The Impact Of Interactive Oral On Franz Kafka's The Metamorphosis

“The Making of an Allegory,” by Edwin Honig and “Franz Kafka’s ‘Metamorphosis’ as Death and Resurrection Fantasy,” by Peter Dow Webster illuminate how sacrifice and transformation are a vital part of the deeper meaning of "The Metamorphosis." Gregor Samsa is an ordinary young man until he wakes up one day as a giant vermin; metamorphosised into something horrendous and reviled by the world. Through Honig’s and Webster’s critical essays, this transformation, as well as many more, and sacrifice made by all involved are explored in a thorough and definitive way.

Walter H. Sokel’s article does well in trying to encompass many deeper meanings behind the story, The Metamorphosis, but some of them are invalid and do not accurately represent the happenings in Kafka’s work. Sokel emphasized that the reason for the metamorphosis was of Gregor's own doing more than anything else. The article tries to compile several viewpoints and ideas which is confusing and unconducive to any one motive in the novel. The basis of this articles many widespread arguments is as absurd as the story it is trying to explain. Any clarity that could have been gained was overshadowed by Sokel's own conflicting ideas. In the end the causes and results that exist in the Kafka's far flung tale are neither factual nor comprehensible, leaving it up to the reader to evaluate if they themselves are absurd to question Gregor's

A group of colleagues explains how Franz Kafka’s The Metamorphosis is his own autobiography and how the story is symbolic of the unconscious world, the world lived in by Kafka. It describes how character Gregory Samsa represents Franz Kafka through a situation called “Kafkaesque.”, a nightmarish situation which is full of, terror, horror and angst, much like what Kafka had to endure his whole life.

In The Metamorphosis, Franz Kafka conveys the series of emotional and psychological repercussions of a physical transformation that befalls the protagonist, a young salesman called Gregor Samsa. As the story progresses, Gregor finds himself unfairly stigmatized, cruelly rejected because of his clear inability to financially support his family, and consequently increasingly isolated. Through extensive use of symbolism, Kafka is able to relate the surreal and absurd, seemingly arbitrary events of this short story to a general critique of society-particularly on the alienating effects that conformity generates. On a broader level, the combined themes-which include the themes of conformity, freedom, and alienation--found throughout The

Kafka’s Metamorphosis suggests to his readers to take a glimpse inside a dysfunctional atmosphere triggered from a painful childhood, to see how influential each member of the family contributes to the dynamics, but also to learn how to make light of the situation with acceptance. Kafka is reflecting on his own relationship with his family in Metamorphosis. He sees himself in Gregor, or is he him.

The Metamorphosis (Die Verwandlung 1912), Franz Kafka’s best known short story, is a master work of incredible psychological, sociological and existential malaise. Although his points are simple and straightforward, this richly layered and textured story is open to many interpreta-tions, making it complex, yet critical to decipher. There is an incredible amount of theories based off of what this story could possibly symbolize or represent, but it is of the autobiographical in-terpretation that is undeniably the most enlightening. This interpretation allows the reader to gen-uinely understand the tale on an intense level that would not be able to be reached, otherwise. In order to gain true insight on the autobiographical approach to The Metamorphosis, a brief examination of his life is required; his thoughts, his beliefs, the acknowledgment of the cruel circumstances of his life, especially his home life, must be made clear that the anguish of his own world is the model for the themes in his stories.

In The Metamorphosis, Kafka establishes, through his religious imagery and gospel-esque episodic narration, the character of Gregor Samsa simultaneously as a kind of inverse Messianic figure and a god-like artist, relating the two and thus turning the conventional concept of the literary hero on its ear. The structure of the novel reflects that of the Gospel of Mark in that it is narrated in individual events, and in this it is something of a Künstlerroman - that is, the real metamorphosis is over the course of the novel, rather than just at the beginning, and that change is a heightened sensitivity to the world in an artistic sense. The motif of change is a rather theological one as well: we see it in a religious sense, in the form of

In our interactive Oral we discussed about Franz Kafka’s Metamorphosis, through point of time and place matter, the relation to the society, the culture and experience and the technique in the work, I learned about the society oppressive expectation can lead an individual to loss in identity

In The Metamorphosis, Kafka establishes, through his religious imagery and gospel-esque episodic narration, the character of Gregor Samsa simultaneously as a kind of inverse Messianic figure and a god-like artist, relating the two and thus turning the conventional concept of the literary hero on its ear. The structure of the novel reflects that of the Gospel of Mark in that it is narrated in individual events, and in this it is something of a Künstlerroman - that is, the real metamorphosis is over the course of the novel, rather than just at the beginning, and that change is a heightened sensitivity to the world in an artistic sense. The motif of change is a rather theological one as well: we see it in a religious sense, in the form of

Kafka was critical in bringing the new outlook on modern culture and particularly on modern man. Franz Kafka studied the modern man in the face of contemporary culture, and how he was steadfast in retaining his spirituality and identity, and gravitate towards authenticity and happiness. However, Kafka saw how the dehumanizing forces of industrialization and capitalism in the post- the WWI Europe posed a challenge to the modern man. Modern culture can be viewed tolerating and open to all. To Franz Kafka, modern culture coupled with technology is fast changing, and man has to maintain his self-consciousness in order not lose his spirituality and identity amidst these changes (Wintle pp. 708-710). Hence, as modern culture changes with the changing technology, religions are poised to change too, which presents fears to a man about losing his spirituality and identity upon embracing the modern culture. Interestingly, Kafka was mystical in his writings, with a keen interest in themes such as metamorphosis, existential and identity. If we look at “The Metamorphosis,” we can view the idea of how the dehumanizing effects of capitalism and industrialism are indicated within the writings. Kafka contends we become dehumanized with buying power and working too much. The transformation of Gregor seems to indicate a denial of responsibility to the changing forms of society’s conventions and values.

Franz Kafka, in his novel The Metamorphosis, explores two conflicting ideas through his protagonist Gregor: unity and isolation. Gregor’s transformation created a whole life of distress for him, but on the other hand also formed a deeper and better relationship for the rest of the family.

Franz Kafka’s The Metamorphosis (1915) is a novella about protagonist Gregor, a hard-working traveling salesman transforms into some a vermin overnight and struggles to adjust to his startling change. Kafka characterizes Gregor as a selfless individual whose profound love for his family misleads him about their genuine disposition. As he adjusts to his new change, he undergoes great difficulty to determine his identity and humanity. Gregor has deceived himself into believing that his family will love him despite his repulsive appearance. In The Metamorphosis, Kafka uses characterization and third-person narrative to demonstrate Gregor’s self-deception and self-awareness regarding his family and circumstances to establish the theme of identity.

Modernism in the early-to-mid twentieth century was an important cultural landmark whose ideas and values seeped into the forms of media produced at the time. Literary works such as Virginia Woolf’s “Mrs. Calloway” and Joseph Conrad’s “Heart of Darkness” would tackle themes of society slowly shifting away from its old moral values and into something new and unfamiliar. However, none of these works were able to match the public recognition or pure embodiment of Modernist philosophies than Franz Kafka’s “The Metamorphosis.” Kafka’s book portrays events and situations that embody the cold, distant views of Modernist ideologies. Specifically, the characters, predominantly the protagonist named Gregor Samsa, in “The Metamorphosis” reflects the twentieth century Modernist ideas of transformation, alienation, and the relativity of the truth.

The deeper meaning of “The Metamorphosis”, by Frank Kafka, can be interpreted in many ways depending on critical theory is used to examine it. From a feminist criticism, one can observe how Gregor’s dominance as a male diminishes after he becomes a bug as his sister’s strength and role in the family grows stronger. From a biographical criticism, one can compare and contrast the traits of Gregor and the people around him with that of Kafka’s own life and his relationships. However, the focus of this essay will be applying a psychoanalytical criticism to the characters in “The Metamorphosis”, using the studies of Sigmund Freud to approach

There exists no one true approach to examine writing; consequently, Literature continually proves to be a misunderstood art. Emerging through time, theories have been conceived due to the study of literature, but different readers believe in different theories. For instance, Franz Kafka’s short story, The Metamorphosis, may be interoperated countless ways do to its intricacy, as well as by varying literary theorists. Kafka himself and historical background may even be scrutinized, when studying The Metamorphosis. Complexity in The Metamorphosis lies throughout the entirety of the story, for the story tells the telling tale of salesman Gregor Samsa and his time as a gigantic insect (Kafka). Despite their differences, Biographical Criticism, Historical Criticism, Psychoanalysis, and Marxism all provide methods by which to analyze Kafka’s The Metamorphosis.