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The Possibilities, Conventions and Devices of the Comic Strip as a Narrative Text

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Henning Wagenbreth is a German illustrator, designer and typographer. He has illustrated many books (for both children and adults), posters, newspaper and magazine editorials and comic strips (Wagenbreth 2014: ONLINE). For the purpose of this analyzing a narrative text, I have chosen his comic strip series called ‘Plastic Dog’. I will specifically focus on the two comics shown as Figure 1 and Figure 2.

In general, the essay will be a deconstructive analysis of the possibilities, conventions and devices of the comic strip as a narrative text. Within this analysis, the essay will examine the postmodern characteristics of ‘Plastic Dog’. It will also investigate how these characteristics can help the reader to better understand the narrative possibilities of the comic form and the meaning-making strategies within it.

According to Mieke Bal (1985: 5) a narrative text is a text that tells some kind of story (Bal 1985: 5). A story is a “series of logically and chronically related events that are caused or experienced by actors” (known as the fabula)(Bal 1985: 5) and are presented in a certain manner. The question that will guide this essay is whether the comic form is only primarily geared towards the telling of a ‘story’ opposed to an experience in which narrative is secondary to the visuals.

The ‘Plastic Dog’ comics epitomize a postmodern point of view. This means that they disrupt the boundaries between high and low art and are written and illustrated through pastiche and

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