We can trace the origin of Comedy to Dionysis- the Greek God of Wine who was hilarious, satirical and irreverent in spirit. Ben Jonson in Volpone' (1605) that is considered to be the greatest comedy in English epitomized the classical spirit of comedy. Shakespeare was aware of the classical tradition by the chose to follow the Roman tradition of Petrarch and Boccacio.
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<br>Shakespeare's early comedies were classical in spirit but the later ones were more emotional, fanciful and humorous. The Merchant of Venice' falls between there two categories. It leads the list of mature comedies; has more Romantic characteristics than classical. It is also one of the earliest productions of the middle period. In this play Shakespeare seems to
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However one might argue that Lorenzo right from the start talks about "how I shall take her from her father's house, What gold and jewels she is furnished with", while Bassanio talks about a "fair lady richly left" to whom he "swore a secret pilgrimage". Later his speech does raise a lot of questions when he says that plainness moves him and we are all ware of his love for show. The impulse of true loves moves his to choose the lead casket! But we should not use too much of logic and accept it as part of a Romantic Comedy.' The Merchant of Venice' is informed with the idea of love's wealth and how love is about giving away and not shutting and rejecting.
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<br>There was also a predominance of young people in Romantic comedies and many pairs of lovers and multiple marriages were present. Most of them were set on a foreign canvas and dealt with either business or domestic affairs of the Merchant class. Venice was probably an evocative name for the Elizabethans and was a source of inspiration. Shakespeare presented a Venice that lived in the Elizabethan mind and it was a city of rich merchants and gentlemen in silks. And then he gave the picturesque environment of Belmont and the starlit garden at the play's end. The exotic locations could also be a reflection of the tremendous development that was talking place in navigation and exploration during the European Renaissance.
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<br>The Shakespearean Romantic' heroine combined a heart of exquisite sensibility
These assumptions are clearly present in Shakespeare's work. In Merchant, financial language and romantic language are inextricably linked, suggesting that money is a source of both power and sexual desirability, particularly for males. The opening scene depicts Bassanio asking Antonio for money so that he may woo the beautiful and wealthy Portia. Bassanio is penniless and, it seems, made weak, unattractive, and perhaps less masculine by his poverty.
As illustrated by the two plays Romeo and Juliet and Much Ado About Nothing, William Shakespeare was a true romantic. In each play, his characters suffer great hardship, but in the end, he delivers them to a life of eternal love. Characters plot against each other in each play. The relationships of the people in his plays are not always what they seem. Whether it be a tragedy or a comedy, Shakespeare encompasses three elements into his plays: love, intrigue, and identity.
The first lines of The Merchant of Venice come from Antonio, who is lamenting over his present state of melancholy: "In sooth, I know not why I am so sad" (i, i, 1). "As the play opens, [Antonio] is marked as a man of complex feeling, not only sad but worried over 'What stuff [his sadness is] made of" and how it affects his ability to 'know' himself" (Patterson 20). His acquaintances Salarino and Solanio attempt to guess at the root or his sadness, first asking if it stems from business. After Antonio gives a short diatribe to dispel that idea, Salarino believes Antonio is in love. "Fie, fie!" (45) Antonio responds. But once Bassanio enters and is alone with Antonio, "Antonio is free to proceed to what is evidently uppermost in his mind" (Engle 23). And Engle, as well as other scholars, believe Bassanio's interest in Portia is the pressing issue within Antonio, and the reason for Antonio's sadness (Sinfield 124).
One of the strengths of good theater is its ability to mirror the problems and conditions shaping its time. In The Merchant of Venice, William Shakespeare reflects two important aspects of Elizabethan society: the corrupting influence of prosperity and the increasingly vengeful nature of Venetian justice. To address the former issue, Shakespeare downplays the importance of wealth by associating its involvement in romance with superficial and insubstantial advantages. He characterizes prosperity as a deceiving agent, citing its ability to introduce shallowness into a relationship. Shakespeare reasons that genuine romance depends on sacrifice and emotion, not wealth. The problem with justice is equally striking. In the play, justice is
The Enmity between Christians and Jews is first revealed in this passage by Shylock’s tetchy, sarcastic reply to Bassanio. Bassanio politely invites Shlock to dinner and Shylock replies sarcastically saying, “Yes, to smell pork…” He further separates himself from Bassanio by referring to, “…your prophet, the Nazarite.” Also, in an irritated way, he lists the things he is prepared to do with Christians, and the things he in not prepared to do. In this passage, “I will buy with you…nor sell with you”, Shylock repeats the word ‘YOU’ Eight times, making it sound like an accusation, not only against Bassanio, but all Christians, for wronging
Shakespeare has shaped the oeuvres of others since the 1600s with his comedies, tragedies and historical dramas:
Looking into Shakespeare’s work, the class and I got to view “The Merchant of Venice”. I
The Merchant of Venice is a play set in a very male and Christian dominated society where other religions and women rights weren’t very well accepted by the community. However Portia, a rich woman who had previously been controlled by men, triumphs as she manipulates tricks and saves the lives of the men.
Literary devices are frequently used throughout acts four and five of Shakespeare’s The Merchant of Venice. Some of the most prominent devices used on TMOF are dramatic irony, allusion and symbolism. These devices help further develop theme ingrained in the story such as marriage, deceive, wealth, and religion. The use of literary devices helps ensure the story transitions smoothly and is pleasant to the reader, it might also help in the comprehension of the story´s characters.
By tracing back the early roles of Shylock done in the Elizabethan stage, we are able to appreciate the complexity of Shakespear’s character, Shylock, and how he has the greatest impact than any other character.
The Elizabethan era, an era filled with renaissance and was a flourishing time period in the arts of poetry, music, and literature. Shakespeare, arguably the most important writer of this time period captivated his audiences with innovative and provocative plays. A Midsummer Night’s Dream and The Merchant of Venice are two of Shakespeares’ most famous romantic comedies, the characters of these plays enchant audiences with their passion and love for one another and the conflict that creates in this time period. The conflict in both these plays arise from the character’s personal desires, and the pressure to conform to social norms. The plot in A Midsummer Night’s Dream that this conflict is most relevant in is between the love circle of Hermia, Lysander, Demetrius, and Helena. In The Merchant of Venice Bassanio and Portia have their own agendas whether they are hidden or not the pressure of society and their own lust and desires lead to a conflict.
In the beginning of this play, we are introduced to a melancholic Antonio, who claims he does not know why he is sad, but his friends Solanio and Salerio suggest that he is worried about whether or whether not his ships will make it back, which can make or break his wealth. At this point in the play, Bassanio, Antonio’s friend reveals that he is not only broke, but in serious debt. Bassanio says he owes Antonio “the
Shakespeare's plays are full of references to what is now obscure- classical myth, falconry, astrology, or the theory of 'humors' that were thought to determine personality within so many of his characters (?S??Far?). Shakespeare wrote about themes and events we can relate to even now nearly 500 years later. 'He wrote about us-you and me, our friends, our families, the people we work with and play with and argue with and go to bed with, the characters we see on the evening news and elect to public office' often times comparisons are often scary (Seder iii). Shakespeare also liked to make fun of many of his characters. His plays show that he can be funny and has a humorous personality, often times even in his tragedies in which
The Merchant Of Venice is structured partly on the contrast between idealistic and realistic opinions about society and relationships. The play tells us mercy is preferable to revenge. Shylock chose revenge over mercy against Antonio and how his choices affected him. The Court of Venice begging mercy of Shylock. Finally, Portia forgiving Bassanio for giving away his wedding band.
The genre of William Shakespeare’s most performed play has been debated for a long time: is it a comedy or a tragedy? The play has elements of both genres, but one is clearly prevalent. While the story hits upon the tragic element of despair, The Merchant of Venice by William Shakespeare, is a comedy because lovers are separated, characters are in disguise, and the story has a happy ending.