The Integration Of Public Art

An example of an artist who’s work is only present in the urban environment is a Melbourne graffiti artist under the alias of Aeon. Examples of his artworks are “Black” (undated) and “Foes” (undated), both of which are considered “Pieces” produced with spray paint on a bricked surface. Such pieces are only available for viewing on the streets of Melbourne on back lanes and ally ways. The location of his works add to the effect and subjective nature of his works with the emphasis of art flourishing in all areas of the world and by

Throughout history there have been many public funding’s that contributed to the world of art. Whether anyone realizes it or not, artists have a lot of responsibilities to try and please the public when they are working for the public. Also, there are numerous regional issues that greatly influence decisions about publicly funded art. Art is very important when forming a sense of nation character, therefore, we should support the public funding of art in America. Art is an important part of society and it can also be a very valuable part of our everyday lives. However, there are many positive and negative effects when it comes to the public funding of art in America. Supporters claim that subsidizing the arts pays for itself. These supporters suggest that the arts are what drive the economy of businesses within a community.

One interesting thing about street art is that even with the negative connotations of illegal tagging and painting on public property, there’s still a huge market for public art. However, some artists do not want to be paid because they think street art is supposed to be a more free way to create art, and being paid for it would be “selling out”. While graffiti just used to be created in order to be known, both modern graffiti and street art has become a way for artists to break out of the conventional art world. The accessibility of street art often prompts artist to use it as a way to influence the viewer, and send a message. It differs from artist to artist what topic they want to convey, but the majority of artists do seem to use their

“This world is but a canvas to our imagination”; which always has been throughout the years. Art has been separated in different categories such as architectures, sculptures, photography and paintings. For my semester project, which was to visit an art or historic museum; my classmates and I went to the Reynolda House Museum of American art which provided us both the art and history. At first, we all assume that the visit would be boring or the art gallery would be dull. What shocked us the most was the actual experience being in the museum instead of just talking about it. We experienced multiple feelings during our visit in the art gallery as well as the historic area. From the art gallery which held many paintings of artist, to the house that R.J Reynolds and his family once occupied. Furthermore, it also showed us the legacy of R.J Reynolds and his family has left behind for the people of Winston-Salem.

Making a public artwork can cause some controversy, everyone will judge the piece. It may also effect the city, depending on the message that the piece is trying to bring. There is a lot of cultural points of view that people have to look for, although not everyone will see the artwork the same. “Cultural point of view affects the meaning viewers construct for the artwork” (promt). For example, there is a Last Conquistador statue that is located at El Paso, Texas. This is a piece is a piece of artwork created by, John Houser. He created a man riding a horse, and most people knew who the man on the horse was. The man was called, Juan de Oñate, he was a Spanish leader that took and destroyed El Paso. With that being said, you can imagine how

The cutting edge of the public art development, connected with the hip-hop society of breakdancing and rap music, began with African-American and Latino teenagers in Philadelphia and New York in the late 1960s (MacDonald 1). At that time graffiti to most, was considered to be a form of art work. Regardless of those that thought of it as art, there were and are still numerous individuals that loathe the graffiti movement. Works of art have been dependably charming for ages, as it is a method for self-expression and inventiveness. Artistic expressions have advanced in many ways, such as public canvases offering an approach to modern day unique artwork. Graffiti is progressively turning into a hobby. Although one of the major controversies of graffiti surround the statement that it is not art and considered vandalism, graffiti allow artists to display grateful meanings, skills and expressions to the public.

Public art encapsulates a large part of Chicago’s history, and engages many different people in varying ways. Recently, I was in the city observing art and came across a woman who was seeing the same pieces I was. She proceeded to tell me she had just gotten off a plane, that morning, from New York, keep in mind it was around noon when I saw her, and wanted to show her daughter the great pieces of public art in Chicago. She passionately relayed the rich historical context of a few works of art: her main point being that Chicago is a hub for a booming culture of art. She noted that great artists from Europe, such as Picasso, Chagall, and Dubuffet, wanted to be a part of the modern art trends happening in Chicago in the twentieth century. She went as far to say that “these [pieces of artwork] are unique in the world,” meaning they are so well known and respected that their popularity extends beyond the city of Chicago. It is curious to think about what makes a successful work of public art, and why artists and observers alike are so intrigued with the art in Chicago. In my opinion, two works of Chicago’s public art, Monument with Standing Beast and Cloud Gate, serve as effective works of public art due to their complexity and appropriate placement in space, however Cloud Gate is more effective because of its personal appeal to the audience.

In Source #1, Philadelphia, known for its community murals, is a prime example of how government-funded public artwork can revolutionize places that are bare and motivate its citizens. The Mural Arts Program oversees all the murals in Philadelphia, with a budget that totals to around four and a half million dollars from government and private partnerships. Numerous buildings within Philadelphia have been embellished with beautiful murals, as the number of paintings done totals to a hundred and fifty annually. The murals in Philadelphia also serve as inspiration for many of its people, as the goal of the program is to “bring a sense of pride and the hope of better times” (Murals: Making a, 2011). People within the city look to the murals for

Public forms of art have had a long-standing cultural and political effect on the citizens and history of Chicago. With the growing recognition and notoriety of Chicago on a global scale, the desire for tourists to visit the public art instalments as well as flock to each of Chicago’s cultural neighborhoods has increased. Areas like Pilsen, Chinatown and Bridgeport are now seen as destinations for tourists to experience authentic microcosms of other cultures that make up the greater Chicago metropolitan area. For large metropolitan areas, the need to create revenue is always an issue on city offical’s minds. Due to this need to generate income, cities like Chicago have taken to copyrighting popular sites and designs associated with the city

The importance of Public Art in communities stems from a place of creativity, voice and rebellion. All art is a form of communication whether it is street art or museum art. Artists make art to express and address their political views, mark the anniversary of something, tell a story, etc. Public art creates a sense of community in cities and towns because it reflects what the places believe in. Whether it is street art or museum art, most all humans admire what artists express because it is easily accessible and almost always demonstrates a story. Street artists such as “Blek Le Rat” and “Banksy” have used their talent to create urban art that reflects societal, political, and economic views along with a pinch of dark humour. These reflections

Throughout the history of socially engaged art, Rick Lowe’s Project Row Houses can be regarded as one of the most successful projects in exemplifying how art and community can be unified together to incite social change. Founded in 1993, Project Row Houses has managed to revitalize a marginalized population in Houston and subsequently provided a collective space to instigate dialogues between artists and residents of Third Ward. Although such community-art projects are not uncommon in today’s society, the intention of collaborating with disenfranchised communities have been a long-debated question among art critics and members of the public. Since the beginning of 20th Century, these works of art have been given different titles such as participatory art, community art and activist art which falls under the umbrella term “social practice”. Inspired by early avant-garde movements such as Conceptualism, Fluxus, Dada, these forms of interventions have seen an increase in the number of artists working outside the confines of the traditional museum and creating works that liberate art from its aesthetic framework. Therefore in this essay, an in-depth analysis of socially engaged

While visiting the Capitol Square, I felt like I had stepped back into an ancient

Art is a form of expressing what one feels without saying any words. This semester I attended the Art Institute for the first time. At first, I did not know what to expect, so I was not really excited to attend it. When I arrive to the Art Institute, as soon as, I walked in everything changed. All of the sudden a big smile appeared on my face. Walking around the Art Institute and looking at the different types of exhibits made me realize that this place is the most beautiful place I have ever seen. The Art Institute has a variety of art exhibits from European culture to Asian culture, as well as, Greek culture. As my friend and I were walking around the Art Institute we decided to enter the Modern Wing area, where they were having a Charles

Common Street Arts is an art gallery in downtown Waterville that is hosting their fifth Holiday Pop-up Shop (Common Street Arts, n.d.). Common Street Arts’ mission statement is “To enhance the creative, artistic and economic vitality of the Waterville community through outstanding arts education and exhibitions” (Mission & Vision, n.d.). The pop-up shop follows the mission by providing products for people to purchase that have been crafted by local artists, helping drive the creative spirit of Waterville and allowing for artists to sell their works. The pop-up shop offers items with different styles and price points, aligning with Common Street Arts goal of presenting exhibits that get all members of the community involved. This shop also offers a place for artist to sell their work, fulfilling the goal of supporting local artists. Common Street arts also has a goal of offering “at least one exhibition of non-traditional media each year” (Mission & Vision, n.d.). The pop-up shop is an accumulation of many types of art, providing a piece of artwork for nearly anyone’s taste and showcasing many forms of artistic media. Common Street Arts and worked with many artists to create this pop-up shop and serve the needs of people in search of gifts for the holiday season.

“Any drawn line that speaks about identity, dignity, and unity is art,” (Chaz Bojorquey) is a statement that I agree with. Art is perceived differently from all people based on their culture, religion, personal taste, and many other factors. I believe that as long as what has been created is meaningful to either the creator or even to somebody that is viewing it, it should be considered art. Art in the public is a very controversial subject that brings up the important question of, “Should public art be considered as real art,” personally I think that it should be. I believe that the difference between art that is placed in a gallery and art that is visible by a community is the fact that what is acceptable in a gallery