The Language Behind the Language from 1990’s-2000’s
“ I got my dog back, in African-American language, your dog means your passion your fire”, was the words Deion Sanders spoke and lived by. Within the world of language
and communication between one another in the African American community, the language goes further than just the words, but the culture. It has been 398 years since slavery and the language has gotten stronger and stronger over time, but it 's been a bump within the African-American Eras during these times. These two Eras that have caught my attention were the 90’s and the 2000’s, within the African American language in Hip Hop & R&B music. This topic goes beyond the artist and their timing, but the words within the
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Tupac Shakur uses the songs “Keep ya head up” and “Brenda’s Got a Baby” and on the other hand, Kendrick Lamar uses “Alright” and Element” to describe the struggles that African Americans go through within both Eras and the changes that needs to become in the community. All four songs related back to the topic of black culture, everyday life, and poetry where our people can relate. The words that we speak define us in ways that connect within the roots of our people and a language that was adapted so we could survive. Since the year of 1619 our people have been captured, dehumanized, and hung for being one of God 's precious creations, which mean we had nothing to stand on or depend on within our Culture as Africans. That was until we took advantage of our everyday resource, which was “language”. As African Americans when we realized that our way through depression and hardships was through our secret language “ African-American language”, we used it in ways that no one could understand, figure out, or use against our people. Our language was what set us free, kept us striving, attached us to our roots.
Hip Hop Language Through Black Culture (90’s-2000’s):
Furthermore, African Americans were stripped of so much growing up, that music was one of the languages that helped the black community find time to appreciate life and the purpose behind it no matter what. Now,hip hop in the 90’s was the year of all the “ popping” [hot] and “jumping” [awesome]
In this book, Jeffrey Ogbar talks about the beginning of rap, where it started, some of the artists of this genre and some of the controversial topics the artists rap about. He also talks about the usage of the N word as well as men calling women the B word. In the first chapter of the book, Ogbar contextualizes the debate by talking about the history of the minstrel figure in American popular culture, relying mainly on the work of W. T. Lhamon and Patricia Hill Collins. He talks about how the earliest manifestations of hip-hop music in the 1970s came from the Black Power movement and often included direct rejections of minstrel tropes for example in the artist KRS-One’s song “My Philosophy”. Before going on a chronological study of the internal debates that many rappers have over their relationships with the minstrel trope, Ogbar finds the source of the debate in early twentieth-century black writers’, mainly W.E.B Du Bois, interest in elevating many portrayals of African Americans in the arts, versus Harlem Renaissance writers’ rejection of the emphasis on
Over the years, African American Music has developed as not only as cultural but also artistic phenomenon affecting the world. The music takes its own stand of being dominant as well of having a prevailing means of expression through the use of the lyrics. The lyrics of many songs tend to use a specific type of language in order to create that connection between the listeners. This certain style of language helps the listeners to think on a deeper level about the real meaning behind the lyrics.
Geoffrey Bennett’s article Hip Hop: A Roadblock or Pathway to Black Empowerment illustrates the influence hip hop and rap music has had on not only the music industry but mainstream culture, African Americans to be specific. Geoffrey Bennett, a senior English Major from Voorhees, New Jersey goes over many aspects of how hip hop came to be “the forefront of American attention.” He starts from its early history in the 1980s as an African American exclusive music genre to what is now a worldwide phenomenon. He reviews the affect it has had on the lifestyle of many people and the ways it’s changed the way people
In this essay, June Jordan primarily focuses on explaining what Black English and how it’s become oppressed by Caucasian Americans throughout the years. Jordan believes African Americans have been raised to modify Black English to Standard English in order to be accepted into the societal and scholarly norms of America. Jordan states early on her essay, “As we learn our way around this environment, either we hide our original word habits,or we completely
“Language is a product of society. As society changes, so does language.” Because of this, over time, English speakers all over the world have reinvented language and in some cases come up with their own very different ways of speaking. African American Vernacular English (AAVE), also referred to as Ebonics, is one of these variations of American English, most commonly spoken today by urban working-class and middle-class African Americans. Not only does Ebonics make up an immense part of African American social life and communication, but also it is heavily used in the music industry. Its use in the music industry today, particularly in the hip-hop industry, has definitely had an effect on society’s use of language, especially today’s youth. Although widely used by African Americans, many other ethnicities also use Ebonics as a way of communication. The use of Ebonics has steered many away from learning and/or using Standard English and unfortunately, this has lead to communication barriers between speakers of Ebonics and speakers of Standard English especially within academic environments. Due to this, it is extremely important for school systems to incorporate Ebonics as well as elements from the hip-hop culture into their curriculum to ensure the success of their students.
Thesis: the paper’s focus on hip-hop as a music genre that has changed the lives of the black Americans
In order to understand hip-hop dance, it is important to recognize hip-hop music and where it came from. Many scholars of rap music relate the founding of rap to African and African American oral and musical traditions, specifically African griots and storytellers. They link the rhythm of rap to the use of drums in Africa and to African American music in the United States, from slave songs and spirituals to jazz and R&B. Scholars have found very interesting connections between rap music and Black nationalist traditions (traditions historically practiced by black people that serve as part of their racial identity). Rap is similar to the “call and response of the black church, the joy and pain of the blues, the jive talk and slang of the hipsters and jazz musicians, the boasting of street talk, the sidesplitting humor of comedians, and the articulateness of black activists.” All of these African American oral traditions, including rap, can be traced back to West African oral traditions. In traditional African societies, the spoken word and oral culture included poetry, storytelling, and speaking to drumbeats. The links between rap music and African American oral and musical traditions demonstrate that hip-hop music represents more than just sound. It represents history. This aspect of it, in my opinion, makes this type of music very unique and makes it carry more value.
Linguistic anthropology can be studied in the African American culture. Jacque Reid stated, “taking the time out to clean up our appearances and choosing a better language can assist in more unity and self-love within the African American community”. Knowing we should be treated as the King and Queens that we are should have be on a higher pedestal. Black people have fought too long and too hard to have history repeating itself. The most horrific thing about history repeating itself is the fact our own kind is destroying each
Kendrick Lamar’s song “Alright” talks about race and how African Americans are being targeted and profiled. The song tells about the gun violence and police brutality that is effecting our community, “And we hate Popo, wanna kill us dead in the street for sure, n…” (Line 35). This quote out of his song is significant because in the world we live in someone gets killed every day for the color of their skin color or a profile that someone made off assumptions. As the song goes he tell about how African Americans were discriminated. “When you know, we been hurt, been down before, n… / When our pride was low, lookin' at the world like, "where do we go, n…?”’ (Line 33-34). Throughout the years African Americans are looked down on to the point where they do not know what their purpose is. For some, living in a world where people do not want them there hurts the pride of people.
Now that we’ve talked a little bit about a predominately black sound and culture, let’s move on to some other genres. Jazz was born in the United States and words like ‘cool’ and ‘hip’ were originally jazz terms. It isn’t totally clear on
From it's inception, rap indured a lot of hostility from listeners--many, but not all, White--who found the music too harsh, monotonous, and lacking in traditional melodic values. However, millions of others--often, though not always, young African-Americans from underprivileged inner city backgrounds--found and immediate connection with the style. Here was poetry of the
Hip-Hop is a cultural movement that emerged from the dilapidated South Bronx, New York in the early 1970’s. The area’s mostly African American and Puerto Rican residents originated this uniquely American musical genre and culture that over the past four decades has developed into a global sensation impacting the formation of youth culture around the world. The South Bronx was a whirlpool of political, social, and economic upheaval in the years leading up to the inception of Hip-Hop. The early part of the 1970’s found many African American and Hispanic communities desperately seeking relief from the poverty, drug, and crime epidemics engulfing the gang dominated neighborhoods. Hip-Hop proved to be successful as both a creative outlet for
Hip Hop music became one of the primary constructive outlets for Black Americans to release their thoughts, pain, and anguish about the injustices and mistreatments of Black people. Even though most of the pioneers in Hip-Hop either were not born in America or are 2nd generation immigrants that proves that common oppression can lead to unity. The fact that that these individuals were impoverished and felt marginalized is what brought them together and lead to the culture today. Deep rooted racism in the United States kept the genre of music suppressed for a while before it was allowed to even be played on the airwaves. Now, in 2011, the main consumers of byproducts of hip hop are White Americans.
Kendrick’s song expresses the continued struggle faced by African Americans in modern society. The first couple lines of his song truly display how he feels about the mistreatment of African Americans:
The communication skills are not as strong today because of the influence of hip-hop. Hip-hop music is known for containing a great deal of slang. A slang word is a word that many people associate with poor grammar and questionable diction. What most of us do not realize is how much slang is used in day-to-day life. It is simply considered a part of normal and accepted language. It has a negative effect on our young black males because they tend to learn slang before starting kindergarten, which contributes to the illiteracy of black people. The same people, who learn slang before learning proper English, begin incorporating slang into communications with other people, essentially deflecting from improving society’s view about black people. Hip-hop music uses a variety of slang terms that change as hip-hop evolves and changes. Much of its lexicon is drawn from African-American vernacular English. Hip-hop slang gives ordinary words new meanings. Harlem rapper Lamont Coleman (stage name Big L) released a song on his posthumous album "The Big Picture" entitled "Ebonics". In this song, Big L goes through various hip-hop slang terms and gives their proper meanings.