A brilliant director, Ford’s films express the unique experiences of the American people and their endorsement of their common unity of purpose (Russell 62). Although his heroes appear to be loners and outsiders who speak more through actions, their conflict with the society reflect the larger American experience, a profound esthetic awareness for the American history as well as the frontier spirit. Ford’s compositions bring into perspective the people as well as their typical settings beautifully put into contrast (Russell 62). These features are even more so evident in the Stagecoach, The Man Who Shot Liberty Valance, and The Grapes of Wrath.
John Ford built a standard that many future directors would follow with his classic 1939 film “Stagecoach”. Although there were a plethora of western films made before 1939, the film “Stagecoach” revolutionized the western genre by elevating the genre from a “B” film into a more serious genre. The film challenged not only western stereotypes but also class divisions in society. Utilizing specific aspects of mise-en-scène and cinematography, John Ford displays his views of society.
“Film is more than the instrument of a representation; it is also the object of representation. It is not a reflection or a refraction of the ‘real’; instead, it is like a photograph of the mirrored reflection of a painted image.” (Kilpatrick) Although films have found a place in society for about a century, the labels they possess, such as stereotypes which Natives American are recognized for, have their roots from many centuries ago (Kilpatrick). The Searchers, a movie directed by John Ford and starred by John Wayne, tells the story of a veteran of the American Civil War and how after his return home he would go after the maligned Indians who killed his family and kidnapped his younger niece. After struggling for five years to recover
What Price Glory (1952) came next. The film was based on a fervently anti-war play, but Ford, with his strong belief in
There is one scene where the three flag raisers entered a crowded stadium before a football game which typified how an image of war can be so different to the reality of war. The flash photography, the cheering, the roar of the crowd all went to John Bradley’s head and he had flash backs of the fighting on Iwo Jima and the genuine heroes that he had left behind. This scene contrasts what the reality of war, were all the men are dug in and fighting for there life, and the images of war. Ira Hayes says “I know it’s a good thing, raising the money and that, ‘cause we need it. But, I can’t take them calling me a hero. All I did was try not to get shot. Some of the things I saw done, things I did, they weren’t things to be proud of, you know?” Clint Eastwood shows continuously, through his characters physiology shows how one single photo can be so different what really makes up the battle of Iwo Jima. The aim was to get war bonds; the minds of the three main characters through Clint Eastwood’s directing showed a strong insight to how the reality of a war and an image of war can be so contrasting.
John Steinbeck wrote the The Grapes of Wrath in 1939 to rouse its readers against those who were responsible for keeping the American people in poverty. The Grapes of Wrath tells the story of the Joad family, migrant farmers from Oklahoma traveling to California in search of an illusion of prosperity. The novel's strong stance stirred up much controversy, as it was often called Communist propaganda, and banned from schools due to its vulgar language. However, Steinbeck's novel is considered to be his greatest work. It won the Pulitzer Prize, and later became an Academy Award winning movie in 1940. The novel and the movie are both considered to be wonderful
In the world-renowned year of 1939, John Ford released Stagecoach, a Western picture based on Ernest Haycox’s novel, Stage to Lordsburg. The film, which takes place in Monument Valley, depicts an action-packed adventure starring a handful of questionable characters fighting war-crazed Apaches. More than 50 years after the film’s release, it was added to the National Film Registry for its cultural, aesthetic, and historical significance. Needless to say, Stagecoach sparked a new expectation for Western films, one that demanded deeper complexity than ever before. Westerns are sold on their hyper-masculinity and violence, yet John Ford is able to capture those traits and much more.
The Grapes of Wrath, written by John Steinbeck, is considered by many to be the hallmark of American literature. It covers the journey of the Joad family as they stick together through one of the harshest eras in American history, the Great Depression. The structure of the Joad’s narrative is interspersed by smaller, highly descriptive interchapters, which sets the novel apart from other classics in its ability to make the reader understand and relate to the Joads and everything they went through. The detailed, impactful vignettes foreshadow problems the Joads have to overcome and the overview descriptions in the vignettes contrast with the specificities of the Joad’s story. They contain Biblical allusions, colorful descriptions, and objects that can interact with the main characters later in the narrative. Through the use of imagery and diction, the vignettes make Steinbeck’s message more impactful and meaningful.
most is the presence of Harrison Ford, who still is to this day a huge
“At the heart of every immigrant’s experience is a dream- a vision of hope that is embodied in his or her destination” (Gladstein 685). In the novel, The Grapes of Wrath the migrants imagined the absolute aspects of living care free to the west. However, everything changed once they traveled to the west, realizing the simple concept turned into hazardous problems. John Steinback emphasized the American dream of economic stability and truculent situations towards the Joads family's point of view. Throughout the immigration, the Joads family goes through constant and unpredictable changes in employment, and their eventual failure to find success in California. The novel has been called by critics "a celebration of the human spirit", in several ways it is true due to the aspects of human nature. Despite the hazardous actions people can do, it is important to realize everything around us.
Kennedy, Burt. "Burt Kennedy Interviews John Ford" Directors in Action: Selections from ACTION. Ed. Bob Thomas. New York: Bobbs-Merrill, 1973. 133-137
The cold, soaked earth, which was a source of life not too long ago, abducts a young child while the mother can only watch hopelessly as the husband shovels mounds of dirt. This event is not too different than most that citizens living during the Dust Bowl had to deal with. The self-destructive nature caused the American people to keep expanding and shaping the land as they saw fit. Because of this they overworked the land which, combined with drought, caused the Dust Bowl. The big corporations soon bought out most of the land in the Mid-West and many families were soon forced to make their living by other means. The shift of these families out west to a limited number of jobs
The Grapes of Wrath by John Steinbeck uses numerous literary techniques to advocate for change in the social and political attitudes of the Dust Bowl era. Simile, personification, and imagery are among the many devices that add to the novel’s ability to influence the audience’s views. Moreover, through his use of detail, Steinbeck is able to develop a strong bond between the reader and the Joad clan. This bond that is created evokes empathy from the audience towards the Joads as they face numerous challenges along their journey. The chapters go between the Joad’s story and a broad perspective of the Dust Bowl’s effect on the lives of Mid-western farmers in which Steinbeck illustrates dust storms devastating the land, banks evicting tenant
The Dust Bowl, a series of severe dust storms in the 1930’s, left the southern plains of the United States as a wasteland. The storms occurred due to the lack of use of dryland farming techniques to prevent wind erosion. Powerful winds would pick up loose soil and carry the sediment around the countryside. Called “black blizzard” or “black rollers”, these storms had the potential to black out the sky completely. Due to the inability to grow and sell crops, banks evicted families and foreclosed their properties, leaving them homeless and without an income. The author of The Grapes of Wrath, John Steinbeck, wrote his American realist novel to allow readers to understand the experiences of the migrants from the Dust Bowl era. Not many
Photographers were expected to be able to take these mind blowing pictures of the war in rapid action, but the truth is there technology back then wasn’t advanced enough to be able to produce these sort of images. The images took only minutes to develop but a huge