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The Importance Of Media And Gender Roles

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Media comes in all forms and so do gender roles and representations. The question I asked was: What are gender roles? My more specific question was: How do TV shows pander to their audience? I was interested in this question because I am in a fandom whose TV show is meant for a younger and female audience but has amassed a large audience whose main features are that they’re largely teen and adult males with some female adults. The biggest part of this fandom is the whole “love and tolerate” ideal as well as the acceptance of differences. There’s been a lot of media backlash as “boys [and men] aren’t supposed to like ponies”. This is important to understanding gender roles because it shows an example of a violation of gender roles and how …show more content…

He talks about how Gabler states that “entertainment…has become increasingly important,” in that it influences our everyday life (Lemann para. 2). He also tells how “the basic means by which we now organize experience…is the creation of ‘life movies’” or rather, “’lifies’” (Lemann para 3). It’s also stated that “Gabler rolls out dozens of examples of the transmogrification of life into stock drama, as entertainment techniques have relentlessly leached into entertainment venues” (Lemann para 3). Gabler gives examples of how this doesn’t just effect entertainment but politics as well using Ronald Reagan as that example. He also discusses how “Donald Trump became a tycoon by making himself a celebrity first” (Lemann para 4). Lemann states that the “opposition of perception…and reality is...similar to a much older chestnut: the opposition of elite culture and popular culture” (Lemann para 11). Lemann then says that “Gabler exaggerates the power of post-reality in private life but a good point in the realm of public affairs. His ideas about private life is that people can make some kind of entertainment-induced dramatic version of themselves come true—that it’s possible to be a Dorothy who never has to wake up back on the farm in Kansas. His idea about public life is that dramatic imperatives now, newly, control the action” (Lemann para. 16). Lehman also states that he finds “the first of these propositions implausible and the second intriguing” (Lemann para.17). Finally,

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