Language of Love
Throughout the history of literature and writing, love has been one of few constant human experiences and themes. Love can be expressed, viewed, and taken in many different ways. According to Webster’s Dictionary, the term love is defined as, “a feeling of strong or constant affection for a person; attraction that can include sexual desire or the strong affection felt by people who have a romantic relationship; and/or a warm attachment, enthusiasm, or devotion” (Webster). It is difficult to decipher an exact meaning of love or situation where love is shown since this word has such a broad definition. In Shakespeare’s play, Twelfth Night, love is expressed frequently and in quite a specific way. Particularly, throughout
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Shakespeare uses a specific language through his writing technique that builds this vision of love and provokes power and dominance over his characters. Carolin Biewer, in “The Semantics of Passion in Shakespeare’s Comedies: An Interdisciplinary Study,” explains Elizabethan psychology and how the terminology and concepts of this psychology are used within Shakespeare’s plays to reveal not only true, but artificial feelings. Elizabethan psychology was devised by, “…philosophers Plato and Aristotle and the physicians Hippocrates and Galen,” (Biewer 507) and viewed the passions as an inner body feeling and any verbal expression of feelings will allude to the physical complement of that passion. Biewer explores Elizabethan psychology and found that, “Central among these psychological doctrines of the Elizabethan era was the doctrine of the three degrees of love” (508). These degrees of love parallel the ideas that one may experience love driven by senses, love driven by thoughts, and love driven by the brain, each possessing a deeper meaning. These degrees help to show how certain levels of love can be more genuine and real in comparison to another. For example, humans can experience love driven by thoughts or in other words, lust: a desire for something one does not have. Biewer better describes this by stating, “A love that was dominated by senses was seen as false and risky. Love dominated by imagination was seen as more valuable…” (508). These
Love is a timeless topic. It will forever be the theme of popular entertainment and source of confusion for men and women alike. No one understands this better than William Shakespeare, and he frequently explores this complex emotion in his plays. In "A Midsummer Night’s Dream" Shakespeare cleverly reveals the fickle and inebriating aspects of love through his mischievous character Puck.
Unlike the other characters in Shakespeare's "Twelfth Night", Viola's feelings of love are genuine. She is not mistaken about Orsino's true nature and loves him for who he really is, while the other characters in the play seem to be in love with an illusion. Viola's love for Orsino does not alter during the play, nor is it transferred to another person.
When love is in attendance it brings care, faith, affection and intimacy. This is proved true in the spectacular play A Midsummer Night's Dream written by William Shakespeare. This play displays the facts about lust, hatred, jealousy and their roles in something powerfully desirable. It is entitled love. Love is present everywhere, in every form, in every condition and even when one least expects it.
wonder if he is really interested in her or just this idea he has of
Love plays a major role in "Twelfth Night," and Shakespeare addresses true love, self love and friendship in a very compelling and interesting way. Love is great to read about because everyone deserves a little love. "Twelfth Night" is the true definition of love, and Shakespeare does a great job of explaining a somewhat difficult topic.
Most of the major characters in Shakespeare’s Twelfth Night experience some form of love or marriage. Whether it’s unrequited like with Antonio and Malvolio, or it is something seemingly unattainable like with Duke Orsino. Regardless, it is clear that love is prevalent as one of the central themes Shakespeare seems to emphasize in Twelfth Night. With that, we see him communicate different interpretations and feelings regarding the subject. He does this with the medium of melodramatic characters. In this essay, I will elaborate on the opinions of love that Shakespeare communicates through one of the leading characters:
In William Shakespeare’s play Twelfth Night, love as the cause of suffering is one of the most prominent theme of the story. Even though this play ends in love and wedded bliss, Shakespeare also shows us that love can also cause pain. The characters often view love as a curse, something that is thrust upon you and you cannot easily or willing escape. Examples include Malvolio’s love for Olivia, the love triangle between Olivia, Duke Orsino, and Viola as Cesario, and Antonio’s crush on Sebastian. There are countless occasions where unrequited love for another results in heartbreak and sorrow.
In the play twelfth night, Shakespeare covered three types of love : Lust, true love and brotherly love. Love is one of the most confusing and most misunderstood emotions that we as humans posses. Love is an extremely diverse emotion which is why it was used as the main topic in twelfth night.
Twelfth Night, written by William Shakespeare, is a comedy about love. Love can be things that are not always what they seem and or it can be foolish and it can also be a weakness. Foolishness and weaknesses are the most of what we see in the play, Twelfth Night, the audience sees that, yes there is a tragedy but, that is not what the play revolves around. The audience sees that later on in the play all the love that is being described is foolish as well as something a child would do. The love that is being described can not happen for a certain reason and when the characters find out that someone loves them and they were not just saying that they would do something for them, the character just sort of accepts it and let fate intervene and take place. Everyone in the world has a weakness or have done something foolish in their life. It only counts
Love is such an abstract and intangible thing, yet it is something that everyone longs for. In Shakespeare’s play A Midsummer Night’s Dream, the difficulty of love is explored through the obstacles that characters have to face while pursuing their loved ones. Those characters that are in love in the play were conflicted with troubles; however, the obstacles of love do not seem to stop them from being infatuated with each other. The concept of true love is examined throughout this play. By creating obstacles using authority and a higher power, Shakespeare examines the power of love. Through Hermia and Lysander’s loving words, it is reasonable to conclude that love conquers all if you believe in it.
In Twelfth Night, Shakespeare accurately describes the emotion of love through his depiction between false and true love. In order to understand the difference, just remember Feste’s question: “What is Love?” It is the “most simple and at the same time most complex of questions” (The English Review). Shakespeare might not answer this question in Twelfth Night, but he does accurately portray love throughout the play. Love is not simple, easy, or effortless. It is complicated, confusing, heartbreaking, and can lead to happiness all at the same time. The difference between the heartbreak and happiness is found between false or true love, and Shakespeare shows this difference throughout Twelfth
Twelfth Night is a romantic comedy, and romantic love is the play’s main focus. Despite the fact that the play offers a happy ending, in which the various lovers find one another and achieve wedded bliss, Shakespeare shows that love can cause pain. Many of the characters seem to view love as a kind of curse, a feeling that attacks its victims suddenly and disruptively. Various characters claim to suffer painfully from being in love, or, rather, from the pangs of unrequited love. At one point, Orsino depicts love dolefully as an “appetite” that he wants to satisfy and cannot, at another point; he calls his desires “fell and cruel hounds”. Olivia more bluntly describes love as a
This is the set up of many situations, such as the meeting of Olivia and Viola in which Olivia falls very quickly in love with Cesario ‘even so quickly may one catch the plague’ this is an example of unrequited love, or the ‘melancholy lover’ a melancholy lover is a lover which suffers from his/her love. The other example of unrequited love is again because of mixed Identities, Viola the other ‘melancholy lover’ in the play, loves Orsino but Orsino cannot return that love because he thinks she is a man so never would think that she loves him, but she also cannot reveal her love to him because she would then have to reveal her true identity, which cannot be revealed until the right time. Cesario/Viola talks about how she knows how Orsino feels because “My father had a daughter loved a man,” Viola talks to Orisno about how her ‘sister’ loved a man that
Shakespeare’s Twelfth Night boldly questions traditional boundaries between love and homosexuality. Cross-dressing obscures characters’ gender allowing lovers to explore homoerotic emotions. As the play continues, these emotions develop into romantic relationships, which challenge the common conceptions of love and gender. These relationships explore the grey area between friends and lovers. Despite the play’s eventual restoration of traditional love at the end, Twelfth Night presents romantic relationships which explore the concept of homoerotic love and highlight Shakespeare’s opinions about romantic pursuits.
Shakespeare does not depict love accurately in Twelfth Night for multiple reasons. First of all, the characters far in love unrealistically quickly. One might argue that the characters are obtaining what their idea of love is, but they have flawed visions of what love actually is. To the characters, love is impulsive, and it’s more about personal gain, rather than being around someone who brings out the best in you, which should be your main focus. Love should be about caring for someone who you enjoy being around, and finding true companionship.