The Stagecoach : Non Verbal Communications And Social Classes

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The Stagecoach: Non-verbal Communications and Social Classes The Stagecoach, a critically acclaimed film, which followed the adventures of a group of unlikely and unfortunate passengers escaping from the brutality of Geronimo’s Apache warriors, established the precedent of the classic Western movie, containing crucial Western archetypical elements such as Ringo the Kid that has not hardly changed today. Furthermore, Stagecoach espoused social issues of the time by including passengers of varied social status and standing and emphasizing on such interactions that cross the rigidly defined and impermeable social divides at the time. The iconic movie was produced during the transition between silent films and films with spoken dialogue, and the remnants of the former film style are conspicuous throughout the film. Although explicit and spoken plot was crucial for the storyline, non-verbal communication offered implicit cues to attentive audience members. Moreover, the fact that the passengers were representatives of different social standings further amplified such non-verbal communication and cues. While the film Stagecoach established the quintessential Western movie, the film also underscored the importance of non-verbal communication in the genesis of the spoken dialogue era and emphasized the interactions between rigid social classes in a seemingly disordered environment that is the Western frontier. In Stagecoach, non-verbal communication complements the spoken dialogue

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