The Power And Influence Of Gospel Music On The American Civil Rights Movement

American history was radically changed when President Abraham Lincoln gave the very famous Emancipation Proclamation. This lead to the freedom of millions of African Americans who sought the same liberty and equality that was promised to everyone under the United States constitution. These liberties, of course, were not achieved right away. During the Reconstruction era, which is the decade right after the Civil War, many of the recently freed slaves did not have money, property, or credit. They could not buy the necessary things to enjoy their freedom, which lead to sharecropping, a glorified form of slavery. Sharecropping is a system of agriculture in which a landowner lets a tenant use the land in return for a share of the crops produced on their portion of land (Sharecropping).. Added on to this, facilities were segregated to prevent the black man from enjoying the same things as the white man due to Jim Crow laws which were enacted after the Reconstruction era. The struggle for equality and rights continued during the Gilded Age (1873-1900), the Progressive Era (1900-1920s), the Great Depression (1930s), WWII (1939-1945), the beginning of the Cold War (1947), up until the Civil Rights movement (1954-1968). At this point in history, African Americans fought for their rights and changed the course of American history. Music was a very important tool used by African Americans that helped achieve this. Ever since the slavery times, music was a big part of their culture

Joan Baez was a white singer that sang “oh freedom”. She ended up singing it at Martin Luther King Jr.’s ‘I have a Dream’ speech. In the meaningful slow song Joan Baez expressed her wanting for equality and freedom.

During this call to action, people had different ideas on how to respond to the events surrounding the bombing on 16th street Baptist church. The response ranged from marching, protests, and most importantly, music. During the Civil Rights movement, music allowed artists to express their dissent through a medium in which their message could reach a plethora of peoples. Music during this time was also akin to the music effect of “work songs” sang during slavery as well as songs such as “we shall overcome” which draws parallels to songs sang as slaves attempted to escape to the north. Music also helped those involved in the civil

Eileen Southern’s The Music of Black Americans: A History she examines the influence that African Americans had in the holiness churches in music and worship. She initially starts with the landing of the first Africans to the colonies and she creates a phenomenal conversation of the musicians in the new world. She details the progression in the gospel, classical, jazz, rap, blues and the contributions they made.

Music is an important aspect of every society. Music can tell stories, release emotions, build bridges and break down barriers, but above all music is entertaining. There are various forms of music but not many have as rich a history as gospel music. The importance of gospel music has been relevant in American music for more than a century and its importance to society is still relevant to this day (See Appendix A). Gospel music helped slaves escape to freedom and paved the way for other styles of music. It promotes a spirit of hope and provided an outlet to worship God. So how exactly has Gospel music impacted today’s society?

The protests in Albany, Georgia, proved an important training ground in which to learn the techniques for mobilizing the dormant black populace of the Deep South. Perhaps of greatest importance, they became more aware of the cultural dimensions of the black struggle, quickly recognizing the value of freedom songs to convey the ideas of the southern movement and to sustain morale. (Stanford

Gospel music emerged during the twentieth century following the Great Migration of African American towards the north. Influenced by blues gospel music is a religious genre. Gospel music is used during religious practices, ceremonial purposes, pleasure and entertainment. During the Great Migration, two denominations followed by African Americans, Black Baptist and Methodists. The congregations were small and they utilized storefronts for worship. Smaller congregations allowed them to connect with their pastor and have better understanding of the sermon provided. Others preferred larger congregations that used an emotive style of worship known as the shouting churches, they were highly energized. (Burnim & Maultsby, 2015)

The roots of modern american rock and roll music, are firmly planted in Africa. As the native Africans were torn apart from their family’s and brought to the new world their lives were immediately and drastically changed forever. Finding themselves immersed in a completely new environment with a foreign culture, they thankfully persevered and carried on with their own traditions and most importantly to this paper, musical ones. Most American slaves originated from Western and Central Africa. The West Africans carried a musical tradition rich with long melody lines, complicated rhythms (poly rhythmics) and stringed instruments CITATION. The West Africans music was also strongly integrated into their everyday lives. Songs were preformed for religious ceremonies and dances and music was often a

African American religious music is the foundation of all contemporary forms of so called “black music.” African American religious music has been a fundamental part of the black experience in this country. This common staple of the African American experience can be traced back to the cruel system of slavery. It then evolved into what we refer to today as gospel music. The goal of this paper is to answer three main questions. What are the origins of African American religious music? How did this musical expression develop into a secular form of music? What is the future of African American religious music? These questions will be answered through factual research of African American traditions, artists, and various other sources.

It was no coincidence that rock ‘n’ roll and the civil rights movement started at the same time. The genre originated from African American music and was greatly discriminated against. Traditional white Americans would target anything bad about it. But as the teenager demographic of the 1950s started increasing the sales of the music, the genre started gaining more popularity. It was the style of Elvis Presley and his new voice that made girls weak in the knees and boys want to be him. Artists such as Presley had enough influence to change the view of their devoted fans on civil rights issues. Soon as protest songs and rock ‘n’ roll became more popular and influential, it began a gap between the young adult generation and their parents

Mahaila Jackson’s voice became one of the constant voices heard in homes all over the country. Not only was her voice constant sound in the African-Americans community, but it was loved in many homes of people with various ethnic backgrounds. People loved to hear her sing because her music had a way of lifting spirits. Even in hours of despair Mahalia Jackson’s music

In the midst of a time where black Americans were facing extreme ridicule and fighting for their rights, Sam Cooke arose from the Gospel music style and merged into the music known as Soul, a genre that spoke to the socially crumbling nation about peace and civil rights changes. Through his smooth style, velvety voice, handsome appearance, and appeal to black and white audiences alike, Sam Cooke made a difference in the lives of Americans in the 1960s by singing with pure emotion and soul, like in "A Change is Gonna Come." Through this genre’s sincere singing with lyrics full of emotion, a sense of understanding was brought to the people of America about the

Gospel music is an elegant form of worship. It has been used to speak out against oppression and to advocate for freedom and equality for all. Gospel Music is exemplary of music being used to change the world. Gospel music and the various artists associated with it have had a monumental impact on the face of our

An introduction in the history of Gospel music is needed to show its association with first Blues and Gospel music and then Jazz and Gospel. The Field Holler sung by African-American slave workers on American plantations did several things including lift spirits, express emotions, and communicate information. The Field Holler is recognized as a precursor to Call and response songs which were used to signal whether the coast was clear on the Underground Railroad as well as a part of the Gospel music tradition. Gospel music included: Call and response, polyrhythms, improvisation, chorus, shouts, vibrato, falsetto, piano,organ, and later drums. When Rhythm and Blues artists such as Ray Charles, James Brown, and Bobby Bland incorporated some of these Gospel music elements they were branded as “soul artists.” Consequently, after the media fervor these artists had on the industry when certain jazz musicians began to incorporate some of these same Gospel elements they too were marked as “Soul jazz” artists, such as Horace Silver, Brother Jack McDuff, and Cannonball Adderley. In Roy Carr’s book A Century of Jazz, Cannonball Adderley says that Riverside Records promoted them as “soul jazz” whether they wanted that label or

Gospel music has been around for a hundred of years. Gospel music is highly emotional evangelical vocal music that originated among African American Christians in the southern United States and was a strong influence in the development of soul music. (Gospel Music) Gospel music quite evolved from the songs slaves sang on plantations notably work songs, and from the Protestant hymns they sang in church. However in the 19th century, spiritual hymns transfer into gospel music, which started the golden age of gospel music began turning in a new direction. Gospel music also influences different type music styles that people have today. People are change by the music of gospel music and find inspiration to go through life.