The Role of the Great Mother in Beowulf
Grendel's dam is not simply a "wandering fiend" (1621), a "swamp thing from hell" (1518), or a "troll-dam" (1391). She is an example of what Erich Neuhmann in his book, The Great Mother, calls an embodiment of the Great Mother in her "negative elementary character" (147). Her realms are the underworld, a cave below a lake, both symbols of the unconscious. She is begetter and child bearer, creator and destroyer of life; she nourishes and ensures the fertility of the land and people through her thirst for blood and sacrifice as a ritual for rebirth. As a pre-Christian goddess, she is not categorized as evil, but rather as a necessary power to balance light and dark, life and
death.
…show more content…
She is the tiger, the vulture, the wolf, "voraciously licking up the blood seed of men and beasts, and, once fecundated and sated, casting it out again in new birth" (Neuhmann 149-150). In Beowulf, her domain is the underworld, the cave below the mere, a "hellish turn-hole" (1513), her "womb of death" (Neuhmann 172), where she "attracts and draws in all living things" (Neuhmann 172). In the text, it is clear that Grendel's dam falls into the negative classification of the Great Mother: she is a "monstrous hell bride" (1258), a hell-dam (1292), a "force for evil" (1339). Here, we can clearly see that the Christian labeling of the Great Mother's negative aspect has been applied to Grendel's dam and she is not viewed as the balancing and necessary opposite of the positive, but has become evil, kin to the devil. As a devil/demon she has been "forced down into fearful waters" (1292), suppressed and denied, by the Christian usurpers of her domain, yet she lives on and extends a presence in the land of Hrothgar. Indeed, his subjects continue to pay homage to the pagan gods despite the influence of Christianity as the narrator suggests: "sometimes at pagan shrines they vowed offerings to idols, swore oaths that the killer of souls might come to their aid and save the people" (175-178). Christianity has failed to protect against the wergild demanded by the Great Mother; incensed at the desertion of her worshipers, the Great Mother and her son seek
Beowulf sees Grendel's mother in a cave. He tries to hit her with his sword, Unferth's Hrunting, but it fails to pierce her skin. So he throws the sword away and attacks the mother with his bare hands. He trusts "in his strength, his mighty hand-grip." Beowulf manages to throw Grendel's mother down; however, she quickly retaliates and is soon sitting on top of him. She tries to kill him with a dagger, but Beowulf's armor protects him this time. Beowulf managed to throw her off of himself and sees a sword of enormous size, which he immediately grabs.
Grendel’s mother is portrayed in a negative and objectified image. First, she has a sexual appeal. Grendel’s mom wears no clothes; her skin is gold, which covers her body. She is half woman and half monster. She has a promiscuous look that draws in attention from the opposite sex. In addition, she has a sexual attitude. Right when Beowulf enters the
Beowulf is an epic tale written over twelve hundred years ago. In the poem, several different female characters are introduced, and each woman possesses detailed and unique characteristics. The women in Beowulf are portrayed as strong individuals, each of whom has a specific role within the poem. Some women are cast as the cup-bearers and gracious hostesses of the mead halls, such as Wealhtheow and Hygd, while others, Grendel's mother, fulfill the role of a monstrous uninvited guest. The woman's role of the time period, author's attitude, and societal expectations for women are evidenced throughout the poem.
Grendel’s mother is a swamp-hag who lives in a desolate lake. She comes to Heorot seeking revenge for her son’s death. She murders Aeschere, who is one of the king’s best friends and most-trusted advisers. After murdering him, she sinks back down into the lake to return to her house. Beowulf decides to pursue her into the lake to fight her in the underwater house. Beowulf kills her with a sword that was made for a giant. After killing her, he discovers Grendel's body in her underwater house. He cuts off Grendel's head and brings it back to the king as another prize to hang in the mead-hall as a
“No better king had ever lived, no prince so mild, no man so open to his people, so deserving of praise.” This is an ultimate description of the heroic events of Beowulf, an old Anglo-Saxon poem about a warrior who battles and destroys three horrifying monsters. Although written long ago, the emotions expressed within this work, emotions of bravery, valor, and ethics still speak to us centuries later. The anonymous author of the poem convinces us through the masterful use of various literary elements that emphasize its meaning and message. Conflict, imagery and setting are three literary elements that contribute to the effectiveness of the poem.
When Grendel's mother arrives to torment the Danes, seeking vengeance for her son’s death, Beowulf’s fight with Grendel's mother
Many readers of the poem Beowulf may find it difficult to distinguish the 'good' kings from the rest – indeed, almost every man who holds a throne in the epic is named at one point or another to be 'good'. By examining the ideals of the time period as identified by the 'heroic code', it becomes clearer that a truly 'good' king is one who generously distributes treasure and weaponry to deserving retainers to honour courage and strength displayed in battle and to encourage the defense of the kingdom (Intro). When Beowulf ascends the throne of the Geats, the heroic traits of courage and strength for which he was so highly praised as a warrior do not serve well in making him a good king. Indeed, by exhibiting the traits of a thane, that is, by
4. Write a short paragraph about something from the class reading that reflects Anglo Saxon culture and/or belief
In Beowulf, varying treatment among each gender is common. Therefore, mistresses are not allowed to perform actions that men were permitted and are required to enact based on society’s standards. Females are not retained from doing heroic deeds because of the structure of their body or the estimated weightlifting qualifications. However, the weakest of males are expected to excel through rigorous parts in their life to represent heroic traits they possess within unearthly powers as men of the Gods. Savage animals were not figurative in the passage, but were viewed just as real as a man’s sword. Without these monsters, the men could not have slain enough to be seen as inhumanly or superior compared to the average man. Males were constantly competing against each other in order to have a place among the Gods.
A lot of people have a routine. A pattern of events that makes their daily lives run with ease. People also have a keen eye for finding routines in the world around us. There are patterns in everything. In music, musicians tend to use the same couple of cords throughout their songs. In movies the hero usually ends up winning. This was a pattern noticed and outlined by Joseph Campbell in his book The hero with a thousand faces. The story will start with an ordinary world in which our hero’s parents are odd in some way. There is a call to adventure which is often initially refused. Then our hero meets a mentor who teaches him about his power. There are some trials and tribulations until the hero overcomes a supreme ordeal. Finally the hero returns
In the poem Beowulf, the most evident theme is the importance of the Germanic heroic code. The heroic code was what made Beowulf so famous and god-like during his renowned life. The code is displayed in the opening lines of the poem and continued to show up throughout the duration of the poem. Heroism is often painted with a protagonist, which causes some acts of heroism to be overlooked when an antagonist follows the heroic code. Throughout the poem, there are many acts of heroism displayed, but many people overlook the way that Grendel’s mother followed the Germanic heroic code. Grendel’s mother follows the Germanic heroic code by showing courage, strength, and honor as Beowulf does throughout the poem, something that is frowned upon in the Anglo-Saxon culture.
As an epic tale of heroes and monsters, Beowulf gives its readers much excitement and adventure, but Beowulf's importance is more than just literary. It offers many insights into the beliefs and customs of seventh-century Anglo-Saxon culture. Among these insights is the Anglo-Saxon view of women and their role in society. Good Anglo-Saxon women are peaceful and unassertive, greeting guests and serving drinks to the warriors and other men in the meadhall. Wealhtheow, the queen of the Danes, represents a typical subservient Anglo-Saxon woman. As a foil to Wealhtheow, Grendel's mother is a strong and combative monster whom Beowulf must kill. By analyzing these two characters in Beowulf, we can understand the
Beowulf, the hero of Anglo-Saxon epic, had many adventures, and many companions and fellow-warriors are mentioned throughout his story. Some of them seem noble and courageous, truly living up to the standards of their culture; some seem cowardly. But all have gained immortality in the words, many times transcribed and translated, of the famous epic. However, the women of the time are rarely mentioned in Beowulf. Still, even from those few women who are mentioned and from other documents of the era, it is possible to see the position of women in of Anglo-Saxon society. In many cases, they enjoyed more rights than women in later Medieval cultures.
After a long journey, you find yourself in uncharted territory. As you scout the area, you notice a small village off in the distance. Upon approaching this settlement, you are greeted by some armed townsfolk. They attack you without warning, and take you to a large hall in the center of town. There, you see many men parading around in an intoxicated stupor, showing off their trophies and talking of their success in past battles and wars. They eat with bare hands, ripping at the food and drinking until they can no longer handle themselves, finding a home on the open floor. The hall is dressed with weapons of war, from shields to swords and everything in between. The women are wrapped in chains, fulfilling their only purpose of serving the
Literary epics tend to follow the basic path in their plotlines of a hero who undergoes a quest, and Beowulf is no different. Beowulf is unique in that his tale is split into two stories taking place decades apart, one when he is a young warrior and the other when he is an old and wise king. Both stories follow the basic structure for a literary epic, a talented hero is charged with a quest, proves himself with a smaller feat, is aided by supplementary characters, enters a foreign and often supernatural environment, faces near-defeat, recovers and triumphs, and then reaps the rewards of his endeavor. Another example of an epic with this structure is Homer’s Odyssey, which blatantly follows the established sequence of events in a hero 's journey.