The Maple Leaf Rag Research Paper

Scott Joplin helped to shape music, in the past and in the present. Joplin’s works were composed with both classical and African-American techniques, which showed a new type of music the world had yet to see. Joplin helped to not only develop ragtime music, but also laid the foundation for the future of jazz music.

Scott Joplin was a composer and pianist of ragtime who was born in the late 1860s near the border of Texas. He learned to play the piano as a young adult and started to travel with his amazing talent while he was young. He is known as the king of ragtime during his generation. He is famous for writing 44 ragtime pieces during his lifetime. He wrote one ballet and two operas as well, and one of his pieces called “Maple Leaf Rag”, eventually was one of the most well-known ragtime pieces of the time. Joplin moved to Missouri to teach piano. Julius Weiss tutored Scott Joplin when he was a young boy. Joplin began to be introduced to classical and folk music from her. He taught several people like Arthur Marshall and Brun Campell to compose ragtime music there. He eventually died later in his life in the city of New York in 1917 at the age of 49.

"Hughes was fascinated with black music, tried his hand at writing lyrics, and was taken with the

Joplin was in Chicago, he started a band and played cornet. After the fair was over he

approach the area musicians he most respected, and invite them to listen to his musical

Many people knew Louis Armstrong as the “first real genius of jazz”(Shipton 26). He was born in New Orleans, Louisiana on August 4, 1901. Louis was the illegitimate son of William Armstrong and Mary Est “Mayann” Albert. He was abandoned by his father, a boiler stoker, shortly after his birth and was raised by his paternal grandmother. Then, at the age of five, he was returned to the care of his mother, who at the time worked as a laundress. Together with his mom, they moved to a better area of New Orleans. This is where Armstrong first fell in love with music; he would listen to people playing any chance that he would get(Tirro). He would attend parades, funerals, churches and go to cheap cabarets to be able to hear some of the greats play

Aside from the typical cultural, social, and political factors influencing any musician’s style, an early life filled with poverty and hardship also shaped Louis Armstrong’s musical development. Some even theorize that it was Armstrong’s difficult upbringing that made his music so wise, so unique, and so revolutionary. Armstrong was an African American child growing up in the slums of New Orleans, close to abandonment, impoverished, and with too few constant people, resources, or homes. However, had his upbringing been different, his musical talents may never have been established to grow and thrive into one of the most internationally influential jazz musicians ever. When Louis Armstrong was placed in a boys’ home as a young boy, he was presented with the opportunity to play the cornet. He took up work in Joe (King) Oliver’s house, doing chores in exchange for musical lessons, developing into a

     It was then that he began to pursue a writing career. At the time he got his first typewriter, he was also introduced to the blues and the black rights movement, of which both had great influences on his writing. Also during that time, he dropped his birth father’s name. Though he was unable to succeed in poetry, he was able to transition himself into a successful playwright. After visiting a friend in St. Paul, Minnesota, he decided to stay. At the urging of his friend, he wrote his first play, Jitney, set in a gypsy-cab station, and another following that, Fullerton Street. Only afterwards was he able to concentrate solely on composing, eventually producing Ma Rainey’s Black Bottom, his breakthrough product, which was based on a blues singer Gertrude “Ma” Rainey. Then he wrote Joe Turner’s Come and Gone, and Fences, which was based on his stepfather who could not gain a football scholarship because of his ethnicity.

This opera did not actually reach popularity until some 60 years later. New York proved to be stimulating for Joplin's creative mind. There he published many ragtime jewels, on right after another.

in Kansas City and became one of the most famous jazz musicians of all time. He led us

He was later discovered here by John Stark who eventually published his first composition know as the Maple Leaf Rag. He later moved to St. Louis where he had the opportunity to perform for the next five years. Furthermore, he later left for New York, where he developed his own opera in 1911. This opera, called Treemanisha, was the first and only ragtime opera, but unfortunately, it only lasted one show. This was the falling point of his career, and he never regained the popularity he once had at the beginning of his career. In the 1970’s, Joplin and his opera was rediscovered with the revival of ragtime.

However, Ragtime has survived, leaving society with many classic Ragtime tunes. One such tune is, “Maple Leaf Rag”, performed on piano by the King of Ragtime, Scott Joplin. Joplin, a black composer, wrote this

One night in 1937, a teenage musician named Charlie Parker joined a jam session onstage at Kansas City's Reno Club. It was a special because a big-time drummer, Jo Jones, was there. He was the drummer for Count

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As Curtis put it, "The informed German could open up the way to a universe of learning and music, of which youthful Joplin was to a great extent ignorant. Joplin's first and most noteworthy hit, the "Maple Leaf Rag", was depicted as the prime example of the great cloth, and affected ensuing cloth arrangers for no less than 12 years after its underlying production because of its cadenced examples, tune lines, and harmony, though except for Joseph Lamb, they for the most part neglected to develop tithe musical drama's setting is a previous slave group at separated backwoods close to Joplin's youth town Texarkana in September 1884. The plot focuses on an 18-year-old lady Treemonisha who is educated to peruse by a white lady, and after that leads her group against the impact of seers who go after numbness and superstition. Treemonisha is snatched and is going to be tossed into a wasps' home when her companion Remus protects her. The people group understands the estimation of training and the risk of their obliviousness before picking her as their educator and