The Merchant of Venice

Friendship and love is separated by a very fine margin. Choosing between the two is like choosing between being in Mr.Vidulin’s English class and his photography class (it is nearly impossible). However, when the choice between friendship and love is mentioned in the play, it seems as though the answer is obvious. When Bassanio was in the courtroom talking to Antonio, Bassanio makes a statement that shows that he is choosing the side of friendship when it comes to friendship vs love. Antonio says, ”But life itself, my wife, and all the world are not with me esteem’d above thy life; I would lose all, ay, sacrifice them all here to this devil, to deliver you.” (IV, i, 291 - 294) Antonio states that he will give up himself, his wife and the world to Shylock if it means that Antonio survives. This shows that he cares more about his relationship with Antonio in comparison to his relationship with Portia. The message which is associated with the topic of friendship vs love is that a healthy balance of both friendship and love is needed to fulfill a person. In the example with Bassanio and Antonio, Bassanio indirectly shows Antonio that there would be no point to his life and hence the reason as to why he says he will sacrifice his own self. Another major topic touched on in this play is mercy. Mercy can be explained as the power found to show compassion in a state of power. Many of us lack the ability to show mercy, which is a key component of our society. Mercy is shown

In ‘The Merchant of Venice’ Shylock is very strong minded and is singled out of the play because he is a mean Jew that charges interest. Shylock is very stubborn and determined to keep to his bond; a pound of flesh of Antonio.

But the common belief is that Antonio feels quite strongly for Bassanio (Sinfield 124). The question is, are those strong feelings amorous?

Shakespeare engages a modern audience through the character Shylock. Shylock in The Merchant of Venice is the antagonist of the play and is subject to sequences of misfortune, much to the delight of the Elizabethan audience. However, in a modern context we show slight feelings of sympathy towards him as a result of today’s ideologies. Upon meeting Shylock we see that his religious standing puts him in an isolated position against the Venetian society. A line is recited

Antonio describes Shylock as a devil in disguise, because the devil Also tried to trick Jesus using the bible. This conveys to the the reader, that Antonio thinks that Shylock is a wicked person, guided by his own self-interest. He even goes to the extent of saying that Shylock is an evil soul, producing holy witness, just to get what he wants. The use of the simile, “A goodly apple, rotten at the heart.” Tells us that Antonio is warning Bassanio that what may seem nice and good on the outside, could be bad and evil on the inside. This is the first instance we see Antonio show a bit of resentment towards Shylock. After seeing what these two men have said about each other, it is no surprise that one of them is Jewish(Shylock) and the other a

The victimization of Shylock for being a Jew makes the reader sympathize with him and for the fact that he is Jewish. It lends an understanding as to how Shylock cultivated a hate for Christians and his justification in doing so. In contrast, Shakespeare makes no mention of Shylock’s past and uses his Judaism as the sole means for his distinctive torment of Antonio.

“There is no doubt that Shylock is a cunning and vengeful man, but nothing can justify the treatment he receives at the hands of the Christians.”

In a book or play, it is usually very easy to distinguish who the victim is and who the villain is. The villain usually causes all the problems in the story line and the victim is the one who suffers in result of the villain’s actions. In the play The Merchant of Venice by William Shakespeare, we examine the life of Shylock as a victim. It is seen through three main events in the play. Shylock is ridiculed by his community and his family, he is betrayed by his daughter and the community he lives in, and he is forced to lose all his wealth.

By tracing back the early roles of Shylock done in the Elizabethan stage, we are able to appreciate the complexity of Shakespear’s character, Shylock, and how he has the greatest impact than any other character.

In every confrontation with Shylock, the other characters attack him with insults that make him appear even viler than his cruel demeanor portrays. There is a common trend throughout the play of demonizing Shylock. In Act 1, scene 2, Antonio counters a legitimate argument that Shylock makes to support his usurping by stating that "the devil can cite scripture for his purpose!" (1, 3, 107) In Act 2, scene 2, Lancelet Gobbo identifies Shylock as "a kind of devil", "the devil himself", and "the very devil incarnation." (2, 2, 24-28) Solanio identifies Shylock as "the devil . . . in the likeness of a Jew" (3, 1, 20-22) and Bassanio identifies Shylock the same way, as "cruel devil." (4, 1, 225) This repeated characterization is certainly driven hard into the minds of the audience

William Shakespeare’s The Merchant of Venice is a perplexing story of dark humor, race, religion, identity, love, and justice. Generally, most people understand The Merchant of Venice as a comedy about a bitter and outcasted Jewish moneylender named Shylock who seeks revenge against a Christian merchant who has failed to pay his loan back. However, there are many different perspectives on whether The Merchant of Venice is a comedy or a tragedy depending on one’s views on the difference between race and religion. If one views the story as a comedy, it is a dark comedy full of many problems, especially the controversial subject matter of anti-Semitic attitudes of its Christian characters. If one views it as a tragedy, it is a tragedy that concludes with majority of its characters in a “happy ending”—that is if one agrees that Jessica’s decision of love over betraying her father and giving up her Jewish identity is indeed a happy ending.

Shylock finds joy when roles are reversed, causing people to beg for his mercy. Throughout the play, Christian characters were racist to him, they were constantly disrespecting him due to his Jewish background. However, in Act III Scene III, roles are reversed when their racist antics turn into mercy. The characters want to save Antonio from being harmed, and so they beg Shylock to change his mind:

Shakespeare still had to please the crowd with the insults and anti-Semitic feelings the people loved. He did this by adding flaws to the characters that they are now known for. Shakespeare gave Shylock his deep hatred for Antonio and all Christians, shown constantly by Shylock himself as he rants how Antonio constantly wrongs him. Another flaw in Shylock's morals is seen in his "Hath not a Jew eyes" speech. There he believes he has the right for revenge when a Christian wrongs him, saying, "If a Jew wrongs a Christians, what is his humility? Revenge. If a Christian wrongs a Jew, what should his sufferance be by Christian example? Why, revenge." (III, i, 63-66). Antonio too shows flaws, both through Shylock's stories of Antonio's persecution and through the insults he offers Shylock throughout the play. In the courtroom scene, Antonio tells Bassanio he might as well go stand on the beach and tell the waves to stop their endless beat upon the shores than try to get the Jew to change his mind. He also jokes that Shylock is turning into a Christian with his kindness to lend Antonio the 3,000 ducats, saying "The Hebrew will turn Christian: he grows kind." (I, iii, 170). Not only does this add the necessary conflicts for humor that the audience wants, but it provides the backbone for the story, showing the background of the

In the play the ‘Merchant of Venice’ by William Shakespeare the antagonist Shylock is both the victim and the villain. Shylock is a Jewish moneylender and is initially portrayed as anger filled and bloodthirsty but as the play continues we begin to see him as more human and his emotions become more evident. As the antagonist, Shylock is a fearful adversary to Antonio, the protagonist. But as good begins to win over evil, Shylock is crushed and we see evidence of his mortality in his grief. Shylock changes significantly though out the course of the play and he is formed into a too complex character to be labeled just victim or villain.

Shakespeare characterised Shylock in such way that he highlights the inequalities of him, them being ungrateful, vengeful, and religious intolerance. As each is explored Shylock is directed towards a harmful act to deem his vengeance upon his greatest rival, Antonio. Shakespeare’s idea in the play tells us mercy is preferable to revenge. In Act 1, Scene 3