The Pan-African movement as described in Lemelle’s Pan-Africanism for Beginners is "a set of ideas and ideologies containing social and cultural, political and economic, material and spiritual aspects." Each aspect is accompanied by a plethora of historical figures and terms unique to the movement, well described throughout the text and in the presented glossary. This book makes it easy to understand all the information accompanying each topic. While it does have its strengths and weaknesses, this book as a whole creates and explains a diverse scope of information. It describes the beginnings of Pan-Africanism and shows how the beliefs of many influential people have stemmed from notions and dreams of years passed.
As a learning experience, Lemelle 's Pan-Africanism for Beginners provides a strong broad base of knowledge. Instead of concentrating on the specifics of Pan-Africanism, this book covers a broad range of aspects, from the Diaspora to Garveyism to the Harlem Renaissance. Because there are so many people and movements associated with Pan-Africanism, it is nearly impossible to go into detail about every important event in one book. Even so, Lemelle does a good job at providing enough detail on each topic, while still conveying how complex Pan-Africanism is. By including many facets of Pan-Africanism, Lemelle is able to spark an interest in the reader so that they can continue onto more specific research. For instance, when Lemelle explained the Conference of
The story that surrounds the transatlantic slave trade is notoriously known, by both young and old, across the nation. This story has not only survived, but thrived as “truth” through generations for several centuries; Although, it is much closer to a mystical tale than reality. In Reversing Sail, Michael Gomez lays the myths affiliated with African Diaspora to rest. Gomez shows the path of the amalgamation of the African people along with their resources into Europe. A path that leads to the New World, that would potentially become the Americas, would ultimately result in more than just the exploitation of Africans as slaves. Compacted into an eight-chapter undergrad textbook, Gomez uses Reversing Sail to unground the history, complexity, and instrumentality of the African Diaspora. He does such in a
For this week’s reading, we read the article “Racialized Discourses and Ethnic Epistemologies” by Gloria Ladson-Billings. The main purpose of this reading is to argue that “there are well-developed system of knowledge, or epistemologies, that stand in contrast to the dominant Euro-American epistemology.” (Denzin and Lincoln P. 399) The author started out the article by arguing the importance of national and racial consciousness. Author Billings pointed out that the Europeans view that the individual’s mind is the origin of knowledge and presence. On the other hand, the African word “Ubuntu” means “I am because we are.” This shows that the African thinks that the idea of humanity is very important and everyone should be treated fairly no matter what racial and ethnic background they are from. These two ideas came out in the mid to late 1960’s, the two different point of views clear choice between hegemony and liberation. Comparing these two various perspectives shows that this is a critical case.
From the 1500s to the 1700s, African blacks, mainly from the area of West Africa (today's Senegal, Guinea, Sierra Leone, Gambia, Liberia, Ivory Coast, Ghana, Dahomey, Togo, Nigeria, Cameroon, and Gabon) were shipped as slaves to North America, Brazil, and the West Indies. For them, local and tribal differences, and even varying cultural backgrounds, soon melded into one common concern for the suffering they all endured. Music, songs, and dances as well as remembered traditional food, helped not only to uplift them but also quite unintentionally added immeasurably to the culture around them. In the approximately 300 years that blacks have made their homes in North America, the West Indies, and Brazil, their highly honed art
I think it is important to understand that African people have been present on this Earth for a very long time, long before white people decided to rip them from their homes. Many people of America don’t know the true history of Africa and that Africans are the true creators of civilization. Because of this lack of knowledge about our history, I think many people don’t know the greatness that black people are capable of. We come from a long legacy of kings and queens, but many people think of us as thugs and felons and unfortunately some of our people perpetuate this myth. The study of the African experience is important because it is necessary to know where we come from in order to understand where we can go. Reading is the best way to learn more about our history. This semester one of the books that we are reading is Something Torn and New by Ngũgĩ wa Thiong 'o and he talks about the disembodiment of the African people.
Marcus Garvey, a ‘proponent of Black Nationalism and Pan-Africanism movements” (), once stated that “a people without knowledge of their past history, origin and culture is like a tree without roots.” (Good Reads Quotes) He was in fact very much so right. Most people in this world care about where they come from, who they descended from and where the backbone of their identity lies. Have you ever wondered why almost most orphans tend to look for their family lines or go out in search of where they belong? It is with this very essence my quest to look for answers and investigate about two very distinct yet similar groups. The groups I examine throughout this paper are Africans and African-Americans. What I seek to find out is why two very ‘distinct’ yet similar groups of people fail to see eye to eye, judging from the fact that Africans and African-Americans look alike, originated from Africa and their histories and culture somehow intertwine with each other. The main question here really is: what are the factors that hinder the relationship between Africans and African-American people.
By going back to one’s roots, the future of developing countries resided in the “development of Africa is one of the most constructive and universally helpful missions” (Locke, 6). This direction was a form of modernization that was an improvement of relationships between African Americans and other races.
Scholars have dedicated their time and attention to furthering the discipline of African American Studies and can define the field with many different definitions. Through looking at the origins and development in the study we can see how it became a legitimate academic field. As we study the writings of the African American intellect, it will fully explain the importance of the discipline. Their work will justify the study of cultural and historical experiences of Africans living in Africa or the African Diaspora. When examining the scholar’s arguments we can develop our own intellectually informed rationalization of the field of African American Studies.
This idea has taken on many different forms over the past century and a half, and its discourse has evolved alongside the major works of prominent figures like W.E.B. Du Bois, Martin Delany, and Marcus Garvey. A common theme among these thinkers is the notion of historicizing the development of black culture relative to diasporic movements in the preceding centuries. However, they differ significantly in their visions and aspirations for the culture at large, as well as in their interpretations of how peoples of African descent should behave with respect to the dominant (primarily white) societies in which they live and function. In particular, earlier scholars like Du Bois tended to “sustain their faith in a partnership with white allies, wagering that [their] commitments to ‘civilization building’ ... would hasten the day when they and their race would be respected as equal partners” (Ewing 16). In contrast, Garvey, a contemporary of Locke, supported a radical agenda for African independence, and a mass migration to bring peoples of African descent back to Africa (Ewing 76).
It is essential to note that the term African Diaspora does not describe any single event, group of people or set of customs. It represents a current state of being for many citizens of the world and provides context for understanding the social structures and intercultural relationships of the world we live in today. Collin Palmer provides great insight into the context of diaspora. He writes that there have been several movements, massive migrations of people, throughout history. There is no single “diasporic movement or monolithic diasporic community” to be studied, but rather a confluence of people, events and ideologies that span thousands of years, across every continent. Each period of movement, each diasporic stream, happened for different reasons. Palmer’s approach to the African Diaspora begins with a look nearly 100,000 years into the past. He identifies five major streams, with the first African diaspora that occurred as a
In a freezing class, two brilliant minds unlocked the fiery passion that is their talent one an artist the other a writer. Bringing to light a history long forgotten creating abstract thoughts arbitrary to our own. Komi Olaf the artist and Okey Ndibe the writer not only enlightening the class but also the world with each brush stroke and each word. Every creation stemming from the hands of these masters tell of issues at the heart of Africa from colonialism to existential dilemmas. Thru spoken word, hip-hop, art, music, poems and literature issues close at heart to the artists and to Africa are portrayed. This paper will focus on the art exhibit by Komi Olaf and Foreign Gods inc by Okey Ndibe as spoken by them during their discussion in the class on October 13th. Where the talks focused on the key course objectives being stereotypes, post-colonialism, youth culture, and resistance.
Pan-Africanism was an idea created by African Americans becoming more aware about their shared culture and experience of people in the African diaspora. It was the product of African Americans, who weren’t living Africa, united by their shared culture. African diaspora also united over the fact that they were all from Africa, and that was their origin. They learnt more about their origin as they fought for their civil rights. Africa was being used up by imperial powers as a result of many resources being available there. These imperial powers were abusing Africans and taking all the resources. Meanwhile missionaries were coming to Africa to help civilize them. Africa was seen as an exotic and strange place, and people would learn more about
Marcus Mosiah Garvey, Jr was a Jamaican political leader who accomplished many things within his lifetime. He was a well-known publisher, entrepreneur, journalist, Black Nationalist, as well as Pan-Africanist. Pan Africanism is the idea that all African American people possess a common cultural legacy extending from Africa. In saying this, all African Americans should work together in maintaining the culture and removing expatriate power.
Throughout human history, there have been multiples leaders that have sought to implement change and bring prosperity to their people and definitely, Kwame Nkrumah is one of them. Indeed, Nkrumah is one of the leading figures in the fight against colonialism not only in Ghana, his country, but also in the continent of Africa itself, and across the world. He sought to challenge the colonial powers and their system of global capitalism by implementing the socialist route once he achieved the independence of Ghana from the British Empire in 1957. Although, Nkrumah was not successful in his plan and after nine years as President of Ghana, he was removed from power, he still played a major role on the development of the Pan-Africanism movement and its huge impact in different parts of the world. To recall, Pan-Africanism is the principle of the political union of all indigenous inhabitants of Africa. In other words, this movement encouraged the African people all over the globe to unite as one and fight for their independence and rights to not be colonized and exploited anymore.
This paper explores and analyses the ways in which African writers portray the African diaspora living outside of Africa in the colonial nations; of which England and France would be primary examples. The primary sources for the analyses focus on the text Our Sister Killjoy by Aidoo. House of Hunger by Marechera has been used as a secondary reference. The paper presents the various reactions highlighted in the works, and then seeks to analyse and argue for possible reasons for the presented reactions, touches upon the theme of African nativism, and most importantly analyses colonial power structures that still dominate the discourse in and about Africa.
It is a common and well known saying that history repeats itself. This saying has more to it than the literal definition of it, it means we need to study it and learn from it, in order to avoid repetition. Often times we have that opportunity to study and learn from history in a way that can impact the future, in a hopefully positive way. In terms of education, improvement and innovation is always a top priority. If we can properly combine the study of other cultures with the study of history, we can have an extremely effective tool for learning ways to positively impact our own generation and future. In this essay, I will attempt to uncover the differences between current education and traditional African education, with intention of learning how to apply it today. The idea behind studying history is that it is a vital part of learning and adopting successful techniques and a good tool for avoiding the repetition of mistakes. If pre-colonial Africa can have success without the resources and technologies we have today, then it is valuable to invest time and effort in mirroring some of their methods.