The Gallery of Modern Art (GOMA) is honoured to present an exhibition titled ‘Image and Text: A Feminist Narrative’, with which it will be opening its door to the public on the 12th September and closing on the 15th October. When image and text are integrated with one another in the creation of contemporary art, artists are able to produce powerful and extremely effective messages of their choice. However, just because the image and text are displayed together, does not mean they relate to each other, as the text can either support the image, or contradict the image in order to demonstrate the transparency of either or both elements (Williams and Simpson, 1994). Two artists who have been able to incorporate image and text in their pieces are, contemporary American artist, Barbara Kruger and contemporary Australian artist, Jenny Watson. Here at GOMA were have created the ‘Image and Text: A Feminist Narrative’ to displays the provocative and stimulating ways Kruger and Watson have used both text and image to convey personal, dream, socio-political and feminist narratives. Whilst Barbara Kruger is an American feminist whose work is centred around critiquing advertising culture and the representation of women during said advertising, Jenny Watson is an Australian feminist who uses expressive figurative images and incorporates text panels similar to autobiographical diary entries. The combination of these two artists display strong messages to their audience, doing so in an
The goal for feminist artists all along has been the gender-blind interpretation of art, allowing women equal opportunity for success. Feminists have long cried for museum curators and art collectors to see more than just “male” or “female” in a work. However, politics tend to get in the way, and it may be argued that, by clamoring for equality, women have isolated themselves further, making female art a socially-conscious fad rather than a respectable institution. In Women, Art and Society, Whitney Chadwick elaborates: “Feminist critics remain sensitive to the dangers of confusing tokenism with equal representation” (1990). Fear of such tokenism, and perhaps too much emphasis placed on inequalities, has made feminism somewhat of a “dirty word” to some artists today.
Countless art has been sought-after throughout history. Explorers, scientists, art collectors, politicians, and entrepreneurs from Western nations have sought out and removed art from the lands of great civilizations, often with the assistance and participation of local people and governments. Even as cultural property faces immediate danger today in conflict zones like Syria and Mali, there is circumstantial evidence that some nations are awakening to the political and foreign policy benefits that can flow from the repatriation of cultural patrimony. While on a different scale from World War II, historic structures, religious monuments, and other priceless ancient times continue to suffer collateral damage and manipulation in armed conflict. Relics have been stolen, smuggled and sold in what is a reported multibillion dollar underground market. They have become the illicit prizes of private collectors and the subject of legal claims against museums. Of the countless museums subject to legal claims, The Metropolitan Museum of Art in New York City happens to be one of them. “The Metropolitan Museum has acquired thousands of works and objects of art from the antiquities”. “For the past several years, the government of Turkey has warned U.S. and foreign museums (including The Metropolitan Museum of Art), that unless ancient objects from Turkish soil are given up on demand, Turkey will stop lending artworks” (The Committee for Cultural Policy, 2015). Turkey continues to up the
Among the many artworks I have seen, I decided to discuss about the “Sarcophagus Depicting a Battle between Soldiers and Amazons (Warrior Women)” from the Roman civilization. It was built sometime in between 140 A.D. to 170 A.D and is approximately forty and a half inches in length, ninety-one and a half inches in width, and fifty and a half inches tall in height (“Roman Sarcophagus”). This masterpiece appealed to me because of the unique approach that has been designed to honor the deceased. Many people are familiar with the formatting and inscriptions of a gravestone because it is usually engraved with an individual’s full name, birth date, and death date. During the Roman Empire, a sarcophagus, which is a coffin, was widely used to show decorative themes that includes: battle scenes, hunting scenes, weddings, or other memorable episodes from the life of the deceased individual. The most luxurious ones were made from marble surrounded by symbolic sculptures, figures and inscriptions on all four sides (“Sarcophagus”). Another feature that captured my attention was the large quantity of details used to bring out a lifelike aspect of the deceased individual’s favorable moments in their life. In this artwork, this sarcophagus was dedicated to a Roman commander. The exterior of the sarcophagus has been well-decorated and carved with exquisite details depicting a battle scene
In the Metropolitan Museum of Art, two paintings are exhibited taking place in the 1800s. These artists have similarities and differences viewpoints of the environment in their painting and it helps people get a glance of what the 1800s were like.
Over the thanksgiving break I visited the Metropolitan Museum of Art. The Met is an art museum in New York City that has a variety of ancient artwork from different cultures and time periods. There is paintings and sculptures from Ancient Egypt, Ancient Rome and Greece. The museum is additionally home to artwork from many different time periods including ancient Near Eastern Art, Middle Ages and Europe during the Renaissance. The Met also has artwork from many different religions such as Christianity and Islam. Each section in the museum had a specific artwork that attracted my attention.
After visiting the Museum of Fine Arts in Houston for the first time, I observed many interesting works of art representing various time periods. Of all the paintings that I saw last week, two landscaped pieces seemed to stick out in my mind; Andre Derain’s The Turning Road and Thomas Hart Benton’s Haystack. Though these two art works are similar in subject matter, they clearly reflect the different styles and time periods of their artists; the abstract Derain being a Fauvist and the more realistic painter Benton representing the American Scene style as a Regionalist.
The trip form the MET (Metropolitan museum of art) was really interesting, with the view of so many galleries from high renaissance, baroque, romanticism or impressionism; from many expose of different artist and times. I see the evolution of arts through times from 1400-1890 different facet of life have had been translate. Through painting from Indian time where I see what is like in early American life, pass ancient Egypt of mosque and pyramid, and overlook of what happen before and even what happing now the Met did give me a real look of the essence of arts.
As I walked up to The Metropolitan Museum of Art (MET) for the first time, I was overwhelmed with amount of visitors that occupied the steps to the entrance and wondered if this visit was the best choice. I opened the front doors to the museum and stepped inside; my immediate impression of the place reminded me of my first experience at Grand Central Station. Initially, I was overwhelmed and distracted by the hustle and loud noise around me, yet at the same time, I found myself mesmerized by the architectural beauty and layout of the place.
The Metropolitan Museum of Art,otherwise known as 'The Met' is very well known for it's wide variety art, it being the largest art museum in the United States and one of the most popular art museums in the world. Since 1870, The Metropolitan Museum of Art has been acquiring numerous forms of art for the world to see. It currently holds more than a million works throughout it's seventeen departments, but it all started with a Roman marble sarcophagus-the first ever object acquired. Throughout the museum's history, it has been through renovations in order to include more things from past; several galleries have been opened overtime devoted to certain cultures. In the museum visitors can expect to see pieces of history from all around the world.
Jan van Eyck was active since 1422 and died in 1441. He was the most celebrated painter of the fifteen-century in Europe. One of his famous works is “The Last Judgment”. At first sight this work immediately attracted my attention. The painting’s stunning colors and the fact that it reminded me of a previous similar work I have seen, triggered in my mind. The material that is used is oil on canvas, transferred from wood. The size of this work is 22 1/4 *7 2/3 in. (56.5 * 19.7cm).
Barbara Kruger, artist and theorist, has directed and informed much of the curatorial project. Kruger’s perspectives on feminism speak to
The Museum of Modern Art in New York City is the world’s leading modern art. Its exhibits have been a major influence in creating and stimulating popular awareness of modern art and its accompanying diversity of its styles and movements. The museum’s outstanding collections of modern painting, sculpture, drawings, and prints range from Impressionisms to current movements. Moreover, there are exhibits of modern architecture, industrial design, sculpture, photography, prints and electronic media. The museum presently has a modern art library of 300,000 books and impressive collections of films that are shown regularly. The Museum is said to be the complementary of the Metropolitan Museum
What a blessing I had today to experience in my own eyes wonderful sights and scenes. Many of you already know that I 'm famous for the mystical experiences I’ve had with Jesus and God in the past. Perhaps you’ve read my book? The Book of Margery Kempe? Yes, I Margery Kemp, got the opportunity to visit the Metropolitan Museum of Art in New York City. There 's over thousands of beautiful artwork, one visit won 't suffice. I was captivated by everything I saw, but I was especially drawn into the magnificent gallery number 305.
I went to the Erotic Heritage Museum in Las Vegas, located on 3275 Industrial road (major cross-street Desert Inn) which opened in August of 2008. At the museum it holds, erotic art, exhibits, different timelines and a lot of illustrated history of erotica. There were many tasteful pieces of artwork, whether it be painting, magazine covers, posters, figures, and sculptures. I was also very excited to have actually seen the piece called “Venus of Willendorf” that is featured in our book on page 164. I took my time looking at all the different pictures to see which I would choose from to write about. Then I observed one, it was untitled, made in 2008 and the artists name is Fang. I did research on the artist and did not find much on her
At first, I didn’t want to go to the museum. That day, I was exhausted after finishing school, so going all the way to San Francisco wasn’t exactly my idea of relaxing. Thankfully, my mom insisted we go that day, since it was my dad’s day off. I felt frustrated that we had to go right then, but my mom forced us.