The Importance of the "Now"

In fact, by looking at her response, it is possible that she is faithful to Claudius, the man she married quickly after her husband died. This suggests Gertrude’s timid and weak vulnerability on the presence of Claudius’ character in the play. If Gertrude was more skeptical and active about Claudius’ succession as King, she could have prevented a man, who is in fact a murderer, to have control over many social aspects in the kingdom such as nobles and courtiers. It is clear that Hamlet’s knowledge of the truth regarding the death of his father is what drives him to behave insanely. As a result of Gertrude’s reluctant effort to speculate Claudius’ rise to the throne, the death of her husband resulted to her son’s insanity. If Gertrude was more pessimistic on Claudius, suspecting his motives to take the throne, then Hamlet could have avoided the irrational behavior that caused Polonius’ death and his departure to England. In turn, Ophelia could have avoided being depressed and suicidal. Since the scheme commenced without Gertrude’s interference, Ophelia became heart broken due to her conversation with Hamlet, where he insulted her. Heart break often leads to depression which eventually sums up to suicide. Gertrude is clearly responsible for Ophelia committing suicide because she could have prevented Polonius and Claudius’ scheme,

As Hamlet says, ?Frailty thy name is woman?, her actions cause Hamlet to curse women all together. In the first Act, Claudius and Gertrude question Hamlet?s depression. They push Hamlet to accept his father?s death and move on with his life. Hamlet hides his feelings about his mother and the king. He should have admitted his hatred for their marriage. While Hamlet is holding back his feelings, he becomes more angered at their attempts to calm him. Gertrude is also aware of Hamlet?s feelings for Ophelia and uses this as an excuse for Hamlet?s madness. Hamlet has plenty of time to confess the cause of his madness and that?s what he should have done. Instead, Hamlet allows his mother to think he is madly in love rather than tell the truth. After Hamlet delivers his play and sees guilt in his uncle, Gertrude sends for Hamlet. Instead of hurting his mother, he insists on her to tell him the truth. It would have been easier to just go ahead and hurt Gertrude. Also, Hamlet should have acted more swiftly on this, then her confession could have taken place earlier in the play. This could save him from a great deal of pain and leave his thoughts for other problems.

When looking at Hamlet through a feminist lens, Ophelia and Gertrude gain the spotlight. However, with the spotlight on them, they are shown to be dependent upon men and men’s affection, Gertrude needing the affection of Claudius, and Ophelia needing the affection of Hamlet. This shows the women in the play to be seen as weak minded and easily exploited. In the end, not only is Claudius the reason for Gertrude’s death, but Hamlet is the reason for Ophelia’s death. The men they are dependent on control Ophelia and Gertrude’s stories; yet, those men are what drive them to the grave.

In today’s world, women of all ages are given equal rights and freedom. In Shakespeare’s time, woman’s obligations were to follow the rules of the men and obey the men in their lives’. “Frailty, thy name is woman;” Hamlet implies the powerlessness of the two women characters in the play. In Hamlet, the roles of Gertrude and Ophelia are very important in that they are the only two female characters in the play. Gertrude, the Queen of Denmark and mother of Hamlet, and Ophelia, the lover of Hamlet, are characterized as controlled and lost in their lives because they are being used by the men throughout the play. Fundamentally, Shakespeare illustrates the nature of Gertrude and Ophelia as powerless victims by the women being subjects of men,

Even in death, she displays yielding and passive behavior: Ophelia does not have the intention of committing suicide, though she fails to save herself from sinking. She is essentially a casualty of a society that enforces unreasonable expectations for its women and is never afforded the liberty of thinking for herself and making her own judgments and decisions. Her passive death represents the lack of control she has over her own person and the dependence she has developed on other people. Therefore, Ophelia is mentally unstable and not capable of realizing that her life is on the line. Ophelia is trained by the men in her life to be compliant with their demands, preventing her from practicing her autonomy and enabling her to be easily manipulated by Hamlet.

Yet to Hamlet, Ophelia is no better than another Gertrude: both are tender of heart but submissive to the will of importunate men, and so are forced into uncharacteristic vices. Both would be other than what they are, and both receive Hamlet’s exhortations

Not only is Ophelia's death marked much less significant than the other male deaths noted in the previously mentioned articles, but Ophelia’s death is articulated as a passive accident, one that happened to occur, to no avail. Every other death in the play is met with vigorous analysis and criticism, unphased by the death of Ophelia, inadvertently caused by men. Ophelia is also described as “mermaid-like” adding to the previously set notion that women are sexual objects- even at death. At this point of the play, Hamlet proclaims in a bipolar and seemingly fraudulent manner that he has always loved Ophelia (although he ordered her to “get thee to a nunnery” and was the root of her abrupt madness and suicide), while Laertes threatens that he loved Ophelia more. The attention and passion are still not recognized and respected with Ophelia even after her death but is used as a game between two men to satisfy their guilt and build their ego, competing for the love of Ophelia that was only disrespected when she was

Ophelia and Gertrude seldom converse with each other throughout the play; however, they both serve as the only women in Hamlet’s life. They both display the traits of the “subordinate woman” which was expected of women in the seventeenth century (Clarke). Ophelia plays the role of the “good daughter.” She is an inferior of both Polonius and Laertes, and obeys them in all matters, including those of the heart. She also plays the role of a “punching bag” for Hamlet when she simply lets him release his anger onto her. In fact, Ophelia does not act independently until her madness consumes her, and even then, it has been argued that she was subordinate to her insanity (Dane, 420). Gertrude, in contrast, does not need madness to demonstrate

Ophelia, ever since her introduction, has been introduced to be a sweet and sympathetic person, providing the play with emotional moments, but her death was used as a bait and switch by Shakespeare towards audience members who had expected her to change the play’s somber mood to more hopeful one, which in turn makes the play even more tragic. After she had been visited by an apparently crazed Hamlet, she tells Polonius about the visit, prompting him to believe that the young prince is crazy in love, and goes out to tell the king. After it was explained to Claudius, and Hamlet’s former friends Rosencrantz and Guildenstern failed to find the underlying cause of his madness, Polonius makes Ophelia approach Hamlet while he and the king hide and monitor his behavior.

Like many Shakespeare characters, Gertrude subversively breaks the molds of a woman in the Elizabethan era by having the same amount of ambition and greed as much as any other character, but the difference is she doesn’t have the luxury to outright show it. At the beginning of Hamlet, Claudius reveals that Gertrude and him

A few characters in this play give insight on Gertrude that point in the direction of her being shallow and evil. One example is late in the first act when Hamlet cries “O most pernicious woman! O villain, villain, smiling, dammed villain!” This is when, deep in thought, Hamlet realizes that his mother could have possibly taken part in his father’s death and he thinks she’s evil. In Hamlet’s head, everything makes sense now because it is now understandable how she got over the death so quickly. This is the first time that Hamlet realizes his mother’s true character. This is a very imperative notion about Gertrude’s personality because for her very own son to think a validation like this is extreme. Often times a man will love and defend his mother until the day he dies, while Hamlet, on the other hand, is thinking of her playing a role in his father’s death. When the ghost speaks of Gertrude’s speedy marriage, it provides more evidence of her shallowness. The King’s ghost says that she is “seeming virtuous”. He is basically saying that while she looks holy and righteous, she isn’t. The new King offered her something (or many things) that she wanted, and she took the bait and married him. She didn’t care that her husband had just died, or how her son would react to this

     In Hamlet, Gertrude is a woman who means no harm but whose poor judgment contributes greatly to the terrible events that occur. There are only two female characters in the play, and neither one--Gertrude or Ophelia--is assertive. But the decisions Gertrude does make eventually lead to her death and the downfall of others as well.

“Frailty, thy name is woman” (1.2. 150)! This controversial line, followed by several more from the play Hamlet, by William Shakespeare, displays a common view towards women that portrays them as being weak and reliant on men. Throughout the play, two women, Ophelia and Gertrude, are shown to be dependent on the men in their lives. They both take on a senselessly obedient state of mind. Even though they share this common characteristic, Ophelia and Gertrude are very different characters. Ophelia is a beautiful, young woman who is the love interest of the protagonist, Hamlet. Ophelia obeys her father, Polonius, without hesitation and has very little experience with making her own decisions. Gertrude was the wife of Old Hamlet, and is now the wife of Claudius, the current king and Old Hamlet’s brother. Gertrude desires affection and status more than she cares about the truth of what happened to her late husband. The men in this play have no sense of how they treat the females. This patriarchal way of life was prominent in the late 16th century and early 17th century which was about the time that Hamlet was written and performed. This relationship between the genders is interconnected within the play and with society during that particular time period. The characters of Ophelia and Gertrude were solid examples of how women were viewed as inferior to men during this time in history.

The readers/audience of the play Hamlet by William Shakespeare have taken in the story through a bias point of view. From the beginning of the play it is quickly established who is at fault through Hamlet’s eyes. The main objective of the play is to kill Claudius because he was found guilty by Hamlet. With this in mind, Claudius, and anyone who is associated with him, is automatically questionable in terms of character. Gertrude is arguable seen as being just as bad as Claudius, for even though it is unknown whether or not she had any connections to death of the Hamlet’s father, she is still found at fault for remarrying to her late husband’s brother. Through the eyes of Hamlet, whether or not Gertrude’s actions are justifiable is not even considered, since for Hamlet there is no justification for her actions. However, when examining the story outside Hamlet’s point of view, Gertrude’s actions as a mother and Queen become more complex than Hamlet is giving credit to as it is revealed that Gertrude is actually trying to name Hamlet as the King of Denmark, rather than Claudius. Since her motives are hidden from essentially everyone besides herself, Hamlet is still untrusting of his mother and resents her for initial actions. Gertrude’s objective throughout the play is to restore Hamlet back to his old self so that he could be crowned King of Denmark and every decision she makes is ultimately solely intended to better Hamlet.

Like Ophelia, Gertrude is a victim of circumstance. She is not completely guiltless, but there seems to be no evidence that there is any desire in her to do evil to others. Indeed she is aware that her