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The Majority Of Male Characters

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The majority of male characters in Bernard Shaw’s Pygmalion appear to be fundamentally flawed in some important way. Freddy Eynsford-Hill is raised as a gentleman and, thus, is a “fool” who has trouble hailing a cab, let alone finding any suitable occupation for himself. Henry Higgins is well-educated but ill-mannered, alienating him from society due to his inconsideration for others. Alfred Doolittle appears to lack any sort of morals and “seems equally free from fear and conscience.” The only male figure who stands out is Colonel Pickering, who seems talented, respectful, and compassionate compared to his competition. Even so, Pickering is only superficially a gentleman; his concern, respect, and treatment for others are overshadowed by his lack of growth and the play’s criticism of gentlemanly behavior as a whole. Pickering’s true concern and compassion for others, particularly Eliza, distinguish him from the other male characters. His first words to Eliza are, “won’t you sit down?” (Shaw II, 39). This courtesy, which Higgins does not extend, rightfully suggests that he “thought and felt” about her “as if [she] were something better than a scullerymaid,” much to Higgins’ chagrin (V, 122). At the same time, Pickering is not “infatuated” unlike Freddy (V, 130), who laughably spends most of his nights on Wimpole Street because “it’s the only place where [he’s] happy” (IV, 106). All Eliza wants is “a little kindness,” and Pickering, who is neither inconsiderate nor

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