift away from the hard rock sound of the 1960s, but with the gritty directness of lyrics that challenged the chemical pollution of DDT usage in modern farming techniques. The hard edge of envieronmental critiques was certain “masked” by the gentle nature of Mitchell’s voice, but the reality of chemical engineering as a threat to the environment is interjected through her flowing melodic structures:

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