The Opening Sequence of Moulin Rouge
The opening sequence of Moulin Rouge is both informative and dramatic. It tells the story of Christian as he tells the story of the Moulin Rouge. The bright colours and music give the impression of joy throughout the film; this is enhanced through the use of erratic camera movements within the Moulin Rouge. In contrast the woeful voice of Toulouse can be heard singing the story over the top, informing the audience that the film will also include great tragedy and sorrow. It's lavish use of colour and mise-en-scéne work well with the intricate use of cinematography. Every shot is carefully planned to give the audience a preferred reading. The high angle shots
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The jubilant Can-Can music creates a feeling of excitement and thrill.
Music in the opening sequence reflects the moods, joys and tribulations in the forthcoming love affair between Christian and Satine. The two start off in love and everything is fine until the Duke finds out about their affair and threatens to have Christian killed. Although Satine dies in the end, she and Christian were in love when it happened, and have expressed their feelings to one another. The music swings between celebration, tragedy, and celebration, mirroring the narrative structure of the story to come.
The music links in well with the editing which comes to an abrupt stop as 'Paris1900' appears on the screen. It is in black and white, whereas the other credits were in sepia. Solemn music, played by the strings fades in as Toulousefades into the shot. He is in the foreground on the left hand side of the screen, and behind him is a windmill, with its blades slowly turning. The shot has a sepia look, indicating to the audience that they are being told an old story. Toulouse is directly addressing the audience with his song which is telling the audience the story. The music is melancholy implying tragedy, enhanced by the use of blue light giving the scene a cold atmosphere. A CU of Christian's face fades in on the right hand
Throughout history, women have constantly been objectified and forced into submission by the male dominated society. Simone de Beauvoir’s philosophical work, The Second Sex, echoes the intense oppression of women and reflects the first wave feminist movement. Her existentialist decoding of genders resulted in the idea of the Other, which explores the phenomenon of women forced into the role of an object, while men are the subject. In the second chapter, “The Girl”, Beauvoir further studies the idea of this oppression during one’s transition from a girl into a woman. Beauvoir states that no matter how much freedom and sense of self a girl holds, she is always forced into the role of the Other in society. Beauvoir 's idea of the Other held
In Napoleon Dynamite (Jared Hess, 2004), the character known as Napoleon Dynamite (Jon Heder) is quite a unique fellow. His quirkiness and eccentricity are what make him as a character; they are the primary traits of his personality. Keep in mind, however, that he is not the only odd character in the film, but he has his own peerless way of defining himself separate from any other character(s). This effect is achieved through certain cinematic techniques that director Jared Hess utilizes in order to bring out Napoleon’s persona in ways other than simply “guessing” who he really is. Rather, these techniques “explicitly imply” certain character traits; they are like clues that allow one to see the
The film ‘Boy’ (2010) uses a range of techniques to construct an effective mise-en-scene. Taika Waititi (director) has been able to create aesthetically pleasing scenes to communicate to the audience about the setting, characters, story and themes. The sequence at the beginning of the film is an appropriate example of the good use of mise-en-scene.
The Big Short is a movie about the crash of the housing market in 2008. This economic crisis of 2008 is similar, but different, than the economic crisis of the Great Depression in 1929. They were both an economic downfall creating panic in the US economy.
He lived for this! He was a Republican! He was a governor! Forget him being a not so important person! He attacked political parties! He was Republican Robert La Follette serving as the governor of Wisconsin. As they nicknamed him “fighting Bob” and quotes “Men must be aggressive for what is right if government is to be saved from men who are aggressive for what is wrong.”
Michael Miller’s book, The Bon Marché: Bourgeois Culture and the Department Store, 1869-1920, is an expansive and interesting look back on a era of Parisian history that is best represented by its then-current trend and social innovation, the department store. The book gives a fascinating account of the store from its beginning to eventual common place status in 1914. The book gives an insight on the factors in which the store saw success, such as the management, the labor, and new marketing. It also gives light to the social factors that made the store possible (i.e education and economy).
as the first note is played, we see the first images of the film like
when it was in the middle of a stride with its hooves in the air and
Jean-Baptitste Poquelin Moliere’s Tartuffe, is undoubtedly a satirical comedy. In Moliere’s description of a satire, he was very direct as to the function and objectives of one are. The function is to correct men’s vices, using satire to ridicule them and expose them to public laughter (Moliere, p.14). Although this satire is making fun of many things in the church and organized religion, which is not the only objective Moliere had in mind. Tartuffe has many themes that reoccur through out the play. The time period, in which this play was written, was known as the Age of Reason. One of the main ideas and attitudes during this time was, reason must always control passion. Due to this
This clearly explains the significance of music and the role that has in motion pictures. Music has to match the emotions that the actors are showing and the environment they are in. If fail to do so, the movie could be a dreadful thing to watch.
The film Amelie provides multiple examples of individuals sacrificing, and applying Campbell 's moral objective to their own lives. One of the people from the film that follow the objective is Dominique Bretodeau. When he was a young boy, he lost his treasure box. Directly after it was returned to him from a stranger, he began to tear up over the lost memories that the box contained. He then confides in people at the bar that he has not spoken to his daughter in years, and because of this does not know his grandson. This simple act of kindness was enough to make Bretodeau sacrifice his pride enough to reconcile with his daughter and grandson. He had no idea if his family was going to open their arms, or push him away for being away for so long. This failed to stop Bretodeau. This journey of becoming a hero was a spiritual one. Most of the conflict happened within his own heart. A small act of thoughtfulness helped a man choose to create a better life for him, and his estranged family.
The opening scene of American Beauty shows a teenage girl lying in a bed, venting her feelings towards her father. In this, the audience sees her in dull clothing and colours, minimal make-up and has greasy-looking hair. As she sits up, her hair falls around her face and she stares directly into the camera, giving a sense of unease to the audience.
Les Miserables is a prime example of two individuals conflicted by the “letter of the law” and the “spirit of the law”. The two main characters, Jean Valjean and and Javert, have two different views on morality. There is a difference between the “letter of the law” and the “spirit of the law”. Obeying the what the laws specifically says defines the “letter of the law” and obeying the overall message of the law defines the “spirit of the law”.
There are many unique and innovative techniques used throughout the film. Some were sequencing which are different shots that represent purpose like flashbacks to another time period. Another that was interesting was the use of the newsreel footage. Also the many different angles that were used, and how the lighting and shadows were a big part of the film.
The French are all about preserving their culture and being individualized. They often take great pride in the French products and the French style, and believe in keeping the French culture “pure” so they also limit the amount of foreign goods that are being imported. But during the World Wars the French began to allow foreigners to immigrate into France to take jobs due to an increase in job shortages. The immigration from the World Wars added to the diversity of the French culture. Ever since the 1850’s there has been a steady flow of immigration into France, and now nine percent of the French population is made up of immigrants (Gofen 62). The break down of the cultures in France is eighty-five percent of the French population is Roman