The Music That Transformed a Hidden Classic into Modern Culture Le Fantôme de l’Opéra, a fictional novel published in 1911, by Gaston Leroux, puts the reader right in the catacombs of the Paris Opera House in the late 1800s (Cox: Oxford Reference). An adventure, involving tragic love and gothic elements, surrounds a detective’s search to reveal the mystery of the “Phantom of the Opera”. The detective acts as the narrator who reflects on his investigations of the Paris Opera House through allusions and the tragedies that occur throughout the novel’s entirety. Leroux especially highlights the Phantom’s undying love for a woman named Christine Daae and displaying the most primitive feeling towards another. The novel itself has inspired …show more content…
She argues that adaptations are a continuous development of culture and that “with adaptations, we seem to desire the repetition as much as the change”; however, she argues that a work is transformed (Hutcheon 9). Her valuable points about the rationale of adaptation work is the underlying argument in the continuation of making original works more valuable and in The Phantom of the Opera, music does just that. When the musical was adapted from the novel, it heavily maintained the idea that music was the central theme within the novel’s allusions and metaphors. Music is an emotionally charged realm and can evoke the most powerful of emotions if done well. The original text of the novel is merely highlighted with the use of the composed soundtrack by Webber. Webber’s adaptation of The Phantom of the Opera is one of the most ideal examples of this phenomenal skill of leaving an original story completely rendered into a product seeping with art. It is important to note when referencing adaptations that the first definition that appears when one looks up “adaptation” into the Oxford Reference dictionary are a variety of definitions that range from just about everything from an adaptation of a book to an adaptation of a recipe. This being noted, one can assume that an adaptation is any sort of adjustment to an original piece of work. However, Hutcheon references Walter Benjamin, a German cultural critic, where he states that
Music has continued to change throughout each decade, but the 1960s was the most influential decade in the history of music. Starting in the early 1950s, rock music was first introduced. Major record labels were releasing new “cover songs” which were originally made by black artist, but now by white artist (Rock and Roll). These cover songs changed a few lyrics from the original songs to avoid copyright issues and to also make the song more appropriate for the white listeners. The biggest star of the 1950s was Elvis Presley, who was known as the “King of rock n’ roll”.
Abstract: The Phantom Of The Opera was a story originally written by Gaston Leroux. It is the combination of both romance and misfortune. This story isn’t
The term exoticism is derived from the noun exotic. In music, exoticism entails a variety of newness in the form of playing and even the way the music is accepted by the audience. Musical exoticism, therefore, is the process of evoking in music whether the music is exotic or from one’s own country. The music elicits different feelings on the audience is a reason why it is referred as being too evocative and in any case, if the work continues to be performed for long years, the broader traditional cultural resonance are likely to fade and is replaced by others( Fauser 44). Given the listeners would probably live in a new and different cultural situation, values and expectations of the work would tend to match the needs of musical transformation. As a result, exotic elements manifest on the piecework thus the analogy of exoticism is justified.
According to Locke ““Musical exoticism” may be defined as the borrowing or use of musical materials that evoke distant locales or alien frames of reference ... Musical exoticism is a matter of compositional craft, of making the notes do something different from what they usually do" (Locke, 481). In the 16th and 17th centuries, the increase in Western trading was not only the trading of goods across cultures, but also merchants also began to share their cultures through various mediums. In terms of music, instrumentation, melodies, singing techniques, cultural settings, and sounds were traded. The respect for other cultures and the sharing of musical elements, not only had a drastic impact on the music of the time, but
Music is a beautiful thing. Music has a way of expressing emotions that cannot be described by words themselves. It has a way of influencing people and a society as a whole. Without music the world would be silent. The surfing world is no exception. The society of surfing has been affected by music over centuries. Music plays a major influential part in the history of surfing. The history of music in surfing actually evolves in waves. To be precise it happens in three waves, the beginning of instrumental music, surf culture theme based music and music produced by a surf environment are the most momentous stages of evolution of surf music that have impacted the surf world.
Gaston Leroux 's famed novel The Phantom of the Opera revolves around the mystery of the phantom, who haunts the Paris Opera House. Leroux has set out to prove that the opera ghost really exists. The narrative follows a follows a sinuous triangular love affair between three major characters: The opera ghost; Erik, Christine Daae and Raoul.
Iannis Xenakis (1922-2001) was a French composer who revolutionized modern music after World War II. He was the founder of stochastic music and composed works that include: Metastaseis, Diamorphosis, Pithoprakta, and Nuits . In his works he utilized mathematical concepts such as statistics, Brownian motion, Gauss’s law, set theory, game theory, as well as music techniques such as sound mass, and glissandos.
On the 2 April, 2016, I went to see the longest-running production in Broadway history, “The Phantom of the Opera” at Majestic Theater on 247 West 44th Street Manhattan, New York. The opening night, premiere of the spectacle was on January 26, 1988. The musical is based on the novel “Le Fantom de L’Opera” by Gaston Leroux, under Harold Prince directory. The organizer of the theater production is Philip J.Smith and Robert E. Wankel is the president.
There are many estranged rumors flying about. Especially those of the Palais Garnier opera house. These are rumors not to be thought of as measly or unworthy of your time, for they are more real than you can imagine. As many of you may have heard in the last paper, the Opera Ghost has become more of an interest to the public, whether it be fear or disbelief.
One of his favorite shows was Faust which is the performance Christine Daaé is always giving when something out of the ordinary happens to her, such as fainting or being kidnapped. Leroux was a journalist who covered the Russian Revolution in 1905 and the case of the Paris Opera House in which the basement had a cell for prisoners of the Paris Commune. However, in 1907, Leroux switched from writing articles for the paper to writing fiction and quickly became a popular author of mystery books. The Phantom of the Opera is easily one of his most popular books and takes its rightful place among other infamous tales of horror along with Dracula and
In Paris 1919, a public auction is held, an elderly man buys a monkey, there is talk of the famous disaster and the unexplained mystery chandelier is also auctioned. In Paris 1870, the Opera Populaire is shown, a theatre production is being rehearsed and the lead is Carlotta. The opera is bought by 2 new owners and there’s a new investor, Raoul. One of the girls in the background, Christine Daee realizes it’s her childhood sweetheart.. Soon, the owners come to know of the phantom, the phantom of the opera commands that Box 5 remain empty and that he get a salary. Christine Daee is noticed by the owners and she becomes the leading lady of one of the opera productions, she is adored by the audience. Raoul realizes that it’s Little
Gaston Leroux wrote a fictional novel entitled The Phantom of the Opera. Gaston Leroux first published this fictional novel in 1910, but the novel was copyrighted in 1998. “Gaston Leroux, (born May 6, 1868, Paris, Fr.—died April 15/16, 1927, Nice), French novelist, best known for his Le Fantôme de l’opéra (1910; The Phantom of the Opera), which later became famous in various film and stage renditions” (The Editors of Encyclopædia Britannica, 2007). “The novel is partly inspired by historical events at the Paris Opera during the nineteenth century and an apocryphal tale concerning the use of a former ballet pupil's skeleton in Carl Maria von Weber's 1841 production of Der Freischütz” (Wikipedia, 2017). The Phantom of the Opera is written about
When many people think of The Phantom of the Opera, they think of the popular Broadway musical written by Andrew Lloyd Webber. However, Webber had another vision in mind, a film adaptation of his beloved musical that he announced back in 1989. In 2004 that dream became a reality when it was released for the world to enjoy. Still, some lovers of the live performance argue that the film doesn’t have the same feel or emotion that one would get from the play. Although, this adaption doesn’t give the audience the feeling of a live performance, it does give one a unique experience in its direction, music, acting and special effects that no other form can achieve.
A study of the history of music styles brings to the fore two distinct periods, Baroque and Classical. The purpose of this essay is to provide a comparison between the two musical eras through the exploration of two different composers and their works, namely Antonio Vivaldi and his Four Seasons ‘Spring’ in the maximized Baroque era and the minimalist approaches of Wolfgang Amadeus Mozart’s Symphony. Moreover this essay will review the unique social, cultural, technological an musical elements of each period to determine the ways in which these factors influenced the works and styles of their respective composers.
Music plays a significant rule in our lives. It’s a melody and rhythm we live in. It plays a very essential rule in our day to day to life when it comes to expressing feelings, passing time and for other uses as well. Though we in general may not think about how music has changed so much in the past few decades we must acknowledge the fact todays music is the outcome of the various change in the past. Today’s majority of music we hear is what we define as more as a “westernized” music. Considering other cultures in the world, a huge impact of western music is seen within them. Westernization and modernization are two different words with different meanings and they have two different impacts on a society. Modernization is used to define the improvements and show a progressive transition from one stage to another. Westernization is the concept of being influenced by the customs and techniques of the western society and reflecting them in a non-western culture. This essay will discuss furtherly about the impact of the western society on music cultures of North India and Korea by looking from both the positive and negative point of this impact.