Albert Camus’ portrayal of the emotional being of the main character in The Stranger is an indirect display of his own personal distress. The use of symbolism and irony presented throughout this novel is comparable with the quest for such that death itself would be nonetheless happy. Camus’ irrational concept is based off the exclusion of any logical reasoning behind the events in the text.
Meursault’s first impression given to the reader is that of ignorance and a nonchalant behavior to indifference of life itself. He is a detached and deathly honest man who refuses to lie about himself to save his life; a simple man, whose moods are painfully dictated by the powers of Nature; and an independent man, one who will not accept God, or any of society’s formulas for happiness. In paragraph one it states, “Mother died today, or, maybe yesterday; I can’t be sure.” This basically shows his emotionless attitude towards love or losing someone close, ensuring the reader of Meursault’s coldhearted vibe and carelessness for human life. The ironic situation of Meursault’s mother being dead Instead of grieving at the news of his mother’s death, he is cold, detached, and indifferent. When he receives the telegram, his primary concern if figuring out which day his mother died. The fact that he has no emotional reaction at all makes Meursault difficult to categorize. If he were happy that his mother died, he could be simply cast as immoral or a monster. But Meursault is neither happy, nor
Furthermore, Camus uses family and personal relationships as a way to develop the protagonists’ isolation in the novel, working in providing context for the developing plot. In The Stranger, the author uses this methodology
Finding the meaning of life has been an endeavor undertaken by countless philosophers with almost no uniformity from their answers. Ranging from promises of eternal life, to the belief that life has no meaning at all, Albert Camus, a French philosopher, offers his own unique view on the matter. In Camus’ novel The Stranger, he uses the beach scene where Meursault, the main character, kills an Arab in order to signify that life definitely has a meaning at times, albeit with absurd implications.
Camus published “L'Etranger” or “The Stranger” during World War II, and it became one of his most discussed works in Europe (Rhein). The popularity of Camus’ work can be attributed to the overall feelings in Europe brought by the havoc of war that had left the lands marred. Many people throughout Europe were hurt by the war and began to question the point of life amidst such destruction. This resonates with the modern audience as well because “The Stranger” continues to play on themes that can be seen in the horrifying occurrences that fill the media today (Rhein). Many atrocities allow a modern audience to relate to the events of WWII, such as the 9/11 terrorist attacks, the Rwandan Genocide, and the Haitian earthquake, which leave many questioning
4 The analogy of living “in the trunk of a dead tree” and getting used to it portrays the existentialist ideology because it shows that Meursault has the freedom to think and to choose to to be
In the novel, The Stranger by Albert Camus, Meursault the protagonist, becomes drawn into a “senseless” murder that has to face the absurdity of life and because of his actions, Meursault is presented as a danger due to his lack of “morality” to society. Meursault who is not able to take control of his life but respond to what life offers him believes in the simplicity of life. He tries to understand the living through logic and objectivity, which ultimately turns futile, as he himself cannot maintain proper control over his thoughts and emotions. From the interactions between Marie, to the murder of the Arab, and the meeting with the Chaplain, Meursault overcomes his indifferent views to form an opinion about what life really means. The central theme presented by Camus is how the threat of mortality becomes a catalyst for understanding the significance of life.
Meursault was introduced as a young man whom recently found out his mother, Maman, died. He was not the most emotional person, but he dealt with his feelings the best he knew how. Meursault lived his life on the verge of truth and honesty. He was honest within every aspect of life, from women to freedom. He was never certain about anything in life ,but one thing he was sure of, death was inevitable. After murdering an Arab, he was on trial in front of many people being interrogated with many questions about why he did what he did, but also to evaluate his psyche about the situation. Unlike others, Meursault did not hide from the truth and that is what others could not cope with. Living his life the way others were afraid to, Meursault was the outcast in his society.
The novel initially begins with Meursault receiving a telegram that mentioned his mother’s death. The narrator provided a detailed step-by-step process of what his next plan was after realizing that he now has to go to a funeral the next day. Despite the fact that this was prior to the actual funeral, Meursault was nonetheless apathetic towards his mother’s passing and did not convey any type of common emotions an ordinary individual would present after finding out about a relative’s death. He acted as if he already experienced finding out about the death of his mother since he failed to show any signs of sympathy or interest. The incorporation of this scene
The French philosopher Roland Barthes once said, “Literature is the question minus the answer” (Barthes 2). This statement hold true for most works of literature that explore a central question. According to Barthes, literature often raises a question, but leaves it up to the reader to determine the answer. The Stranger by Albert Camus is an excellent example of how a central question, “Is there value and meaning to human life?” is raised and left unanswered, resulting in different interpretations of the answer, depending on the viewpoint of the reader. Although the question is never explicitly answered, Camus offers perspectives on what French society regarded the answers to be, such as connections with others, elusion to freedom, and faith in religion and God.
This novel is a first person narrative of M. Meursault, from the time he finds out his mother has passed away up to minutes away from his execution. In the novel The Stranger, Albert Camus reveals how the significance of our life can only be understood when we become moral; and in showing Meursault's consciousness develop through the story line, Camus demonstrates how approaching death affects how we perceive life. The novel begins when Meursault finds out that his mother has passed away.
“He looked upset and told me that I never gave him straight answer, that u had no ambition, and that that was disastrous in business.” Ambition is suppose to lead to happiness and Meursault was not happy or unhappy. The happiness of others was also no care of his. Who had became victim the most of this carelessness was Marie. He did not care whether or not Marie and him would get married, even if she had from early on had said she loved him and wanted to spend the rest of her life with him.
The story begins with “Maman died today. Or yesterday maybe, I don’t know” (3). The lines introduce Meursault’s key personality trait, his indifference. He simply states the facts and has little emotional expression when talking about his mother’s passing. At his mother's funeral, he felt others expected him to talk and show emotion and it made him uncomfortable.
Death is the only certainty everyone will die regardless of everything. The Stranger by Albert Camus relies on death to show the degradation of Meursault's , the main character , absurdist beliefs throughout the novel with a sudden revitalization at the end. Through Meursault’s encounters with death at different points in the novel the author Camus conveys to his readers how death or coming to accept death allows a person to accept their beliefs while living yet not accepting death causes people to contradict their beliefs. In the novel, Meursault experiences the funeral of his mother, trail for the murder of an arab, and himself being condemned to death thus these events in the novel allows to Camus expresses his message about death.
The novel The Stranger, by Albert Camus, translated by Matthew Ward, follows the story of a man, Meursault, and how his emotionless way of living and his one grave mistake ends up killing him through a court of law. Throughout his journey, there is tension in him, and between him and other people and groups. This tension is represented throughout this novel with the motif is heat. And as tension can grow and is part of everyday life, it is part of Meursault’s as well. Furthermore, through tension and it growing, it can result in a conflict of multiple varieties. This motif comes up at scenes such as the trial in the courtroom, the conflict on the beach with the Arabs, and the magistrate and his heated argument. And due to Camus specific placement of the motif during these scenes, it also foreshadows conflict and trouble throughout the novel. Camus’ motif of heat shows a tension between opposing sides to foreshadow various types of conflict which demonstrate the theme that tension leads to conflict.
Albert Camus, born in colonized Algeria, a father to absurdism, and author of The Stranger confronts the philosophical themes of purpose, integrity, and passivity. The Stranger’s main character, Meursault, is a laconic man whose passive actions and brutal honesty lend to connections in his court trial. Those of which condemn him to execution. Meursault falls victim to his complete honesty, complete passivity, and disregard for the purpose of action. He is straightforward, and his actions usually follow his thoughts. Actions and decisions that most average people regard as serious, Meursault regards as arbitrary. Meursault’s exemplification of absurdism proves to not only lend to his characterization, but as a comfort in his death as well.
“Life has to be given a meaning because of the obvious fact that it has no meaning.” Henry Miller