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The Fantastic Sitcoms In The 1950's

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Birdie Chen BEWITCHED The ’60s were undoubtedly the top point for high-concept sitcoms and because of the historical and societal shifts during the ‘50s, the “fantastic sitcoms” arose. The fantastic sitcoms were a hybrid genre that mixed the conventions of the suburban sitcom with imagery of the new frontier, offering a diverse perspective of the social world. The intricate bond between suburban sitcom and space imagery may be a reaction to the most tumultuous decades of America. First of all, America’s loss in the space war against the Soviet Union convinced citizens that the government should focus on more important goals such as the economy or national security; moreover, the Kennedy administration faced a similar public …show more content…

Therefore, new sitcoms replaced the widespread suburban sitcoms: the broken-family and the fantastic sitcom. In broken-family sitcoms; oftentimes, there would be a missing parent. In contrast, fantastic sitcoms would be based on the formations of new families; whether they were unmarried couples or couples without any kids. The new sitcom structures had reflected the current time period. Science fiction was a big part of the fantastic sitcoms as it was incorporated into the story by providing the viewers a sense of gender rolls, class and race. “Despite the glorification of the housewife’s role, women joined the labor force at significant rates in the 1950s. In particular, the number of married female workers rose substantially” (From domestic space to outer space, Lynn Spigel, pg.208), to embrace on this idea. Fantastic sitcoms introduced female characters to invert …show more content…

They have exchanged vows but one thing that Samantha has not yet told his husband, and is holding back from doing so, is that she’s a witch. Samantha’s mother, plays by Agnes Moorehead, finds out about the marriage and is strongly against her getting wed to a mortal man; nevertheless, she thinks Samantha should tell Darrin the truth, but eventually she does. After the confession, Darrin was shocked by her magical power, he didn't dislike the fact that she’s a witch, but he was completely against her using the superpower under any circumstance. He believed that nothing should be left to spell tricks and that it would definitely upset any Americans trying to live a normal (suburban) mortal life. Samantha promises to her husband, but during the dinner at Shiela’s, Darrin’s ex fiance, Sheila continually tries her best to make Samantha feel uncomfortable throughout dinner; Samantha could no longer withstand her torture and releases all her anger through magic. Fortunately, when they arrive home, Darrin isn’t too mad about it and at the end of the show she goes back to being a ‘good wife.' Through the first episode, we can see that Samantha is not the stereotypical housewife and that she tends to expand her role, which leads to the discussion of the feminist movement in the ‘60s. There are many conflicting views on whether Bewitched was a feminist show, because Samantha felt a disconnect

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