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The Politics Of The Slave Trade

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The Politics of the Slave Trade: Art Engaging Eighteenth-Century Audiences with the Abolitionist Movement
Ella Ottaviano

The rise of the abolitionist movement in the late eighteenth century, created a platform for artworks to be used as arguments for the abolition of slavery. Artworks during the Enlightenment employed a variety of visual techniques to emotionally engage their audiences with the politics of the slave trade and to elicit a sympathetic response from the viewer towards African slaves, strengthening the abolitionist argument.
John Raphael Smith’s mezzotint (after George Morland), Execrable human traffic, or The Slave Trade engages audiences with the abolitionist argument through it’s representation of the African slaves as a …show more content…

In 1787, the Society for Effecting the Abolition of the Slave Trade was founded in London and by the late 1780’s petitions critiquing the slave trade were widely circulating throughout Britain. The growing support for the abolition of slave trade paralleled the rise in frequency of images of aversion towards slavery in art.
This growing sentiment was primarily influenced new enlightenment philosophy and development of rational thought towards a defence of modern ‘human rights’ cultivated by philosophers who influenced the public ideas of morality.

Through it’s broad dissemination and unabashed appeal to the emotions, John Raphael Smith’s mezzotint (after George Morland), Execrable human traffic, or The Slave Trade, (Fig. 2) engaged with an extensive audience and attracted many more people to the side of the abolitionists. The artwork illustrates the violent abduction and separation of an African family by European slavers. The artwork depicts a tropical, seaside scene in which black man is being restrained by two white slave traders, he looks longingly towards his wife and child, who are being led away.
The picture plane is shallow, with sparse detail or information occurring in the background, pushing forward the scene of the abduction and drawing the violence and emotion of the people to the forefront of the viewer. The salient point in the image is created through the light falling on the white captors and the black man positioned

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