The Steubenville Rape: The Media Violence Against Women

The first is the stigmatisation of sexual assault victims,. In the documentary we see how Audrie Pott was sexually assaulted, and how pictures of the crime were were circulated on social media. She committed suicide after being harassed, and even blamed for her own assault. Victim-blaming is shockingly common in modern society and its impacts are exacerbated by the capabilities of social media. Within our piece we explore this through a video of Sierra being raped being circulated online, receiving over 100,000 views on Facebook. Comments on the video also depict a culture of character assassination by viewers, ‘look at this slut, she’s probably got an STD’. One audience member reflected on the portrayal of social media within our piece, ‘it was amusing at times and also realistic, especially the victim-blaming comments.’ Overall, we were happy with how the social media scene reflected the realities of stigmatisation, however we also reflected on how to

In the riveting documentary Audrie & Daisy, husband and wife director team Bonnie Cohen and Jon Shenk retrace the events leading up to the harrowing sexual assaults of three teenage girls; Audrie Pott, Daisy Coleman, and Paige Parkhurst, and expose the agonizing after effects and exploitation of the assaults. Subsequent interviews with family members, friends and law enforcement officials give important details about the aftermath of the events, and introduce viewers to possibly the biggest villain of all, Sherriff Darren White of Maryville, Missouri. Throughout the documentary White appears smug when he states that “as County Sheriff, “the buck stops here” (Darren White), and when asked about the crimes committed by Maryville’s football star, he rebuts with “was there a crime?” (Darren White). As the film moves through the twists and turns of the cases, the settings, conflicts, and tragedies are enhanced by the use of montage, long and subjective shots, close-ups and personal sketches that submerge the audience into the victim’s point of view. At the conclusion of the film, the viewer is left to decide what constitutes sexual assault and rape, and if society and law enforcement are to blame for today’s ‘rape culture’ acceptance and the continued victimization of young girls. It also reveals how much can be hidden from parents, and how disconnected they can become from their children in a social media world.

Carol Logan Patitu’s article focuses on incidents of date rape and how they are increasing, especially on college campuses. As with any issue of this magnitude, there are bound to be differing attitudes toward the rape victims. The author portrays her writing from both sides. One side being sympathetic to the rape victims and the opposing side, giving no sympathy but believing they are crying out for attention. By providing charts and examples along with real life situations, Patitu is able to keep the relationship between the reader and the test subjects relevant. But I will be focusing on the first part, where Patitu talks about the sympathy that is given. In the contradicting piece, I chose Robin Wilson’s article about the national campaign against rape cultures on college campuses. This campaign brought attention to sexual violence, and to victims (typically women) who have long described being ignored. But others think the movement has gone too far, labeling some innocent students as rapists, which is where Wilson revolves her article around. The opening statement of this paper is ‘College men accused of rape say the scales are tipped against them’. It explains how women target men and people tend to take the side of the women over the men, even if the man is innocent. Wilson as tells how she feels the movement against rape has gone too far and people need to step back, because, men in college are losing their chances at a triumphant future.

In “ ‘A Steep Price…’” it analyzed the opinions of the public, media, victim, and aggressor in defending their particular take on the case. The article offers mild bias, so it does not completely report the events of the case, because it mostly focuses on the opinionated effects and not so much the facts. In “Feminist Put Judge...”, major bias is introduced by claiming to be in support of the feminist cause; however, the article uses a stronger ethical appeal to attract a broader, more unified audience. In “Here’s the Powerful Letter…”, the author recants the letter the victim wrote to her attacker, Brock Turner. She not only aims for the audience to feel the distress and havoc the case has relinquished on her life, but also a chance to spread a more positive message to thank her supporters while encouraging her audience to stand up for themselves and their self worth. The overall purpose of analyzing all these different media sources is to be able to recognize how the multiple points of view that a story can be told from will alter the objectivity of the event. A society’s culture will emphasis bias or certain point of views to get the public to believe one interpretation of the story based on the

In recent history, there have been many cases of rape all over the world that have been sparking public outrage, not only because of the perverse acts but also for the way that society has responded to these attacks. The Steubenville, Ohio case is one account, where a sixteen year old girl was raped by two high school football players. Instead of focusing on the tragedy of the rape, the public and the media chose to speak about the two rapists - the boys - and how their promising football careers were over. It was suggested that the girl was at fault for being drunk, and that she was known for lying in the past, and could possibly be lying about the case (Poladian, 1). This is only one example of

Recently, I happened to run into a video while I was looking for information for my research paper on rape and stumbled upon the "Steubenville rape case". I'm sure a lot of you are familiar with the case, if not, in 2013 a 16 year old went to a party and got so dunk she could barely move. Two star football players who attended her school took her to different parties throughout the night and sexually molested her. They later on laughed about it on social media and posted graphic pictures with disturbing captions. CNN was one of the many news stations that reported the case. To my surprise and as for many who watched, the CNN reporter was extremely bias in favor of the rapists.

In the article, “When Rape Goes Viral,” Ann Friedman, a columnist for New York magazine’s website and the Columbia Journalism Review, argues that in this time period that sexual assaults are becoming more aware of and tackled due to social media. People are viewing these assaults by videos, picture, and postings from different social media pages, claims Friedman. Friedman reports that the postings of these pictures and videos have helped in multiple cases of sexual assaults. If there were no photos or videos of evidence from the cases then some of the convictions that have been made throughout time might not have ever happened, argues Friedman. She insists that the post with the most attention leave the victims in traumatic circumstances that

In a ground breaking documentary, that gained rotten tomatoes of 93%, The Hunting Ground, displays a monumental depiction of the rape culture on college campuses. This film spread like while fire and was highly talked about among college campuses. The documentary captures real life survivors known as “degraduates” because they are seeking not only their degree but justice (Dick et. al., 2016, p. 4). Some of the victims feel that justice still has not been served, which brings upon devastation on not only the victim but the victim’s families.

In the riveting documentary Audrie & Daisy, husband and wife director team Bonnie Cohen and Jon Shenk retrace the events leading up to the harrowing sexual assaults of three teenaged girls; Audrie Pott, Daisy Coleman, and Paige Parkhurst, and expose the agonizing after effects and exploitation of the assaults. Subsequent interviews with family members, friends and law enforcement officials give important details about the aftermath of the events, and introduce viewers to possibly the biggest villain of all, Sherriff Darren White of Maryville, Missouri. Throughout the documentary White appears smug while he states that “as County Sheriff, “the buck stops here” (Darren White), and when asked about the crimes committed by Maryville’s football star, he rebuts with “was there a crime?” (Darren White) As the film moves through the twists and turns of the cases, the settings, conflicts, and tragedies are enhanced by the use of montage, long and subjective shots, close-ups and personal sketches that submerge the audience into the victim’s point of view. At the conclusion of the film, the viewer is left to decide what constitutes sexual assault and rape, and if society and law enforcement are to blame for the today’s ‘rape culture’ acceptance and the continued victimization of young girls. It also reveals how much can be hidden from parents, and how disconnected parents become from their children in a social media world.

Sexual assault and violence is increasing due to advertisements misinforming people into believing that such behavior is acceptable. “In the 1960’s Kilbourne found that she received more recognition for her looks rather than her intelligence” (Grean and Lidinisky, 490). Perhaps this is why Kilbourne wrote her book, Deadly Persuasion, analyzing this problem. Kilbourne found herself in the environment bubble the media is creating where the objective analysis of people is acceptable. Kilbourne’s book is an attempt to bring awareness towards how much harm the media’s portrayal of people is generating. Kilbourne’s book is mainly targeted towards women, and is trying to spur them towards action in an attempt to change the world and, more

Ali Owens wrote this article to convince readers that rape culture is a very real and harmful thing that silences victims and allows criminals to run free. Victims around the world are silenced because of a society that chooses to blame them for the acts committed against them. Today, rape culture is evident in how the police and society treat the situation. Owens provides examples of rape culture through scenarios that women often find themselves in and uses imagery to allow readers to feel as if they are watching them unfold. A woman hesitates to call an Uber and is accused of “unfairly judging men,” but then, political leaders, such as Donald Trump, tweet about the inevitable sexual assault in the military because “they put women and men together.” A woman is scared

Media representation has always been a topic of debate, from representation of minority groups, individuals with mental illnesses and gender presentations. The latter, of course, turns mostly towards the female characters as they are presented in various medias; movies, news, and television shows. The representation of women in the media has always been leaning more towards ‘pleasing’ than it is towards informative or accurate. Representation of female offenders in the media has not deviated from the route that other representations of female factions has gone, focusing more on what is pleasing and entertaining than what is not harmful to the demographic as a whole. Women who are represented as offenders are done so in a way that is

University of Tennessee Knoxville was recently involved in a lawsuit for enabling athletes to sexually assault women by silencing the victims and failing to provide disciplinary actions or even investigation onto the accused. While this is a recent case, this is not the first time this sort of behavior involving a school has been brought into light. One in four women will be sexually assaulted by the end of their undergraduate career (Posluszny). Sexual assault happens throughout society no matter what the gender or age, seeming to be in increasing epidemic over the last few years. While the idea of sexual assault is largely met with public hostility in theory, actions often contradict this. This contradiction lies heavily in a culture that is unwelcoming to the victims and often leads to the perpetrators being tolerated. The existence of rape culture in western society occurs due to the preservation of violent media, patriarchal standards, and the state of the criminal justice system. This culture cannot be improved until we confront each of these problems to their roots.

For women, their crimes or violence may be overstated in the media as a result of stigma as they can be stigmatised twice, both as criminals and as breaking societal conventions of femininity (Collins, 2016; Lightowlers, 2019). This means that violence committed by women challenges dominant ideas of gender and therefore may be presented in the media as particularly concerning or frightening, while violence committed by men is understood as an aspect of masculinity so is seen as more ordinary (Gurian, 2011). This can lead to women who commit violence being presented as masculine, and as contradicting their natural role of caring (Gurian, 2011). In addition, as violence committed by women is seen as rare and shocking, it can lead to these women being presented as hyper-violent, making it seem as though women are now more likely to engage in criminal activity than previously (Collins, 2016). This has led to girls and women becoming hyper-visible in media and popular discourse as they are apparently becoming increasingly violent and dangerous, despite the fact that they break the law less than men do (Sharpe and Gelsthorpe, 2015).

Along with television shows, news stations are accused of trivializing rape aswell. How many times have you heard, “She asked for it.” or any other type of victim blaming, or a derivative of,“Boys will be boys.” to make rape seem like not such a big deal (1a)? News channels will even go as far as scrutinizing a victim’s dress, mental state, motives and history to make the victim seem in the wrong about their rape (1a). Some channels will inflate the fake rape statistics to make rape seem like a less